Thursday, December 31, 1970
Last updated on August 30, 2023
Article End of December 1970 • Paul McCartney places a full-page ad in New Musical Express
Article Dec 26, 1970 • Melody Maker reports The Beatles are looking for a new bassist
Article Dec 31, 1970 • Paul McCartney files a lawsuit against the other three Beatles
Session Jan 03, 1971 • Overdubs for "Uncle Albert/Admiral Halsey"
Article Jan 09, 1971 • Paul McCartney purchases more land in Scotland
Dec 31, 1970 • Paul McCartney files a lawsuit against the other three Beatles
Feb 19, 1971 • The trial for the dissolution of The Beatles' contractual partnership - Day 1
Feb 22, 1971 • The trial for the dissolution of The Beatles’ contractual partnership – Day 2
Feb 23, 1971 • The trial for the dissolution of The Beatles’ contractual partnership - Day 3
Feb 24, 1971 • The trial for the dissolution of The Beatles’ contractual partnership – Day 4
Feb 26, 1971 • The trial for the dissolution of The Beatles’ contractual partnership – Day 6
Mar 12, 1971 • The trial for the dissolution of The Beatles' contractual partnership - Decision
Apr 25, 1971 • John Lennon, George Harrison, Ringo Starr decide not to appeal High Court order
On this very last day of 1970, Paul McCartney filed a lawsuit against the other three Beatles – John Lennon, George Harrison, Ringo Starr – and Apple Corps, in London’s High Court, seeking an end to The Beatles’ contractual partnership, and requesting that a receiver should be appointed to manage Apple till the case is settled.
The case would open in the Chancery Division of the High Court on January 19, 1971.
From Wikipedia:
[…] McCartney’s wish to dissolve the partnership was problematic, since it would expose them all to enormous tax liability, and his pleas to be released from Apple were ignored by Lennon, Harrison and Starr. McCartney said he struggled all through the summer of 1970 with the idea of having to sue his bandmates in order to be free of Apple and Klein. Anticipating the suit, Klein suggested that the other Beatles invite McCartney to a recording session in October where Lennon and Harrison were due to work on Starr’s song “Early 1970”. Klein reasoned that if McCartney attended, it would show that the Beatles’ musical partnership was still active and undermine McCartney’s case. McCartney did not accept the invitation. In December, Harrison and McCartney met in New York to discuss their differences but the meeting went badly. The press nevertheless interpreted the meeting as a truce between the two parties and, since Lennon was also in New York that month, reports insisted that the Beatles would soon re-form.
On 31 December, McCartney filed a lawsuit against the other three Beatles in London’s High Court of Justice for dissolution of the band’s contractual partnership. For Beatles fans, news of McCartney’s legal action and the publication of Lennon’s two-part “Lennon Remembers” interview in Rolling Stone increased the distasteful atmosphere surrounding the group’s demise. Time magazine dubbed the confrontation “Beatledämmerung”, in reference to Wagner’s opera about a war among the gods. […]
For me, I want to get out of the contract. I think the group is finished. We’ve split and everything that we’ve ever earned should now be split. They don’t agree. They think it should continue exactly as planned. But if the three of them want to, they could sit down today and write a little bit of paper saying I’ll be released … that’s all I want!
Paul McCartney – From “The Beatles: Off The Record 2 – The Dream is Over: Dream Is Over Vol 2” by Keith Badman
You see, there was a partnership contract put together years ago to hold us together as a group for 10 years. Anything anybody wanted to do — put out a record, anything — he had to get the others’ permission. Because of what we were then, none of us ever looked at it when we signed it. We signed it in ’67 and discovered it last year. We discovered this contract that bound us for 10 years. So it’s ‘Oh gosh, Oh golly, Oh heck,’ you know. ‘Now, boys, can we tear it up, please?’ But the trouble is, the other three have been advised not to tear it up. They’ve been advised that if they tear it up, there will be serious, bad consequences for them. The point, though, to me was that it began to look like a three-to-one vote, which is what in fact happened at a couple of business meetings. It was three to one. That’s how Allen Klein got to be the manager of Apple, which I didn’t want. But they didn’t need my approval.”
Listen, it’s not the boys. It’s not the other three. The four of us, I think, still quite like each other. I don’t think there is bad blood, not from my side anyway. I spoke to the others quite recently and there didn’t sound like any from theirs. So it’s a business thing. It’s Allen Klein. Early in ’69 John took him on as business manager and wanted the rest of us to do it too. That was just the irreconcilable difference between us.
Klein is incredible. He’s New York. He’ll say ‘Waddaya want? I’ll buy it for you.’ I guess there’s alot I really don’t want to say about this, but it will come out because we had to sort of document the stuff for this case. We had to go and fight — which I didn’t want, really. All summer long in Scotland I was fighting with myself as to whether I should do anything like that. It was murderous. I had a knot in my stomach all summer. I tried to think of a way to take Allen Klein to court, or to take a businessman to court. But the action had to be brought against the other three.
Paul McCartney – From interview with LIFE Magazine, April 1971
You once said that your only regret in life was that The Beatles break-up was so bitter.
Mmm. There might have been a few regrets after that. But, yeah, the way we broke up was very regrettable. I’ve always said that The Beatles should have finished with a puff of smoke and magic robes and envelopes stuffed with cash. Sadly, it didn’t. John always talked about it in terms of marriage and divorce and it was very much like that. Without a shadow of a doubt, that period was the weirdest time in my life. Allen Klein had come in and was about to take over The Beatles just as he’d taken over the Stones. I felt like I was being ambushed. If the other three wanted to be taken over, that was up to them. But I didn’t want to be taken over by this guy. The very worst of it was when I realised that the only way I could get rid of Allen Klein was to sue The Beatles. I didn’t want to do it. But the more powerful Klein got, the more inevitable it became. It was like suing your family or suing your best mates. You can imagine how that felt. But I had the choice of going ahead with it or going under. If I hadn’t done it, The Beatles would have been totally captured by this guy.
Paul McCartney – From interview with MOJO, 2004
My biggest problem was I had to sue the Beatles; I tried to sue [Apple Group business manager] Allen Klein, but he wasn’t a party to any of the agreements, so I ended up having to sue my best friends as a technical matter. It was the last thing in the world I wanted to do, but it was pointed out to me that it was the only way to do it.
Paul McCartney, interview with Billboard, 2001
I really felt that Klein had to be got rid of because I could see that he wasn’t doing us any good. He got $5 million off us in the first year he managed us and he wanted more and I was just trying to fight for us. I was saying, ‘Don’t give him 20 per cent, give him 15. We’re a massive group,’ and they were saying, ‘Oh come on, you’ve got to give him twenty.’ And I was saying, ‘What do you mean?’ It all got so crazy that I decided that I had to sue Allen Klein. So I got all my lawyers and I said, ‘I’ve got to get out. We’ve got to do this or else he’s going to have everything that I’ve worked for, and the others.’ That’s the way I saw it. The lawyers then got on the case and they said, ‘Oh, oh, we can’t sue Allen Klein.’ And I said, ‘Why not?’ And they said, ‘He’s not a party to any of the agreements. You’ll have to sue The Beatles.’ So I said, ‘Well, I can’t do that. There’s no way that I can do that.’ So about two months later, while I was on the hill up in Scotland, with the mists, I was thinking, ‘I’ve got to do something. But I can’t do what I’ve got to do.’ It took me two months to decide that I had to do it, sue The Beatles! It was murderous. I had a knot in my stomach all summer. It didn’t matter, they were parties to Klein and I had to actually go and sue them. You can imagine what I had to go through suing my best mates and seen to sue my best mates. That was the worst and knowing that no one would understand it. No one would understand why I had to do it, not even if I put out 50 million press releases… My lawyer, John Eastman, he’s a nice guy and he saw the position we were in, and he sympathised. We would have these meetings on top of hills in Scotland; we’d go for long walks. I remember when we actually decided we had to go and file suit. We were standing on this big hill, which overlooked a loch; it was quite a nice day, a bit chilly and we had been searching our souls. The only alternative was seven years with the partnership, going through those same channels for seven years…
There was a partnership contract put together years ago (January 1967) to hold us together as a group for ten years. Anything anybody wanted to do, put out a record, anything, he had to get the others’ permission. Because of what we were then, none of us ever looked at it when we signed it. We signed in ‘67 and discovered it last year. We discovered this contract that bound us for ten years. So it was, ‘Oh gosh, oh golly, oh heck,’ you know. (I said) ‘Now, boys, can we tear it up, please?’ But the trouble is, the other three have been advised not to tear it up. They’ve been advised that if they tear it up, there will be serious, bad consequences for them.
Paul McCartney – From “The Beatles: Off the Record 2 – The Dream Is Over” by Keith Badman
I dig John. There is a rift, but it’s not a bad one. I just want to get out of this trap. I want to dissolve The Beatles’ partnership. I suppose it ceased to be a working partnership eight months ago. I left in June. Songwriting between John and I came to a halt a year ago, but The Beatles’ partnership goes on for seven more years (sic) and this is why I want out now. The other three of them could sit down now and write me out of the group and I would be quite happy. I could pick up my cash and get out. I don’t know how much is involved but I don’t want Allen Klein as my manager. For my future, I am just going to write songs and they will be better than ever. I have got an album ready for release now.
Paul McCartney – January 1, 1971 – From “The Beatles: Off The Record 2 – The Dream is Over: Dream Is Over Vol 2” by Keith Badman
When we were starting to break up, we found a contract which bound us together for ten years and it had another five years to run. We had signed this and then forgotten about it. Klein insisted that we kept to it and that’s why I had to sue the others, because I could not sue Klein… It’s not the boys; it’s not the other three. The four of us, I think, still quite like each other. I don’t think there is bad blood, well not from my side anyway. I spoke to the others quite recently and there didn’t sound like any from theirs. It’s a business thing. It’s Allen Klein… Klein is incredible. He’s New York. He’ll say, ‘Waddaya want? I’ll buy it for you.’ I guess there’s a lot I really don’t want to say about this, but it will come out because we had to document the stuff for this case… We began to talk about the suit, over and over. I just saw that I was not going to get out of it. From my last phone conversation with John, I think he sees it like that. He said, ‘Well, how do you get out?’
In England, if a partnership isn’t rolling along and working, like a marriage, then you have reasonable grounds to break it off. Good old British justice! But before I went into this, I had to check out in my mind, is there such a thing as justice? Like, I throw myself into the courts and I could easily get caught, tell the story, put it all in there and then justice turns around… I mean, these days people don’t believe in justice. I really think the truth does win, but it’s not a popular thought. But then, all my life, I’ve been in love with goodies as against the baddies … People said, ‘It’s a pity that such a nice thing had to come to such a sticky end.’ I think that too. It’s a pity. I like fairy tales. I’d love it to have The Beatles go up in a little cloud of smoke and the four of us just find ourselves in magic robes, each holding an envelope with our stuff in it. But you realise that you’re in real life and you don’t split up a beautiful thing with a beautiful thing.
Paul McCartney – From “The Beatles: Off the Record 2 – The Dream Is Over” by Keith Badman
It all comes down to one basic fact, which is, in my opinion, The Beatles haven’t finished as a group and me being in a new group, with a new line-up. I believe that, no matter what the consequences are, the tax consequences, or, ‘Sorry boys, you can’t do that, we’ve got a contract.’ The relationship in which we started the group was that if any one of us was in trouble and wanted to get out and was in a sticky situation, our view was that we’d sit down and see what we could do about it. Well, in fact, it’s just the opposite that has happened. It all boils down to one fact, they have my contract.
Paul McCartney – talking to BBC reporter Mike Hennessey – From “The Beatles: Off the Record 2 – The Dream Is Over” by Keith Badman
It was a nightmare. I don’t really like talking or even thinking about it. In a nutshell, this guy came in to rob the Beatles. A certain American manager was burgling the Beatles. And I spotted the burglar. Nobody else did. They rather liked this guy, and they welcomed him in.
I had the choice of busting the burglar, or allowing him to take everything from the house. I need to bust this guy or there’ll be nothing left. I said to people, OK, I’ll sue this guy. They said, “You can’t. If you do anything you have to sue the Beatles.” I couldn’t do that. It was a good few months before I could even get my head around it. Meanwhile, he was in the drawers and nicking everything.
Eventually, I got around to doing that. But it created real bad feeling between the Beatles. It created bad feeling in the public arena because all they saw was me suing the Beatles. You couldn’t explain to people why. I think people understand it now. But at the time it was a nightmare.
I tried my best in the press to say, Oh, blah blah blah, I couldn’t sue Allen Klein, blah blah. It was a shitty time for me. The only option was to either let him take it all, and all of us just swim along with him… but the truth of the matter is that he was a total cunt. He said I was fine: ‘Don’t worry, McCartney loves me’. And I knew I was hating the bastard. He was a crook and I could see it.
But to get away from him I had to sue the guys. And as you know, Liverpool, the mates, no matter how much we were arguing, it’s one thing you don’t ever want to do. […]
Paul McCartney – From “Conversations with McCartney” by Paul du Noyer, 2016
It was the worst time of my life, really, and the worst time of all our lives. The whole thing had gone sour. This battle was there, and I was just trying to save our fortune for us.
Paul McCartney – From “Conversations with McCartney” by Paul du Noyer, 2016
BEATLE Paul McCartney yesterday started High Court proceedings to end the Beatles partnership.
In a writ issued in the Chancery Division he claims a declaration that the partnership “The Beatles and co.,” formed in April, 1967, “ought to be dissolved and accordingly be dissolved.”
He also asks that the partnership affairs be wound up; that accounts and inquiries be taken and made, including in particular an account of all partnership dealings and transactions between the partners; and that a receiver be appointed of the partnership’s assets.
Defendants to the action are John Lennon, George Harrison, Ringo Starr (sued under his real name of Richard Starkey) and Apple Corps Ltd.
Leslie Perrin Associates Ltd., Press and public relations consultants, stated on behalf of all four defendants, “We have nothing to say at the moment.“
The Apple organisation was formed as the Apple Corps Ltd., early in 1968. One of its purposes was stated to be “to encourage unknown literary, graphic, and performing artists.” […]
From Daily Mirror, January 1, 1971
PAUL STARTS COURT MOVE TO SPLIT THE BEATLES
PAUL MCCARTNEY today started High Court proceedings to end the Beatles’ partnership. In a writ issued in the Chancery Division today, he claims a declaration that the partnership “The Beatles and co.” formed in April, 1967, “ought to be dissolved and accordingly be dissolved”.
He also asks that the partnership affairs be wound up, that accounts and inquiries be taken and made, including in particular an account of all partnership dealings and transactions between the partners; and that a receiver be appointed of the partnership’s assets.
Defendants to the action are John Lennon, George Harrison, Ringo Starr (sued under his real name of Richard Starkey) and Apple Corps Ltd.
The writ was issued by Messrs Ashurst, Morris Crisp and Co., solicitors for Mr McCartney. Mr McCartney’s address is given as Cavendish Avenue, St John’s Wood, London. The address of Mr Lennon, sued as “John Ono Lennon” is “Tittenhurst Park, Ascot, Berkshire, “now at the Regency Hotel, New York”; Mr Harrison’s is Friar Park, Henley-on-Thames, Berkshire; Mr Starkey’s Round Hill, Compton Avenue, Highgate, London; and Apple Corps Ltd’s Savile Row, London.
The Apple Organisation was formed as the Apple Corps Ltd early in 1968. One of its purposes was stated to be “to encourage unknown literacy, graphic and performing artists.” In June 1968, the company bought new headquarters, 12,000 feet of accommodation at Savile Row, Mayfair, for £500,000.
From Aberdeen Evening Express – December 31, 1970
McCartney Seeks To Dissolve 2 Beatles’ Firms
LONDON – The New Year opened with final irrefutable confirmation that the Beatles are no more as one entity. Paul McCartney initiated High Court action to dissolve the Beatles and Co., formed in April 1967, and Apple Corps. He wants a full rendering of accounts and assets and four-way split of these between himself and the other three erstwhile group colleagues. It has been common knowledge that the Beatles have been glaring eye to eye more often than seeing eye to eye since soon after the death of their manager Brian Epstein. It’s understood that McCartney wanted Lee Eastman, now his father-in-law, to succeed Epstein in guiding their fortunes, but John Lennon, George Harrison and Ringo Starr overruled his choice in favor of Allen Klein. That decision was it as far as McCartney was concerned, and Lennon went into detail about his change in attitude towards the rest of the group in a recent interview published in an underground magazine.
Lennon’s friendship and marriage to Yoko Ono also is said to have taken a disruptive effect on the foursome, and the rather sorry end to the twentieth century’s most spectacular and legendary pop partnership will be a probably prolonged and acrimonious spell of litigation. The exact monetary value of the Beatles and Apple Corps has not yet emerged, but some quarters estimate it at being in excess or £40 million. Experts in such matters have already pointed out that, in the event of a division of the assets between the foursome, the capital gains tax is likely to make fearsome inroads into each share unless some satisfactory formula can be found to circumvent this hazard.
From CashBox Magazine, January 23, 1971
Beatles’ long and winding road to oblivion
PAUL McCARTNEY’S decision to wind up the Beatles puts an official end to the speculation that the world’s most successful pop group will ever record or appear live together again. But MM readers had the news direct from McCartney when he wrote personally to the MM in August stating that the group would never play together again.
McCartney issued a writ last Thursday and also a notice of motion which will come before a Chancery Judge in the High Court on January 19. It is extremely unlikely that the Beatles will attend this hearing in person.
Paul is seeking an injunction to appoint a receiver, that the partners in Beatles and Co. deliver all papers and books of records to the receiver, and is also requesting an order for a financial account of dealings and transactions between the partners themselves, and an order that the receiver be at liberty to draw up financial accounts from its inception.
Ambiguity in the wording of the writ and notice of motion leaves none of the parties involved in a position to comment on the case. Apple had no statement to make and neither had publicist Les Perrin, who is acting for John Lennon, George Harrison and Ringo Starr. McCartney’s solicitors were equally unwilling to commit themselves.
However, an independent solicitor told the MM: “It seems like a simple dissolution of partnership case, rather like winding up a company. The court will decide who should take what when the receiver has looked into the accounts. In the Beatles case it would a fairly long and involved business because their affairs are pretty far flung. The first hearing is something of a formality when McCartney will ask for the appointment of a receiver. If there are no objections, one will be appointed and he will report back to the courts with his findings. This may take a considerable time. There is no obligation for the Beatles themselves to be in court. They can be represented by counsel.“
It seems ironic that the final dissolution of the group should come at a time when their solo records are selling so well – especially in America. The reluctant Apple man said: “Sales in the States are about as good as they were in 1965.“
In the American album charts, George Harrison’s triple set “All Things Must Pass” is set at No.1, and John Lennon’s solo album is at No. 3. Harrison also has the top single with “My Sweet Lord”.
Apple Corps Ltd is also mentioned as a defendant to McCartney’s action. Formed in 1968, the Apple Organisation spent £500,000 on new headquarters in Mayfair’s Savile Row. Even today, it is rare not to see a hopeful Beatle fan sitting on the steps outside the building.
From Melody Maker, January 9, 1971
The Beatles Diary Volume 1: The Beatles Years
"With greatly expanded text, this is the most revealing and frank personal 30-year chronicle of the group ever written. Insider Barry Miles covers the Beatles story from childhood to the break-up of the group."
We owe a lot to Barry Miles for the creation of those pages, but you really have to buy this book to get all the details - a day to day chronology of what happened to the four Beatles during the Beatles years!
The Beatles Diary Volume 2: After The Break-Up 1970-2001
"An updated edition of the best-seller. The story of what happened to the band members, their families and friends after the 1970 break-up is brought right up to date. A fascinating and meticulous piece of Beatles scholarship."
We owe a lot to Keith Badman for the creation of those pages, but you really have to buy this book to get all the details - a day to day chronology of what happened to the four Beatles after the break-up and how their stories intertwined together!
The Beatles - The Dream is Over: Off The Record 2
This edition of the book compiles more outrageous opinions and unrehearsed interviews from the former Beatles and the people who surrounded them. Keith Badman unearths a treasury of Beatles sound bites and points-of-view, taken from the post break up years. Includes insights from Yoko Ono, Linda McCartney, Barbara Bach and many more.
Maccazine - Volume 40, Issue 3 - RAM Part 1 - Timeline
This very special RAM special is the first in a series. This is a Timeline for 1970 – 1971 when McCartney started writing and planning RAM in the summer of 1970 and ending with the release of the first Wings album WILD LIFE in December 1971. [...] One thing I noted when exploring the material inside the deluxe RAM remaster is that the book contains many mistakes. A couple of dates are completely inaccurate and the story is far from complete. For this reason, I started to compile a Timeline for the 1970/1971 period filling the gaps and correcting the mistakes. The result is this Maccazine special. As the Timeline was way too long for one special, we decided to do a double issue (issue 3, 2012 and issue 1, 2013).
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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