Friday, September 13, 2013
Last updated on February 7, 2021
Interview Sep 04, 2013 • Paul McCartney interview for New Musical Express (NME)
Article Sep 06, 2013 • "New" artwork discussion
Article Sep 13, 2013 • "New" tracklisting officially revealed
Concert Sep 21, 2013 • iHeartRadio Music Festival 2013
Article Sep 23, 2013 • "New" album artwork revealed and deluxe tracklisting
Early September, the tracklisting for “New” leaked on internet. This leak may have prompted the official unveiling of this trackling on September 13, 2013. Details about the new album would be revealed bit by bit, in the following weeks – the album artwork on September 23, the album biography on October 9.
From paulmccartney.com, September 13, 2013:
October 14th (15th in the US) will see the release of Paul’s first album of brand NEW solo material in six years. Today the tracklisting has been revealed:
1. Save Us (produced by Paul Epworth)
2. Alligator (produced by Mark Ronson)
3. On My Way To Work (produced by Giles Martin)
4. Queenie Eye (produced by Paul Epworth)
5. Early Days (produced by Ethan Johns)
6. New (produced by Mark Ronson)
7. Appreciate (produced by Giles Martin)
8. Everybody Out There (produced by Giles Martin)
9. Hosanna (produced by Ethan Johns)
10. I Can Bet (produced by Giles Martin)
11. Looking At Her (produced by Giles Martin)
12. Road (produced by Paul Epworth)Executive Producers: Paul McCartney and Giles Martin
Mixed by Mark ‘Spike’ StentTotal Running Time: 46:11
Talking about the album, Paul said: “It’s funny, when I play people the album they’re surprised it’s me. A lot of the tracks are quite varied and not necessarily in a style you’d recognise as mine. I didn’t want it to all sound the same. I really enjoyed making this album. It’s always great to get a chance to get into the studio with a bunch of new songs and I was lucky to work with some very cool producers. We had a lot of fun.”
Paul worked on the album with producers Paul Epworth, Mark Ronson, Ethan Johns and Giles Martin.
Commenting on the process, Paul said: “The original idea was to go to a couple of producers whose work I loved, to see who I got on with best – but it turned out I got on with all of them! We made something really different with each producer, so I couldn’t choose and ended up working with all four. We just had a good time in different ways.”
The album was recorded at Henson Recording Studios, Los Angeles; Avatar Studios, New York; Abbey Road Studios, London; Air Studios, London; Wolf Tone Studios, London and Hog Hill Mill, East Sussex.
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