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UK Release date : Friday, September 26, 2014

Destiny Original Soundtrack

By Various ArtistsOfficial album • Part of the collection “Paul McCartney as producer, composer, or session musician in the 10s

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Last updated on December 12, 2020


Details

  • UK release date: Sep 26, 2014
  • US release date: Sep 26, 2014
  • Publisher: Bungie Music Publishing

Timeline

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This album was recorded during the following studio sessions:

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Track list

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Disc 1

  1. The Traveler

    Written by Paul McCartney, Martin O'Donnell, Michael Salvatori

    2:30 • Studio versionA

  2. Excerpt From The Hope

    Written by Paul McCartney, Martin O'Donnell, Michael Salvatori

    2:16 • Studio versionA1 • Excerpt From The Hope

    London Symphony Orchestra : Orchestra Sam Okell : Second engineer Peter Cobbin : Recording engineer Libera : Boys choir Mark McKenzie : Music supervisor, Orchestrations Jonty Barnes : Producer Dennis Sands : Mixing engineer Adam Olmsted : Assistant mixing engineer Robert Prizeman : Director of libera boys choir Tom Delgado-Little : Boy soloist Isaac London : Boy soloist London Voices : Choir Terry Edwards : Choir director Ben Parry : Choir director Isobel Griffiths : Orchestra contractor Thomas Bowes : Orchestra leader Charlotte Matthews : Assistant orchestra contractor

    Session Recording: Nov 20-23, 2012 • Studio EMI Studios, Abbey Road

  3. Excerpt From The Ecstasy

    2:10 • Studio version

  4. The Warmind

    2:09 • Studio version

  5. Guardian

    2:08 • Studio version

  6. The Tower

    Written by Paul McCartney, Martin O'Donnell, Michael Salvatori, C. Paul Johnson

    1:19 • Studio versionA

  7. The Last Array

    6:57 • Studio version

  8. The Collapse

    1:33 • Studio version

  9. The Journey Home

    3:09 • Studio version

  10. First Challenge

    3:45 • Studio version

  11. Prey

    2:13 • Studio version

  12. The Great Unknown

    1:34 • Studio version

  13. Excerpt 1 From The Rose

    Written by Paul McCartney, Martin O'Donnell, Michael Salvatori

    1:23 • Studio versionA1 • Excerpt 1 From The Rose

    London Symphony Orchestra : Orchestra Sam Okell : Second engineer Peter Cobbin : Recording engineer Libera : Boys choir Mark McKenzie : Music supervisor, Orchestrations Jonty Barnes : Producer Dennis Sands : Mixing engineer Adam Olmsted : Assistant mixing engineer Robert Prizeman : Director of libera boys choir Tom Delgado-Little : Boy soloist Isaac London : Boy soloist London Voices : Choir Terry Edwards : Choir director Ben Parry : Choir director Isobel Griffiths : Orchestra contractor Thomas Bowes : Orchestra leader Charlotte Matthews : Assistant orchestra contractor

    Session Recording: Nov 20-23, 2012 • Studio EMI Studios, Abbey Road

  14. Excerpt From The Tribulation

    Written by Paul McCartney, Martin O'Donnell, Michael Salvatori

    2:14 • Studio versionA1 • Excerpt From The Tribulation

    London Symphony Orchestra : Orchestra Sam Okell : Second engineer Peter Cobbin : Recording engineer Libera : Boys choir Mark McKenzie : Music supervisor, Orchestrations Jonty Barnes : Producer Dennis Sands : Mixing engineer Adam Olmsted : Assistant mixing engineer Robert Prizeman : Director of libera boys choir Tom Delgado-Little : Boy soloist Isaac London : Boy soloist London Voices : Choir Terry Edwards : Choir director Ben Parry : Choir director Isobel Griffiths : Orchestra contractor Thomas Bowes : Orchestra leader Charlotte Matthews : Assistant orchestra contractor

    Session Recording: Nov 20-23, 2012 • Studio EMI Studios, Abbey Road

  15. Relic Of Hope

    2:14 • Studio version

  16. Departure

    2:00 • Studio version

  17. Reborn

    3:34 • Studio version

  18. Sepiks Prime

    4:13 • Studio version

  19. Traveler's Promise

    1:56 • Studio version

  20. Deconstruction

    1:42 • Studio version

  21. Excerpt From The Ruin

    1:36 • Studio version

  22. Untold Legends

    3:34 • Studio version

  23. Cabal Stomp

    3:40 • Studio version

  24. Dust Giants

    4:28 • Studio version

  25. Ishtar Sink

    4:43 • Studio version

  26. The World's Grave

    5:36 • Studio version

  27. Exclusion Zone

    3:48 • Studio version

  28. The Stranger

    1:11 • Studio version

  29. Temple Of Crota

    5:16 • Studio version

  30. Eye Of The Gate Lord

    4:01 • Studio version

  31. The Hive

    5:46 • Studio version

  32. The Collective

    4:11 • Studio version

  33. End Of The Line

    3:32 • Studio version

  34. Siege Dancers

    3:16 • Studio version

  35. Chronologies

    3:32 • Studio version

  36. Passage

    3:22 • Studio version

  37. Excerpt 2 From The Rose

    Written by Paul McCartney, Martin O'Donnell, Michael Salvatori

    2:46 • Studio versionA2 • Excerpt 2 From The Rose

    London Symphony Orchestra : Orchestra Sam Okell : Second engineer Peter Cobbin : Recording engineer Libera : Boys choir Mark McKenzie : Music supervisor, Orchestrations Jonty Barnes : Producer Dennis Sands : Mixing engineer Adam Olmsted : Assistant mixing engineer Robert Prizeman : Director of libera boys choir Tom Delgado-Little : Boy soloist Isaac London : Boy soloist London Voices : Choir Terry Edwards : Choir director Ben Parry : Choir director Isobel Griffiths : Orchestra contractor Thomas Bowes : Orchestra leader Charlotte Matthews : Assistant orchestra contractor

    Session Recording: Nov 20-23, 2012 • Studio EMI Studios, Abbey Road

  38. Excerpt From The Union

    1:45 • Studio version

  39. All Ends Are Beginnings

    1:33 • Studio version


From Wikipedia:

Destiny Original Soundtrack is the official soundtrack for the video game, composed by Michael Salvatori, C Paul Johnson, Martin O’Donnell, Skye Lewin, and Stan LePard, with contributions and input from British musician Paul McCartney. Released digitally via iTunes on September 26, 2014, the soundtrack contains 44 instrumental songs from the game. The soundtrack marked Martin O’Donnell’s final work for Bungie, after years of composing for the Halo franchise, as well as several games before that. In addition, McCartney wrote and recorded an original song inspired by the game.

Early in Destiny’s development, O’Donnell was contacted by Pete Parsons (current Chief Operating Officer of Bungie), and was asked to begin writing music for the game. At the time, Destiny was still in its infancy, as it lacked any gameplay material for O’Donnell to score music to, so instead, O’Donnell began creating music based solely on the games ideas, stories, and artwork. By February 17, 2013, over 50 minutes of the soundtrack had already been recorded with a 106-piece orchestra at Abbey Road Studios in London. O’Donnell gave the early pieces of music to Bungie in hopes that they would foster inspiration within the development team.

Unlike the Halo series, where pieces of music were only 2–3 minutes long, Martin has stated that the soundtrack for Destiny has no time restrictions, with the pieces clocking in “as long as they need to be.” O’Donnell collaborated with Paul McCartney on the soundtrack for the better part of two years, as they traded ideas, melody samples and themes back and forth. On April 11, 2014, Martin O’Donnell was dismissed without cause by the board of directors at Bungie. This caused concern as to whether this would affect the game; however, Pete Parsons stated that O’Donnell’s work on the game had been completed before his dismissal and would appear in the final product.

Music of the Spheres

Music of the Spheres is an eight-part musical companion piece to Destiny, composed by Marty O’Donnell together with Michael Salvatori and Paul McCartney. Parts of the music were used to accompany a Destiny trailer at E3 2013, and in the official soundtrack. But following O’Donnell’s dismissal from and subsequent legal dispute with Bungie, Music of the Spheres remained unreleased. It was leaked to the Internet by unknown persons in December 2017. Bungie officially released the album on June 1, 2018.

From an interview with Bungie’s Community Manager Eric Osbourne:

Paul McCartney wrote the score for this game.

He contributed orchestral elements to the game. We have a team of composers here in the building who actually score the game to the action, so they put in a lot of work. We don’t want to dismiss those guys. But Paul contributing to the soundtrack is amazing. And he wrote a new single for the game as well.

Yes, but the guy wrote “Hey Jude.” How on Earth did you convince him to do music for a video game? How did you pitch this to him, and why do you think he did it? I’m guessing that there was an enormous check involved.

There was no check involved, big or otherwise. He’s in it for the creativity. He got a wonderful opportunity to reach an audience that wouldn’t typically be immersed in Paul McCartney. They might hear the name — of course he’s everywhere, the Queen’s Diamond Jubilee, the Olympics, obviously he’s touring and recording nonstop — but he sees it as a way to reach a new audience that might not otherwise hear his music.

I’m really excited to be working on writing music with Bungie, the studio that made Halo.

Paul McCartney – From paulmccartney.com, July 7, 2012

I was intrigued by the intricacy of the music because in a game if you go one route a certain piece of the music plays. I know from my kids and my grandkids, they just bury themselves in a game and I don’t think they’ve got time to listen to my music. Their agenda is pretty full with all the other stuff, you know, so I like the idea of infiltrating into their agenda.

Paul McCartney, from interview with NME, December 2, 2014

I’m not very good at games. I’ve got so much else to be getting on with; I can’t have my face in a screen, you know, bopping along in a game. I had a go [at Destiny] and it was great, but I got mashed almost instantly. The aliens mashed me.

Paul McCartney, from interview with NME, December 2, 2014
Paul McCartney writing

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