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UK Release date : Monday, October 22, 1984

Give My Regards To Broad Street (CD version)

By Paul McCartneyOfficial album • Part of the collection “Paul McCartney • Studio albums

Last updated on April 1, 2020


Details

  • UK release date: Oct 22, 1984
  • US release date: Oct 22, 1984

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This album was recorded during the following studio sessions:

Track list

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Disc 1

  1. No More Lonely Nights

    Written by Paul McCartney

    5:13 • Studio versionA • Stereo • Ballad version

    Paul McCartney : Backing vocals, Piano, Vocals Linda Eastman / McCartney : Backing vocals Eric Stewart : Backing vocals David Gilmour : Electric guitar Herbie Flowers : Bass Stuart Elliot : Drums Anne Dudley : Synthesizers

    Session Recording: June - July 1984 ? • Studio Elstree Film Studios, Borehamwood, UK

  2. Medley

    1. Good Day Sunshine

      Written by Lennon - McCartney

      2:33 • Studio versionC • Stereo

      Performed by : Paul McCartney Paul McCartney : Vocals George Martin : Piano, Producer Geoff Emerick : Recording engineer (?) Jon Jacobs : Assistant engineer (?) Stuart Breed : Assistant engineer (?) John Kelly : Recording engineer (?)

      Session Recording: Between December 1982 and July 1984 • Studio Unknown location

    2. Corridor Music

      Written by Paul McCartney

      0:00 • Studio version • Stereo

      Paul McCartney : Electric guitar

  3. Yesterday

    Written by Lennon - McCartney

    1:43 • Studio versionC • Stereo

    Paul McCartney : Acoustic guitar, Vocal George Martin : Producer Philip Jones : Trumpet Stuart Breed : Assistant engineer (?) John Kelly : Recording engineer (?) Jeff Bryant : French horn Philip Jones Brass Ensemble : Brass instruments Paul Archibald : Trumpet James Watson : Trumpet Michael Thompson : French horn John Pigneguy : French horn Raymond Premu : Bass trombone

    Session Recording: February - March 1983 ? • Studio AIR Studios, London, UK

  4. Here, There And Everywhere

    Written by Lennon - McCartney

    1:43 • Studio versionC • Stereo

    Paul McCartney : Acoustic guitar, Vocal George Martin : Producer Philip Jones : Trumpet Stuart Breed : Assistant engineer (?) John Kelly : Recording engineer (?) Jeff Bryant : French horn Philip Jones Brass Ensemble : Brass instruments Paul Archibald : Trumpet James Watson : Trumpet Michael Thompson : French horn John Pigneguy : French horn Raymond Premu : Bass trombone

    Session Recording: February - March 1983 ? • Studio AIR Studios, London, UK

  5. Wanderlust

    Written by Paul McCartney

    4:07 • Studio versionB • Stereo

    Paul McCartney : Acoustic guitar, Vocal Ringo Starr : Drums George Martin : Producer Philip Jones : Trumpet Stuart Breed : Assistant engineer (?) John Kelly : Recording engineer (?) Jeff Bryant : French horn Philip Jones Brass Ensemble : Brass instruments Paul Archibald : Trumpet James Watson : Trumpet Michael Thompson : French horn John Pigneguy : French horn Raymond Premu : Bass trombone

    Session Recording: February - March 1983 ? • Studio AIR Studios, London, UK

  6. Ballroom Dancing

    Written by Paul McCartney

    4:51 • Studio versionB • Stereo

    Paul McCartney : Piano, Vocals Linda Eastman / McCartney : Piano, Vocals Ringo Starr : Drums George Martin : Producer Geoff Emerick : Recording engineer (?) Jon Jacobs : Assistant engineer (?) John Barclay : Horn Dave Edmunds : Guitar John Paul Jones : Bass Ray Swinfield : Horn Henry MacKenzie : Horn Stuart Breed : Assistant engineer (?) Chris Spedding : Electric guitar, Guitar David Willis : Horn Jack Armstrong : Horn Jonh Barclay : Horn Alan Donney : Horn Dougie Robinson : Horn Tommy Whittle : Horn John Kelly : Recording engineer (?)

  7. Silly Love Songs/Reprise

    Written by Paul McCartney, Linda Eastman / McCartney

    5:27 • Studio versionB • Stereo

    Paul McCartney : Electric harpsichord, Vocal Linda Eastman / McCartney : Keyboards, Vocals George Martin : Producer Geoff Emerick : Recording engineer (?) Jon Jacobs : Assistant engineer (?) Steve Lukather : Guitar, Vocal Louis Johnson : Bass Jeff Porcaro : Drums Jerry Hey : Horn Stuart Breed : Assistant engineer (?) John Kelly : Recording engineer (?) Lawrence Williams : Horn Thomas Pergerson : Horn Charles Loper : Horn

  8. Not Such A Bad Boy

    Written by Paul McCartney

    3:29 • Studio versionA • Stereo

    Paul McCartney : Bass, Vocals Linda Eastman / McCartney : Backing vocals, Keyboards Ringo Starr : Drums Jon Kelly : Recording engineer (?) Dave Edmunds : Backing vocals, Electric guitar Stuart Breed : Assistant engineer (?) Chris Spedding : Backing vocals, Electric guitar Jody Lindscott : Percussion

    Session Recording: March 1983 ? • Studio AIR Studios, London, UK

  9. So Bad

    Written by Paul McCartney

    3:25 • Studio versionB • Stereo

    Paul McCartney : Bass, Vocals Linda Eastman / McCartney : Keyboards, Vocals Ringo Starr : Drums Eric Stewart : Guitar, Vocals George Martin : Producer Dave Edmunds : Guitar Stuart Breed : Assistant engineer (?) Chris Spedding : Guitar Jody Lindscott : Percussion John Kelly : Recording engineer (?)

    Session Recording: March 1983 ? • Studio AIR Studios, London, UK

  10. Medley

    1. No Values

      Written by Paul McCartney

      4:12 • Studio versionA • Stereo

      Paul McCartney : Bass, Vocals Linda Eastman / McCartney : Backing vocals, Keyboards Ringo Starr : Drums Jon Kelly : Recording engineer (?) Dave Edmunds : Backing vocals, Electric guitar Stuart Breed : Assistant engineer (?) Chris Spedding : Backing vocals, Electric guitar Jody Lindscott : Percussion

      Session Recording: March 1983 ? • Studio AIR Studios, London, UK

    2. No More Lonely Nights

      Written by Paul McCartney

      0:00 • Studio version • Stereo

  11. For No One

    Written by Lennon - McCartney

    2:13 • Studio versionC • Stereo

    Paul McCartney : Acoustic guitar, Vocals George Martin : Producer Geoff Emerick : Recording engineer (?) Jon Jacobs : Assistant engineer (?) Stuart Breed : Assistant engineer (?) John Kelly : Recording engineer (?) Gabrielli String Quartet : Strings Jeff Bryant : French horn

    Session Recording: December 1982 to July 1984

  12. Medley

    1. Eleanor Rigby

      Written by Lennon - McCartney

      9:12 • Studio versionC • Stereo

      Paul McCartney : Acoustic guitar, Vocals George Martin : Producer Geoff Emerick : Recording engineer (?) Jon Jacobs : Assistant engineer (?) Stuart Breed : Assistant engineer (?) John Kelly : Recording engineer (?) Gabrielli String Quartet : Strings Jeff Bryant : French horn

      Session Recording: Between December 1982 and July 1984

    2. Eleanor's Dream

      Written by Paul McCartney

      6:03 • Studio versionA • Stereo

      George Martin : Arrangement, Producer Geoff Emerick : Recording engineer (?) Kenneth Sillito : Orchestra leader Jon Jacobs : Assistant engineer (?) Stuart Breed : Assistant engineer (?) John Kelly : Recording engineer (?)

  13. The Long And Winding Road

    Written by Lennon - McCartney

    3:57 • Studio versionB • Stereo

    Paul McCartney : Piano, Vocal George Martin : Producer Geoff Emerick : Recording engineer (?) Dave Mattacks : Drums Jon Jacobs : Assistant engineer (?) Herbie Flowers : Bass Stuart Breed : Assistant engineer (?) Dick Morrisey : Sax John Kelly : Recording engineer (?) Trevor Barstow : Keyboards The London Community Gospel Choir : Backing vocals

    Session Recording: Between December 1982 and July 1984

  14. No More Lonely Nights (Playout Version)

    Written by Paul McCartney

    5:07 • Studio versionA • Stereo • Playout Version

    Paul McCartney : Acoustic guitar, Backing vocals, Bass, Drums, Electric guitar, Keyboards, Vocals Linda Eastman / McCartney : Backing vocals Eric Stewart : Backing vocals George Martin : Producer Geoff Emerick : Recording engineer (?) Jon Jacobs : Assistant engineer (?) John Barclay : Horns Derek Watkins : Horns Stuart Breed : Assistant engineer (?) Chris Pyne : Horns Stan Sultzmann : Horns Dan Willis : Horns John Kelly : Recording engineer (?)

    Session Recording: July 1984 ? • Studio Elstree Film Studios, Borehamwood, UK

    Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon

  15. Goodnight Princess

    Written by Paul McCartney

    4:08 • Studio versionA • Stereo

    Paul McCartney : Narration George Martin : Producer Geoff Emerick : Recording engineer (?) Jon Jacobs : Assistant engineer (?) Tony Gilbert : Violin Ronnie Hughes : Trumpet Stuart Breed : Assistant engineer (?) Chris Smith : Trombone Eric Ford : Electric guitar, Guitar Russ Stableford : Double bass Gerry Butler : Piano Bobby Haughey : Trumpet Derek Grossmith : Alto sax, Clarinet Eddie Mordue : Clarinet, Tenor sax Vic Ash : Tenor sax Pat Halling : Violin Laurie Lewis : Violin Raymond Keenlyside : Violin John Dean : Drums, Percussion John Kelly : Recording engineer (?)

    Session Recording: Dec 11, 1983 • Studio AIR Studios, London, UK


From Wikipedia:

Give My Regards to Broad Street is the soundtrack album to the 1984 film of the same name and the fifth studio album by Paul McCartney. Unlike the film, the album was commercially successful, in Britain, where it achieved number 1 on the UK chart. The lead single, “No More Lonely Nights“, was BAFTA and Golden Globe Award nominated.

Songs

The majority of the album – which is sequenced in the order of the songs’ appearance in the film – features re-interpretations of many of Paul McCartney’s past classics of The Beatles and Wings: “Good Day Sunshine“, “Yesterday“, “Here, There and Everywhere“, “Silly Love Songs” (the only Wings song included), “For No One“, “Eleanor Rigby” and “The Long and Winding Road“. There were also interpretations of songs from McCartney’s more recent albums; “Ballroom Dancing” and “Wanderlust” from Tug of War and “So Bad” from Pipes of Peace. Besides “No More Lonely Nights” (also heard in a dance version), the only previously-unheard tracks were “Not Such a Bad Boy“, “No Values” and a symphonic extension of “Eleanor Rigby” entitled “Eleanor’s Dream“. The scope of the album was so immense that when it saw release that October, its vinyl issue had specially edited versions of its songs. The cassette and the later CD edition preserved the tracks’ full lengths, while the CD went one further by including a bonus 1940s-styled piece called “Goodnight Princess“.

Release and charts

Preceded by “No More Lonely Nights (Ballad)“, a worldwide top 10 hit featuring guitar work by David Gilmour, Give My Regards to Broad Street entered the UK charts at number 1 while going gold with a number 21 peak in the United States (selling under expectations there). It would also mark the end of McCartney’s relatively brief alliance with Columbia Records in the US which had started with the final Wings album Back to the Egg in 1979. McCartney would re-sign with EMI worldwide (where he remained until 2007) with his Columbia output reverting to his new – and original – label in the US: Capitol Records.

Simultaneously with the film’s premiere in November McCartney’s Rupert Bear recording “We All Stand Together“, started back in 1980 and credited to ‘Paul McCartney and the Frog Chorus’, was released and became a hit single in the UK, reaching number 3. The accompanying animated film was shown in cinemas immediately preceding the main Give My Regards to Broad Street feature.

The soundtrack’s original release was on Columbia Records in 1984 in North America. It was remastered in 1993 and reissued on CD as part of ‘The Paul McCartney Collection‘ series with two extended dance mixes of “No More Lonely Nights (playout version)” as bonus tracks. […]

LP version

Due to the length of the recording, the 1984 LP omits “So Bad” and “Goodnight Princess“, edits out about six minutes of “Eleanor’s Dream“, and also sections of “Good Day Sunshine“, “Wanderlust” and “No More Lonely Nights (playout version)“.

On the LP cover a remark alerts the listener:

  • This record is longer than usual but due to the available playing time on a vinyl disc some editing of the sound track has been necessary to retain full volume and dynamic range. Even longer versions exist on cassette and compact disc.”

Track lengths on album notes do not include spoken sections between songs and so do not match CD timings. On the list above these sections are included at the beginning of each track, as on the 1984 release, while on the remastered 1993 CD (listed above) they are mostly included at the end of the tracks.

Portrait of British musician Paul McCartney as he plays acoustic guitar against a red background, October 7, 1984 . Crédits : Robert R. McElroy

Portrait of British musician Paul McCartney as he plays acoustic guitar against a red background, October 7, 1984 . Crédits : Robert R. McElroy

From UltimateClassicRock:

It should have worked, right? Any album that finds Paul McCartney collaborating with David Gilmour – last heard helping the former Beatles star to a Grammy on the “Rockestra Theme” – should have worked. Led Zeppelin‘s John Paul Jones, Dave Edmunds, members of Toto and Eric Stewart of 10cc were there, too. Should have worked. Any album filled out with some of McCartney’s greatest previously released songs, and featuring both George Martin and Ringo Starr, should have worked.

To say Give My Regards to Broad Street, which arrived on Oct. 22, 1984, didn’t work is an insult to anything that’s ever worked. The album, which served as a soundtrack to a failed film, stalled at No. 21 on the Billboard chart, McCartney’s worst showing up to that point. The album would make it to No. 1 in his native U.K., but Broad Street ended a stirring run of U.S. sales successes that included nine platinum post-Beatles albums. McCartney would never reach such heights again.

Could you blame his fans? After all, he packaged in 10 songs from his Beatles, Wings and solo career – but all of them were needlessly re-recorded, including classics like “Good Day Sunshine,” “Yesterday,” “Eleanor Rigby” and “The Long and Winding Road.” (Curiously, the latter update was again based on the Phil Spector arrangement that Paul McCartney had always insisted he hated.) Even the affable Ringo Starr found the project confusing and refused to drum on any of the reworked Beatles songs.

Ringo wasn’t happy to get involved with it,” McCartney later admitted. “We had some songs in the film where we wanted him to drum on them, but he didn’t want to attempt a new version. I can see it from his point of view, actually, because it would have been, ‘Did I drum good on version A or version B?,’ and he didn’t even want a comparison. From my point of view, I’m looking at a song. I’m looking at one of my songs. I don’t want to be ashamed of anything I’ve written.

Not that Starr was necessarily better used elsewhere. He joined Jones (who’d also been part of the “Rockestra” lineup), Edmunds and Chris Spedding for a slouch through “Ballroom Dancing,” originally released on 1982’s Tug of War. In fact, a trio of remakes on Broad Street were less than two years old, including the forgettable Pipes of Peace ballad “So Bad,” which hardly needed another pass.

Still, there were, if you looked hard enough, two small saving graces, both of them loose, original rockers and both featuring Dave Edmunds and Ringo Starr: “Not Such a Bad Boy” and “No Values,” which ends in a scalding mini-jam. They couldn’t have been more welcome – or out of place. Their attitude and crunch only made the rest of the throwaway material on Give My Regards to Broad Street feel more washed out.

Elsewhere, you had Toto’s Jeff Porcaro and Steve Lukather wasting their time on an update of “Silly Love Songs.” (There’s a disturbing video to go with it, too.) David Gilmour added a tacked-on guitar solo to the hit ballad version of “No More Lonely Nights.” It became McCartney’s second-to-last U.S. Top 10 hit, but hasn’t aged much better than “Silly Love Songs.” Stewart, who’d previously appeared on both Tug of War and Pipes of Peace, was tucked away as background singer on a dance version (yes, a dance version) of “No More Lonely Nights” that closed things out.

It didn’t work.

Anyone who saw the movie, and there weren’t many, will remember that the Paul McCartney-written script for Give My Regards to Broad Street turned on a search for the masters for his new album, which had gone missing. If only life, this one time, could have imitated art.

give

From puremccartney.com – PAUL ON THE SET OF ‘GIVE MY REGARDS TO BROAD STREET’, ELSTREE FILM STUDIOS, BOREHAMWOOD, 1983
Paul McCartney writing

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Notice any inaccuracies on this page? Have additional insights or ideas for new content? Or just want to share your thoughts? We value your feedback! Please use the form below to get in touch with us.

Jason Childers • 7 years ago

The track list is for the "Paul McCartney Collection" edition of this album.


The PaulMcCartney Project • 7 years ago

Thanks Jason. Fixed, and entry for the "Paul McCartney Collection" added at https://www.the-paulmccartney-project.com/album/give-my-regards-to-broad-street-1993/


[…] In 1976, Wings recorded “Silly Love Songs” live for their triple live album Wings Over America. In 1984, three years after the dissolution of Wings, Paul McCartney re-recorded “Silly Love Songs” for the soundtrack to the critically panned motion picture Give My Regards to Broad Street. […]


Jes Gonzalez • 1 year ago

"Ballroom Dancing" is misspelled in the track listing.


The PaulMcCartney Project • 1 year ago

Thanks Jes. This has been fixed.


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