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Release year : 2016

Last Flight - Ultimate Archive Collection

By Paul McCartney & WingsUnofficial live • Part of the collection “Paul McCartney • Ultimate Archive Collection

Last updated on April 4, 2022


Details

  • Publisher: Voo-Doo Records

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Related sessions

This album was recorded during the following studio sessions:

Track list

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Disc 1

  1. Recorded live at the Apollo Theatre in Glasgow, Scotland, on December 17, 1979

    1. Horns Intro

    2. When The Red, Red Robbin (Comes Bob, Bob, Bobbin' Along)

    3. Tiptoe Thru The Tulips With Me

    4. Horn Section Intro

Disc 2

  1. Recorded live at the Apollo Theatre in Glasgow, Scotland, on December 17, 1979

    1. Crowd Chant / Thanks

  2. Recorded on December 29, 1979

    1. Got To Get You Into My Life

      Written by Lennon - McCartney

      3:03 • Live • Released on the album Concerts for the People of Kampuchea, on March 30, 1981

      Concert From "Concert For The People of Kampuchea" in London, United Kingdom on Dec 29, 1979

    2. Every Night

      Written by Paul McCartney

      4:20 • Live • Released on the album Concerts for the People of Kampuchea, on March 30, 1981

      Concert From "Concert For The People of Kampuchea" in London, United Kingdom on Dec 29, 1979

    3. Coming Up

      Written by Paul McCartney

      4:15 • Live • Released on the album Concerts for the People of Kampuchea, on March 30, 1981

      Concert From "Concert For The People of Kampuchea" in London, United Kingdom on Dec 29, 1979

    4. Lucille

      Written by Richard Penniman / Little Richard, Albert Collins

      3:01 • Live • Released on the album Concerts for the People of Kampuchea, on March 30, 1981

      Concert From "Concert For The People of Kampuchea" in London, United Kingdom on Dec 29, 1979

    5. Let It Be

      Written by Lennon - McCartney

      4:11 • Live • Released on the album Concerts for the People of Kampuchea, on March 30, 1981

      Concert From "Concert For The People of Kampuchea" in London, United Kingdom on Dec 29, 1979

    6. Rockestra Theme

      Written by Paul McCartney

      2:36 • Live • Released on the album Concerts for the People of Kampuchea, on March 30, 1981

      Concert From "Concert For The People of Kampuchea" in London, United Kingdom on Dec 29, 1979

    7. I've Had Enough

      Written by Paul McCartney

      3:32 • Live • From the 2015 Japanese TV Broadcast Edition

      Concert From "Concert For The People of Kampuchea" in London, United Kingdom on Dec 29, 1979

    8. Hot As Sun

      Written by Paul McCartney

      2:41 • Live • Officially released on the DVD with McCartney - Paul McCartney Archive Collection, on June 13, 2011

      Concert From "Concert For The People of Kampuchea" in London, United Kingdom on Dec 29, 1979

    9. Every Night

      Written by Paul McCartney

      4:40 • Live • Officially released on the DVD with McCartney - Paul McCartney Archive Collection, on June 13, 2011.

      Concert From "Concert For The People of Kampuchea" in London, United Kingdom on Dec 29, 1979

    10. Coming Up

      Written by Paul McCartney

      4:06 • Live • From the 2015 Japanese TV Broadcast Edition

      Concert From "Concert For The People of Kampuchea" in London, United Kingdom on Dec 29, 1979

  3. Wings rehearsals

    1. Ranachan Rock

      Written by Paul McCartney

      3:44 • Live • On July 4, 1980 wings were filmed by ITV while rehearsing in Finchden Manor, Tenterden, Kent

      Session Recording: Jul 04, 1980 • Studio Finchden Manor, Tenterden, Kent, UK

    2. With A Little Luck

      Written by Paul McCartney

      4:27 • Live • Wings rehearsing in Paul's home studio in Peashmarsh, Sussex, in January 1980 for the Japan tour.

      Session Recording: January 1980 • Studio Peasmarsh, Sussex, UK

    3. Coming Up

      Written by Paul McCartney

      4:16 • Live • Wings rehearsing in Paul's home studio in Peashmarsh, Sussex, in January 1980 for the Japan tour.

      Session Recording: January 1980 • Studio Peasmarsh, Sussex, UK

  4. Coming Up

    Written by Paul McCartney

    3:50 • LiveL1 • The single edit, released on April 11, 1980, as the b-side of Paul’s solo version. This version proved to be way more popular in the U.S. then the studio version. So, Columbia Records wanted to put the live version on McCartney II. But McCartney wanted to keep it a solo album and refused

    Paul McCartney : Bass, Producer, Vocals Linda Eastman / McCartney : Keyboards, Vocals Denny Laine : Guitar, Vocals Howie Casey : Saxophone Geoff Emerick : Mixing engineer Laurence Juber : Guitar Steve Holley : Drums Jon Jacobs : Assistant mixing engineer Thaddeus Richard : Saxophone Mark Vigars : Recording engineer Jim Jones : Assistant recording engineer Steve Howard : Trumpet Tony Dorsey : Trombone

    Concert From the concert in Glasgow, United Kingdom on Dec 17, 1979

  5. Coming Up

    Written by Paul McCartney

    4:36 • Live • Unedited – no idea where this comes from

    Concert From the concert in Glasgow, United Kingdom on Dec 17, 1979

  6. Coming Up

    Written by Paul McCartney

    3:29 • Live • US version of Wingspan edit 

    Concert From the concert in Glasgow, United Kingdom on Dec 17, 1979


From the liner notes by peeves:

CD 1 + CD 2 tracks 1-3 Wings, recorded live at the Apollo Theatre in Glasgow, Scotland, on December 17, 1979. Relased on bootleg as Last Flight.

While the plan was to release this concert as a live album, only a handful of songs were officially released. A reason for this can be found in the book Blackbird, by Geoffrey Giuliano (1997).

Steve Holly [sic] recalls stopping by Paul and Linda’s dressing room one evening during the tour to remark how great he thought the show had gone over that night. “It sucked,” replied McCartney, suddenly as depressed as the drummer had ever seen him. “Paul hated the whole tour,” Steve commented to this author during a 1990 interview. “He felt all the performances were bad. About a quarter of the way along I got the distinct feeling that he was just going through the motions. Musically, there were definite problems with some of the band as well. I think Paul felt he was rather ‘dragging the dresser,’ to quote an old northern phrase.” Holly [sic] also speculated that after the triple platinum success of Wings Over America, McCartney might have been expecting a bit too much. “Maybe we just went out too soon. I know Paul was under pressure not to lose any of his new fans.” Holly also stresses that originally the tour was rehearsed and staged for smaller venues, while they ended up playing four nights at places such as Wembley Arena. “We were like tiny little ants up there on that great stage,” he remarked laughingly.

In another interview Steve Holley recalls fondly the evening the show was recorded for the planned follow up to Wings Over America.

“My personal favourite moment was playing the Glasgow Apollo, which coincided with the soccer final with Scotland and England. Paul had decided that he would wrap himself in the flag of the winning team. We had the Campbeltown Pipe Band, in full kilts and regalia, underneath the stage for the performance of “Mull of Kintyre”. That was a very excited crowd, and Scotland won that night”. Coming back on stage for the encore, McCartney cranked into the opening of “Mull” and the doors swung open to allow the pipe band, with drums and bagpipes blasting, to walk through the audience and onto the stage. It was just one of those incredible emotional highpoints you can never really adequately describe. I, for one, remember becoming a little teary-eyed myself, and I’m not even a Scot. I think that, more than anything, begins to explain the absolute magic of the man.”

CD 2 tracks 4 -14 Recorded on December 29, 1979, on the last night of a series of five benefitconcert in the Hammersmith Odeon in London.

(from Wogblog) ‘Concerts for the People of Kampuchea was a series of concerts organized by Paul McCartney at the request of the UN and their children’s organization Unicef. Originally, Kurt Waldheim approached Paul to ask for a Beatles reunion concert in aid of the victims of war-thorn Cambodia, a country which recently had changed the international spelling of their name to Kampuchea. The idea of a Beatles reunion didn’t appeal to Paul and the others, but Paul organized a series of concerts at the Hammersmith Odeon in London featuring Queen, The Clash, The Pretenders, The Who, Elvis Costello, Wings and others in aid of the charity. Rumours were ripe during the night of the Wings performance that George, Ringo and John was to appear alongside Paul, speculations that compere Billy Connolly did nothing to qualm. But, [of course,] it was never to be.’

Instead, the final night concluded with an all-star jam by ‘Rockestra’. This was an amalgam of members from most of the above-listed bands as well as three-quarters of Led Zeppelin.

The event was recorded and filmed, and an album with highlights was released in March 1981.

The TV-film was also just compiled of highlights, and was shown on TV in various countries worldwide. The contents of the film varied from country to country. The concert was never released on cd, nor video cassette or DVD.

[…]

In Daytrippin’ Beatles Magazine, Wings guitarist Laurence Juber looked back on the tour:

“The highlight for me was the whole second Glasgow concert. Kampuchea was a stage highlight in terms of getting to play with all the rock luminaries and (laughs) having Pete Townsend looking over my shoulder on “Let It Be.” At a certain point, I realized no one out of this huge band was going to step forward to play that solo and I’d been doing it for the whole tour, so I just went for it. It was one of those moments in my career where I was able to say, “Well, I got to do that…” It was a magical moment. But the highlight of the tour from a musical point of view was that last Glasgow concert. That was the point on the tour when we were really cooking as a band. It was also a more complete set than Kampuchea. And to be honest, if you listen to the Last Flight bootleg CD, the version we did of “Let It Be” in Glasgow was even better. I’ll never forget the audience reaction to the bagpipe band marching through the audience that night.

Paul McCartney writing

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