Release date : Friday, September 2, 2016
By Timo Maas • 12" Single • Part of the collection “Paul McCartney • Singles”
Previous single May 13, 2016 • "Nineteen Hundred And Eighty-Five" by Timo Maas released globally
Concert Aug 18, 2016 • USA • Cleveland
Interview Aug 25, 2016 • Giles Martin interview for NPR Music
Single Sep 02, 2016 • "Nineteen Hundred And Eighty-Five" by Timo Maas released globally
Album Sep 09, 2016 • "Live At The Hollywood Bowl" by The Beatles released globally
Article Sep 14, 2016 • McCartney and Starr at Abbey Road to promote "Eight Days A Week - The Touring Years"
Next single Apr 22, 2017 • "Strawberry Fields Forever / Penny Lane (2017)" by The Beatles released globally
Nineteen Hundred And Eighty-Five
Written by Paul McCartney, Linda McCartney
10:04 • Studio version • F • Paul Woolford Rework
Paul Woolford : Producer, Remixing
Nineteen Hundred And Eighty-Five
Written by Paul McCartney, Linda McCartney
7:25 • Studio version • G • Kerri Chandler Kaoz 623 Again Vocal Mix
Kiki Willows : Guitar Kerri Chandler : Producer, Remixing
From upfrontbeats:
Virgin Records recently released the anticipated record from Paul McCartney & Wing vs Timo Maas & James Teej. Cocoon favourite Tim Green has remixed the track into the realms of house and techno.
The house music industry went into melt down in April, when news emerged that the record was going to be released. ‘Nineteen Hundred and Eighty Five’ was first released way back in 1970’s and brought solo fame to the Beatles star Paul McCartney.
Timo Maas and James Teej bring a new age for ‘Nineteen Hundred and Eighty Five, with Tim Green now adding his own sleek and emotive production skills to this huge record.
“The first concert I ever went to was Paul McCartney at Earls Court in 1993, I was 9 years old.’ Tim Green recalled. ‘It was a privilege to remix this new version, and I tried incorporating and respecting both versions in my remix.” – Tim Green
From soundcloud:
The vocal mix sees Chandler adopt the Kaoz 623 Again guise and it’s more of the incredible same we’ve come to expect. It’s got a thick, menacing bassline running through its core that’s set against Paul’s soothing vocal strands and scattered hit-hats and cymbals that add to the groove.
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