Timeline Albums, EPs & singles Songs Films Concerts Sessions People Interviews Articles

US Release date : Monday, June 7, 1976

Rock 'n' Roll Music

By The BeatlesLP • Part of the collection “The Beatles • Post break-up albums

Last updated on March 26, 2023


Details

  • UK release date: Jun 10, 1976
  • US release date: Jun 07, 1976
  • Publisher: Parlophone (UK) / Capitol Records (US)
  • Reference: PCSP 719 (UK) / SKBO-11537 (US)

Timeline

Related album

Related sessions

This album was recorded during the following studio sessions:

Track list

Hide track details

Side 1

  1. Twist And Shout

    Written by Phil Medley, Bert Russell

    2:32 • Studio version

  2. I Saw Her Standing There

    Written by Lennon - McCartney

    2:50 • Studio version

  3. You Can't Do That

    Written by Lennon - McCartney

    2:33 • Studio version

  4. I Wanna Be Your Man

    Written by Lennon - McCartney

    Studio version

  5. I Call Your Name

    Written by Lennon - McCartney

    Studio version

  6. Boys

    Written by Luther Dixon, Wes Farrell

    Studio version

Side 2

  1. Rock And Roll Music

    Written by Chuck Berry

    Studio version

  2. Slow Down

    Written by Larry Williams

    Studio version

  3. Kansas City

    Written by Jerry Leiber, Mike Stoller

    Studio version

  4. Bad Boy

    Written by Larry Williams

    Studio version

  5. Matchbox

    Written by Carl Perkins

    Studio version

  6. Roll Over Beethoven

    Written by Chuck Berry

    Studio version

Side 3

  1. Dizzy Miss Lizzy

    Written by Larry Williams

    Studio version

  2. Any Time At All

    Written by Lennon - McCartney

    Studio version

  3. Drive My Car

    Written by Lennon - McCartney

    Studio version

  4. The Night Before

    Written by Lennon - McCartney

    Studio version

  5. I'm Down

    Written by Lennon - McCartney

    Studio version

  6. Revolution

    Written by Lennon - McCartney

    Studio version

Side 4

  1. Back In The U.s.s.r.

    Written by Lennon - McCartney

    Studio version

  2. Helter Skelter

    Written by Lennon - McCartney

    Studio version

  3. Taxman

    Written by George Harrison

    Studio version

  4. Got To Get You Into My Life

    Written by Lennon - McCartney

    2:29 • Studio versionB • Stereo

    Paul McCartney : Bass, Electric guitar, Lead vocals Ringo Starr : Drums, Tambourine John Lennon : Organ, Rhythm guitar George Harrison : Electric guitar George Martin : Producer Geoff Emerick : Recording engineer Eddie Thornton : Trumpet Ian Hamer : Trumpet Les Condon : Trumpet Alan Branscombe : Tenor saxophone Peter Coe : Tenor saxophone

    Session Recording: Apr 08, 1966 • Studio EMI Studios, Studio Two, Abbey Road

    Session Overdubs: Apr 11, 1966 • Studio EMI Studios, Studio Two, Abbey Road

    Session Overdubs: May 18 and Jun 17, 1966 • Studio EMI Studios, Studio Two, Abbey Road

    Session Mixing: Jun 22, 1966 • Studio EMI Studios, Studio Three, Abbey Road

  5. Hey Bulldog

    Written by Lennon - McCartney

    Studio version

  6. Birthday

    Written by Lennon - McCartney

    Studio version

  7. Get Back

    Written by Lennon - McCartney

    Studio version


Once The Beatles’ contract with EMI expired on February 6, 1976, EMI had the rights to release any of The Beatles previously released recordings. This double set was the first album release where EMI exerted that total control.


From Wikipedia:

Rock ‘n’ Roll Music is a double album by the English rock band the Beatles containing previously released tracks. It was issued on 7 June 1976 in the United States, on Capitol Records (catalogue number SKBO 11537), and on Parlophone (PCSP 719) in the United Kingdom, four days later. The 28-track compilation includes 15 Lennon–McCartney songs, one George Harrison composition (“Taxman“), and a dozen cover versions of songs written by significant rock and roll composers of the 1950s, including Chuck Berry, Little Richard, Carl Perkins and Larry Williams. Not counting the 1971 Spanish compilation album, Por Siempre Beatles, Rock ‘n’ Roll Music was the first Beatles album to include “I’m Down“, which had previously only been available as the B-side of the “Help!” single.

Controversial album cover

Controversy surrounded the album’s artwork, which featured an embossed colour portrait of the Beatles against a shiny silver background, with the album’s title spelled out in what is presumed to be neon lights. Symbols of the 1950s were used on the inside of the album’s gatefold sleeve, including a jukebox, an outdoor movie screen with a picture of Marilyn Monroe, an ice cream, a 1957 Chevrolet, a cheeseburger, and a glass of Coca-Cola. 1950s nostalgia was at a peak around the time the album was released and Capitol was clearly attempting to cash in on the trend. As the Beatles were a 1960s band, the album cover prompted Ringo Starr to complain to Rolling Stone: “It made us look cheap and we never were cheap. All that Coca-Cola and cars with big fins was the Fifties!” Lennon was also critical of the artwork and wrote an angry letter to Capitol Records saying it “looks like a Monkees reject” and instead suggested the use of photos by Astrid Kirchherr or Jürgen Vollmer, both of whom had photographed the band during their Hamburg days. Lennon had also offered to design the cover himself, but was declined.

Views

This album is described as “troubled” by Beatles producer George Martin in his autobiography, as he was asked by Bhaskar Menon, the president of Capitol at the time, to approve the tapes they intended to use, and he was “appalled” because they were some of the early twin-track mono tapes they had made and were going to be transferred to stereo for the issue. Instead of approving the album as it was presented to him, Martin reworked the already mixed tapes for every song, reversing the left and right channels and slightly narrowing the stereo on the tracks “Twist and Shout“, “I Saw Her Standing There“, “I Wanna Be Your Man“, “Boys“, “Roll Over Beethoven“, “Drive My Car” and “I’m Down“. Some of the song editing is not clean: for instance, the beginning of the crossfade of “Dear Prudence” can be heard during the fade of “Back in the U.S.S.R.“, as originally issued on the White Album.

EMI Records in Britain refused to use Martin’s reworked Capitol tapes, citing The Beatles’ strict instructions that any reissues had to be exactly as originally recorded.

The UK Parlophone double album PCSP 719 kept the original UK mixes including the five stereo mixes of songs that had not yet appeared in stereo in the UK: the Long Tall Sally EP and “I’m Down”.

In October 1980, the album was divided into two single albums, and released as budget LPs in both the UK and the United States. Rock ‘n’ Roll Music: Volume 1 (UK LP: EMI/Music for Pleasure MFP 50506, 24 October 1980; US LP: Capitol SN-16020, 27 October 1980) contained the songs on sides one and two of the original album, while Rock ‘n’ Roll Music: Volume 2 (UK LP: EMI/Music for Pleasure MFP 50507, 24 October 1980; US LP: Capitol SN-16021, 27 October 1980) consisted of the songs on sides three and four. This time, the British release contained George Martin’s Capitol versions.

The budget-line albums featured new artwork, based on a picture of the group circa 1964. The US editions of the cover set the group in a crowd, while the British cover eliminated the crowd and placed the group against a stark white background.

Chart performance and sales

Album sales benefited from a rather significant wave of Beatles nostalgia that was taking place during the summer of 1976. Interest in the band was undoubtedly boosted by Paul McCartney’s “Wings over America” tour, which criss-crossed the United States and Canada shortly after Rock ‘n’ Roll Music was released. In addition, sales were not hurt by the fact that the album included the song “Helter Skelter“, of which a cover version had been spotlighted in a made-for-television movie on the 1969 Charles Manson murders that aired shortly before the album was released. Rock ‘n’ Roll Music hit number 2 on the Billboard 200 in the US (kept off the top spot by McCartney’s Wings at the Speed of Sound), and number 11 on the UK’s Top 60 Albums Chart. It marked the second time a Beatles album competed with a Paul McCartney album over the top two positions on the Billboard chart. During the week ending June 6, 1970, the Beatles’ album Let It Be jumped to the number 2 position from its previous week’s debut at number 104, while McCartney’s self-titled debut album McCartney held at number 1 for a third straight week. The next week, Let It Be bumped up to number 1, while McCartney slid to number 2, where both albums remained positioned for four consecutive weeks.

Singles

In both the United States and Britain, Rock ‘n’ Roll Music was accompanied by a single compiled from songs on the album. The US single (Capitol 4274), was originally planned as “Helter Skelter” on the A-side and “Got to Get You into My Life” on the reverse, but when the Helter Skelter TV movie was announced for April 1976, Capitol thought better of the connotations and flipped the sides. “Got to Get You Into My Life” hit number 7 on the Billboard Hot 100. The British single (Parlophone R 6016), which consisted of “Back in the U.S.S.R.” backed by “Twist and Shout”, hit number 19. […]


From Melody Maker – June 19, 1976
From Melody Maker – May 22, 1976
From Sounds – May 22, 1976
From Sounds – May 29, 1976
Paul McCartney writing

Talk more talk, chat more chat

Notice any inaccuracies on this page? Have additional insights or ideas for new content? Or just want to share your thoughts? We value your feedback! Please use the form below to get in touch with us.

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

2024 • Please note this site is strictly non-commercial. All pictures, videos & quoted texts remain the property of the respective copyright owner, and no implication of ownership by us is intended or should be inferred. Any copyright owner who wants something removed should contact us and we will do so immediately. Alternatively, we would be delighted to provide credits.