George Harrison MBE (25 February 1943 – 29 November 2001) was an English musician, singer-songwriter, and music and film producer who achieved international fame as the lead guitarist of the Beatles. Sometimes called “the quiet Beatle”, Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles’ work. Although the majority of the band’s songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group include “Taxman“, “Within You Without You“, “While My Guitar Gently Weeps“, “Here Comes the Sun” and “Something“.
Harrison’s earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were subsequent influences. By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds, and towards Indian classical music through his use of the sitar on “Norwegian Wood (This Bird Has Flown)“. Having initiated the band’s embracing of Transcendental Meditation in 1967, he subsequently developed an association with the Hare Krishna movement. After the band’s break-up in 1970, Harrison released the triple album All Things Must Pass, a critically acclaimed work that produced his most successful hit single, “My Sweet Lord“, and introduced his signature sound as a solo artist, the slide guitar. He also organised the 1971 Concert for Bangladesh with Indian musician Ravi Shankar, a precursor to later benefit concerts such as Live Aid. In his role as a music and film producer, Harrison produced acts signed to the Beatles’ Apple record label before founding Dark Horse Records in 1974 and co-founding HandMade Films in 1978.
Harrison released several best-selling singles and albums as a solo performer. In 1988, he co-founded the platinum-selling supergroup the Traveling Wilburys. A prolific recording artist, he was featured as a guest guitarist on tracks by Badfinger, Ronnie Wood and Billy Preston, and collaborated on songs and music with Dylan, Eric Clapton, Ringo Starr and Tom Petty, among others. Rolling Stone magazine ranked him number 11 in their list of the “100 Greatest Guitarists of All Time”. He is a two-time Rock and Roll Hall of Fame inductee – as a member of the Beatles in 1988, and posthumously for his solo career in 2004.
Harrison’s first marriage, to model Pattie Boyd in 1966, ended in divorce in 1977. The following year he married Olivia Arias, with whom he had a son, Dhani. Harrison died from lung cancer in 2001 at the age of 58, two years after surviving a knife attack by an intruder at his Friar Park home. His remains were cremated and the ashes were scattered according to Hindu tradition in a private ceremony in the Ganges and Yamuna rivers in India. He left an estate of almost £100 million.
Early years: 1943–1958
Harrison was born at 12 Arnold Grove in Wavertree, Liverpool on 25 February 1943. He was the youngest of four children of Harold Hargreaves (or Hargrove) Harrison (1909–1978) and Louise (née French; 1911–1970). Harold was a bus conductor who had worked as a ship’s steward on the White Star Line, and Louise was a shop assistant of Irish Catholic descent. He had one sister, Louise (born 16 August 1931), and two brothers, Harold (born 1934) and Peter (20 July 1940 – 1 June 2007).
According to Boyd, Harrison’s mother was particularly supportive: “All she wanted for her children is that they should be happy, and she recognised that nothing made George quite as happy as making music.” Louise was an enthusiastic music fan, and she was known among friends for her loud singing voice, which at times startled visitors by rattling the Harrisons’ windows. When Louise was pregnant with George, she often listened to the weekly broadcast Radio India. Harrison’s biographer Joshua Greene wrote, “Every Sunday she tuned in to mystical sounds evoked by sitars and tablas, hoping that the exotic music would bring peace and calm to the baby in the womb.”
Harrison lived the first four years of his life at 12 Arnold Grove, a terraced house on a cul-de-sac. The home had an outdoor toilet and its only heat came from a single coal fire. In 1949, the family was offered a council house and moved to 25 Upton Green, Speke. In 1948, at the age of five, Harrison enrolled at Dovedale Primary School. He passed the eleven-plus exam and attended Liverpool Institute High School for Boys from 1954 to 1959. Though the institute did offer a music course, Harrison was disappointed with the absence of guitars, and felt the school “moulded [students] into being frightened”.
Harrison’s earliest musical influences included George Formby, Cab Calloway, Django Reinhardt and Hoagy Carmichael; by the 1950s, Carl Perkins and Lonnie Donegan were significant influences. In early 1956, he had an epiphany: while riding his bicycle, he heard Elvis Presley’s “Heartbreak Hotel” playing from a nearby house, and the song piqued his interest in rock and roll. He often sat at the back of the class drawing guitars in his schoolbooks, and later commented, “I was totally into guitars.” Harrison cited Slim Whitman as another early influence: “The first person I ever saw playing a guitar was Slim Whitman, either a photo of him in a magazine or live on television. Guitars were definitely coming in.”
At first, Harold Harrison was apprehensive about his son’s interest in pursuing a music career. However, in 1956, he bought George a Dutch Egmond flat-top acoustic guitar, which according to Harold, cost £3.10s.– (equivalent to £90 in 2021). One of his father’s friends taught Harrison how to play “Whispering”, “Sweet Sue” and “Dinah”. Inspired by Donegan’s music, Harrison formed a skiffle group, the Rebels, with his brother Peter and a friend, Arthur Kelly. On the bus to school, Harrison met Paul McCartney, who also attended the Liverpool Institute, and the pair bonded over their shared love of music.
The Beatles: 1958–1970
Harrison became part of the Beatles with McCartney and John Lennon when the band were still a skiffle group called the Quarrymen. In March 1958, he auditioned for the Quarrymen at Rory Storm’s Morgue Skiffle Club, playing Arthur “Guitar Boogie” Smith’s “Guitar Boogie Shuffle”, but Lennon felt that Harrison, having just turned 15, was too young to join the band. McCartney arranged a second meeting, on the upper deck of a Liverpool bus, during which Harrison impressed Lennon by performing the lead guitar part for the instrumental “Raunchy“. He began socialising with the group, filling in on guitar as needed, and then became accepted as a member. Although his father wanted him to continue his education, Harrison left school at 16 and worked for several months as an apprentice electrician at Blacklers, a local department store. During the group’s first tour of Scotland, in 1960, Harrison used the pseudonym “Carl Harrison”, in reference to Carl Perkins.
In 1960, promoter Allan Williams arranged for the band, now calling themselves the Beatles, to play at the Indra and Kaiserkeller clubs in Hamburg, both owned by Bruno Koschmider. Their first residency in Hamburg ended prematurely when Harrison was deported for being too young to work in nightclubs. When Brian Epstein became their manager in December 1961, he polished up their image and later secured them a recording contract with EMI. The group’s first single, “Love Me Do“, peaked at number 17 on the Record Retailer chart, and by the time their debut album, Please Please Me, was released in early 1963, Beatlemania had arrived. Often serious and focused while on stage with the band, Harrison was known as “the quiet Beatle”. That moniker arose when the Beatles arrived in the United States in early 1964, and Harrison was ill with a case of Strep throat and a fever and was medically advised to limit speaking as much as possible until he performed on The Ed Sullivan Show as scheduled. As such, the press noticed Harrison’s apparent laconic nature in public appearances on that tour and the subsequent nickname stuck, much to Harrison’s amusement. He had two lead vocal credits on the LP, including the Lennon–McCartney song “Do You Want to Know a Secret?”, and three on their second album, With the Beatles (1963). The latter included “Don’t Bother Me“, Harrison’s first solo writing credit.
Harrison served as the Beatles’ scout for new American releases, being especially knowledgeable about soul music. By 1965’s Rubber Soul, he had begun to lead the other Beatles into folk rock through his interest in the Byrds and Bob Dylan, and towards Indian classical music through his use of the sitar on “Norwegian Wood (This Bird Has Flown)“. He later called Rubber Soul his “favourite [Beatles] album”. Revolver (1966) included three of his compositions: “Taxman“, selected as the album’s opening track, “Love You To” and “I Want to Tell You“. His drone-like tambura part on Lennon’s “Tomorrow Never Knows” exemplified the band’s ongoing exploration of non-Western instruments, while the sitar- and tabla-based “Love You To” represented the Beatles’ first genuine foray into Indian music. According to the ethnomusicologist David Reck, the latter song set a precedent in popular music as an example of Asian culture being represented by Westerners respectfully and without parody. Author Nicholas Schaffner wrote in 1978 that following Harrison’s increased association with the sitar after “Norwegian Wood”, he became known as “the maharaja of raga-rock”. Harrison continued to develop his interest in non-Western instrumentation, playing swarmandal on “Strawberry Fields Forever“.
By late 1966, Harrison’s interests had moved away from the Beatles. This was reflected in his choice of Eastern gurus and religious leaders for inclusion on the album cover for Sgt. Pepper’s Lonely Hearts Club Band in 1967. His sole composition on the album was the Indian-inspired “Within You Without You“, to which no other Beatle contributed. He played sitar and tambura on the track, backed by musicians from the London Asian Music Circle on dilruba, swarmandal and tabla. He later commented on the Sgt. Pepper album: “It was a millstone and a milestone in the music industry … There’s about half the songs I like and the other half I can’t stand.”
In January 1968, he recorded the basic track for his song “The Inner Light” at EMI’s studio in Bombay, using a group of local musicians playing traditional Indian instruments. Released as the B-side to McCartney’s “Lady Madonna“, it was the first Harrison composition to appear on a Beatles single. Derived from a quotation from the Tao Te Ching, the song’s lyric reflected Harrison’s deepening interest in Hinduism and meditation. During the recording of The Beatles that same year, tensions within the group ran high, and drummer Ringo Starr quit briefly. Harrison’s four songwriting contributions to the double album included “While My Guitar Gently Weeps“, which featured Eric Clapton on lead guitar, and the horn-driven “Savoy Truffle“.
Dylan and the Band were a major musical influence on Harrison at the end of his career with the Beatles. While on a visit to Woodstock in late 1968, he established a friendship with Dylan and found himself drawn to the Band’s sense of communal music-making and to the creative equality among the band members, which contrasted with Lennon and McCartney’s domination of the Beatles’ songwriting and creative direction. This coincided with a prolific period in his songwriting and a growing desire to assert his independence from the Beatles. Tensions among the group surfaced again in January 1969, at Twickenham Studios, during the filmed rehearsals that became the 1970 documentary Let It Be. Frustrated by the cold and sterile film studio, by Lennon’s creative disengagement from the Beatles, and by what he perceived as a domineering attitude from McCartney, Harrison quit the group on 10 January. He returned twelve days later, after his bandmates had agreed to move the film project to their own Apple Studio and to abandon McCartney’s plan for making a return to public performance.
Relations among the Beatles were more cordial, though still strained, when the band recorded their 1969 album Abbey Road. The LP included what Lavezzoli describes as “two classic contributions” from Harrison – “Here Comes the Sun” and “Something” – that saw him “finally achieve equal songwriting status” with Lennon and McCartney. During the album’s recording, Harrison asserted more creative control than before, rejecting suggestions for changes to his music, particularly from McCartney. “Something” became his first A-side when issued on a double A-side single with “Come Together“; the song was number one in Canada, Australia, New Zealand and West Germany, and the combined sides topped the Billboard Hot 100 chart in the United States. In the 1970s Frank Sinatra recorded “Something” twice (1970 and 1979) and later dubbed it “the greatest love song of the past fifty years”. Lennon considered it the best song on Abbey Road, and it became the Beatles’ second most covered song after “Yesterday“.
In May 1970 Harrison’s song “For You Blue” was coupled on a US single with McCartney’s “The Long and Winding Road” and became Harrison’s second chart-topper when the sides were listed together at number one on the Hot 100. His increased productivity meant that by the time of their break-up he had amassed a stockpile of unreleased compositions. While Harrison grew as a songwriter, his compositional presence on Beatles albums remained limited to two or three songs, increasing his frustration, and significantly contributing to the band’s break-up. Harrison’s last recording session with the Beatles was on 4 January 1970, when he, McCartney and Starr recorded his song “I Me Mine” for the Let It Be soundtrack album.
Solo career: 1968–1987
[…] The murder of John Lennon on 8 December 1980 disturbed Harrison and reinforced his decades-long concern about stalkers. The tragedy was also a deep personal loss, although Harrison and Lennon had little contact in the years before Lennon was killed. Following the murder, Harrison commented: “After all we went through together I had and still have great love and respect for John Lennon. I am shocked and stunned.” Harrison modified the lyrics of a song he had written for Starr in order to make the song a tribute to Lennon. “All Those Years Ago“, which included vocal contributions from Paul and Linda McCartney, as well as Starr’s original drum part, peaked at number two in the US charts. The single was included on the album Somewhere in England in 1981. […]
Later career: 1988–1996
[…] In 1994 Harrison began a collaboration with McCartney, Starr and producer Jeff Lynne for the Beatles Anthology project. This included the recording of two new Beatles songs built around solo vocal and piano tapes recorded by Lennon as well as lengthy interviews about the Beatles’ career. Released in December 1995, “Free as a Bird” was the first new Beatles single since 1970. In March 1996, they released a second single, “Real Love“. Harrison refused to participate in the completion of a third song. He later commented on the project: “I hope somebody does this to all my crap demos when I’m dead, make them into hit songs.”
Later life and death: 1997–2001
[…] On 29 November 2001, Harrison died on a property belonging to McCartney, on Heather Road in Beverly Hills, Los Angeles. He was 58 years old. He died in the company of Olivia, Dhani, Shankar and the latter’s wife Sukanya and daughter Anoushka, and Hare Krishna devotees Shyamsundar Das and Mukunda Goswami, who chanted verses from the Bhagavad Gita. His final message to the world, as relayed in a statement by Olivia and Dhani, was: “Everything else can wait, but the search for God cannot wait, and love one another.” He was cremated at Hollywood Forever Cemetery and his funeral was held at the Self-Realization Fellowship Lake Shrine in Pacific Palisades, California. His close family scattered his ashes according to Hindu tradition in a private ceremony in the Ganges and Yamuna rivers near Varanasi, India. He left almost £100 million in his will. […]
Songwriting
[…] Harrison wrote his first song, “Don’t Bother Me”, while sick in a hotel bed in Bournemouth during August 1963, as “an exercise to see if I could write a song”, as he remembered. His songwriting ability improved throughout the Beatles’ career, but his material did not earn full respect from Lennon, McCartney and producer George Martin until near the group’s break-up. In 1969, McCartney told Lennon: “Until this year, our songs have been better than George’s. Now this year his songs are at least as good as ours”. Harrison often had difficulty getting the band to record his songs. Most Beatles albums from 1965 onwards contain at least two Harrison compositions; three of his songs appear on Revolver, “the album on which Harrison came of age as a songwriter”, according to Inglis.
Harrison wrote the chord progression of “Don’t Bother Me” almost exclusively in the Dorian mode, demonstrating an interest in exotic tones that eventually culminated in his embrace of Indian music. The latter proved a strong influence on his songwriting and contributed to his innovation within the Beatles. According to Mikal Gilmore of Rolling Stone, “Harrison’s openness to new sounds and textures cleared new paths for his rock and roll compositions. His use of dissonance on … ‘Taxman’ and ‘I Want to Tell You’ was revolutionary in popular music – and perhaps more originally creative than the avant-garde mannerisms that Lennon and McCartney borrowed from the music of Karlheinz Stockhausen, Luciano Berio, Edgard Varèse and Igor Stravinsky …”
Of the 1967 Harrison song “Within You Without You”, author Gerry Farrell said that Harrison had created a “new form”, calling the composition “a quintessential fusion of pop and Indian music”. Lennon called the song one of Harrison’s best: “His mind and his music are clear. There is his innate talent, he brought that sound together.” In his next fully Indian-styled song, “The Inner Light”, Harrison embraced the Karnatak discipline of Indian music, rather than the Hindustani style he had used in “Love You To” and “Within You Without You”. Writing in 1997, Farrell commented: “It is a mark of Harrison’s sincere involvement with Indian music that, nearly thirty years on, the Beatles’ ‘Indian’ songs remain the most imaginative and successful examples of this type of fusion – for example, ‘Blue Jay Way‘ and ‘The Inner Light’.”
Beatles biographer Bob Spitz described “Something” as a masterpiece, and “an intensely stirring romantic ballad that would challenge ‘Yesterday’ and ‘Michelle’ as one of the most recognizable songs they ever produced”. Inglis considered Abbey Road a turning point in Harrison’s development as a songwriter and musician. He described Harrison’s two contributions to the LP, “Here Comes the Sun” and “Something”, as “exquisite”, declaring them equal to any previous Beatles songs. […]
Relationships with the other Beatles
For most of the Beatles’ career the relationships in the group were close. According to Hunter Davies, “the Beatles spent their lives not living a communal life, but communally living the same life. They were each other’s greatest friends.” Harrison’s ex-wife Pattie Boyd described how the Beatles “all belonged to each other” and admitted, “George has a lot with the others that I can never know about. Nobody, not even the wives, can break through or even comprehend it.” Starr said, “We really looked out for each other and we had so many laughs together. In the old days we’d have the biggest hotel suites, the whole floor of the hotel, and the four of us would end up in the bathroom, just to be with each other.” He added, “there were some really loving, caring moments between four people: a hotel room here and there – a really amazing closeness. Just four guys who loved each other. It was pretty sensational.”
Lennon stated that his relationship with Harrison was “one of young follower and older guy … [he] was like a disciple of mine when we started.” The two later bonded over their LSD experiences, finding common ground as seekers of spirituality. They took radically different paths thereafter with Harrison finding God and Lennon coming to the conclusion that people are the creators of their own lives. In 1974 Harrison said of his former bandmate: “John Lennon is a saint and he’s heavy-duty, and he’s great and I love him. But at the same time, he’s such a bastard – but that’s the great thing about him, you see?”
Harrison and McCartney were the first of the Beatles to meet, having shared a school bus, and often learned and rehearsed new guitar chords together. McCartney said that he and Harrison usually shared a bedroom while touring. McCartney has referred to Harrison as his “baby brother”. In a 1974 BBC radio interview with Alan Freeman, Harrison stated: “[McCartney] ruined me as a guitar player”. Perhaps the most significant obstacle to a Beatles reunion after the death of Lennon was Harrison and McCartney’s personal relationship, as both men admitted that they often got on each other’s nerves. Rodriguez commented: “Even to the end of George’s days, theirs was a volatile relationship”.
Legacy
In June 1965, Harrison and the other Beatles were appointed Members of the Order of the British Empire (MBE). They received their insignia from the Queen at an investiture at Buckingham Palace on 26 October. In 1971 the Beatles received an Academy Award for the best Original Song Score for the film Let It Be. The minor planet 4149 Harrison, discovered in 1984, was named after him, as was a variety of Dahlia flower. In December 1992 he became the first recipient of the Billboard Century Award, an honour presented to music artists for significant bodies of work. The award recognised Harrison’s “critical role in laying the groundwork for the modern concept of world music” and for his having “advanced society’s comprehension of the spiritual and altruistic power of popular music”. Rolling Stone magazine ranked him number 11 in their list of the “100 Greatest Guitarists of All Time”. He is also in number 65 in the list of “100 greatest songwriters of all time” by the same magazine.
In 2002, on the first anniversary of his death, the Concert for George was held at the Royal Albert Hall. Eric Clapton organised the event, which included performances by many of Harrison’s friends and musical collaborators, including McCartney and Starr. Eric Idle, who described Harrison as “one of the few morally good people that rock and roll has produced”, was among the performers of Monty Python’s “Lumberjack Song”. The profits from the concert went to Harrison’s charity, the Material World Charitable Foundation.
In 2004, Harrison was posthumously inducted into the Rock and Roll Hall of Fame as a solo artist by his former bandmates Lynne and Petty, and into the Madison Square Garden Walk of Fame in 2006 for the Concert for Bangladesh. On 14 April 2009, the Hollywood Chamber of Commerce awarded Harrison a star on the Walk of Fame in front of the Capitol Records Building. McCartney, Lynne and Petty were present when the star was unveiled. Harrison’s widow Olivia, the actor Tom Hanks and Idle made speeches at the ceremony, and Harrison’s son Dhani spoke the Hare Krishna mantra.
A documentary film entitled George Harrison: Living in the Material World, directed by Martin Scorsese, was released in October 2011. The film features interviews with Olivia and Dhani Harrison, Klaus Voormann, Terry Gilliam, Starr, Clapton, McCartney, Keltner and Astrid Kirchherr.
Harrison was posthumously honoured with The Recording Academy’s Grammy Lifetime Achievement Award at the Grammy Awards in February 2015. […]
