Neil Innes

From Wikipedia:

Neil James Innes (/ˈɪnɪs/; 9 December 1944 – 29 December 2019) was an English writer, comedian and musician. He collaborated with Monty Python and played in the Rutles and the Bonzo Dog Doo-Dah Band.

Early life

Innes was born in Danbury in Essex. His Scottish father was a warrant officer in the British Army, and Innes spent his childhood in West Germany where his father was deployed with the British Army of the Rhine. He took piano lessons from age 7 to 14 and taught himself to play guitar. His parents were supportive of their children’s artistic leanings, and his father also drew and painted. After returning to the United Kingdom, Innes received his formal education at Thorpe Grammar School, the Norwich School of Art and Goldsmiths College, London, where he studied fine art. He graduated with a Bachelor of Arts in Fine Art from Goldsmiths in 1966.

The Bonzo Dog (Doo-dah) Band

While still at Goldsmiths, Innes joined a semi-professional college band originally called the Bonzo Dog Dada Band (after Bonzo the dog, an illustrated cartoon character from the 1920s, and the art movement Dada), which was later renamed the Bonzo Dog Doo-Dah Band after the group tired of constantly explaining the concept of Dada to confused onlookers (and later still the band name was officially shortened to the Bonzo Dog Band). At this point the band, which then had a revolving membership of anything up to a dozen players at a time, largely performed a dada-influenced, deliberately shambolic, comedic repertoire of trad-jazz cover versions at local public houses and college events, to the delight and occasional bemusement of audiences. Innes had met the band’s co-founders Vivian Stanshall and Rodney Slater some time earlier when they and bandmate “Legs” Larry Smith were studying at the Central School of Art, but Innes’ official entry into the band was actually facilitated by his then-landlord and college tutor, Vernon Dudley Bohay-Nowell, who just happened to also be the band’s bass guitarist at the time. Innes’ induction into the band proved to be fundamental to their eventual success when he brought a more focused and disciplined musical direction to their efforts, with his talents as a composer, arranger and multi-instrumentalist. At the band’s creative peak in 1968 and 1969, Innes, alone and together with Stanshall, composed most of the band’s original material, including his solo composition (and sole Bonzos hit) “I’m the Urban Spaceman“, (produced by Apollo C. Vermouth, a collective alias for Paul McCartney and Gus Dudgeon), and “Death Cab for Cutie” (with lyrics by Stanshall), which featured in the Beatles’ film Magical Mystery Tour (1967). Innes won an Ivor Novello Award for Best Novel(ty) Song in 1968 for “I’m the Urban Spaceman”.

During the same creatively-fertile 1968/69 period, Innes and the Bonzo Dog Band also appeared each week in both seasons of the British children’s television series Do Not Adjust Your Set which also featured future Monty Python members Eric Idle, Terry Jones, Michael Palin and Terry Gilliam. Although initially intended to appeal solely to children, the show’s surreal and absurdist nature soon also attracted a large adult following.

After the break-up of the Bonzo Dog Band in early 1970, Innes joined with former Dog Band bassist Dennis Cowan, drummer Ian Wallace and guitarist Roger McKew to form The World, a band hoping for “more commercial” success with music ranging from rock to pure pop, yet still retaining some Doo-Dah flavour and even some of the humour. However, by the time their sole album, Lucky Planet, was released in late 1970 the members had already disbanded and were moving on to other projects.

GRIMMS and Monty Python

The 1970s proved to be a highly prolific decade for Innes as a solo artist, band member and live stage and television performer.

In 1971, Innes briefly reunited with most of his former Bonzo Dog Band colleagues to record their reunion/contractual obligation album Let’s Make Up and Be Friendly, and he, Vivian Stanshall and Dennis Cowan also formed a short-lived touring band named Freaks with Keith Moon on drums. This in turn led Innes and Stanshall to a union with The Scaffold and other musicians, poets and performers later that year as GRIMMS. While Stanshall effectively bowed out of this group soon after its formation, Innes remained as one of the permanent core members for the next five years, working with Andy Roberts, Roger McGough, John Gorman, Mike McGear, Dave Richards, Brian Patten, Adrian Henri, John Megginson, future Rutles bandmates Ollie Halsall and John Halsey, and Gerry Conway (among many others). Although GRIMMS was initially conceived purely as a touring revue-type ensemble, early 1973 saw the release of their self-titled live album, followed by a second studio-recorded album Rockin’ Duck at the end of the same year. GRIMMS remained an informal enough setup throughout this period to allow the various members to come and go as they pleased and continue with their own outside musical, performing and literary careers, and in 1973 Innes also recorded his debut solo album How Sweet To Be An Idiot, aided and abetted by various GRIMMS. The group also undertook regular and extensive tours of the UK university and theatre circuit throughout its existence, releasing a book of humorous poetry, lyrics and photographs in 1974 entitled Clowns On The Road detailing some of their experiences. The final GRIMMS studio LP Sleepers was released in 1976, after which their activities as a group ceased.

In the mid-1970s, Innes became closely associated with the Monty Python team, having first worked with Michael Palin, Terry Jones and Eric Idle on the 1960s television show Do Not Adjust Your Set. He contributed music to the Monty Python albums Monty Python’s Previous Record (1972) and The Monty Python Matching Tie and Handkerchief (1973), and played a major role in performing and writing songs and sketches for their final TV series in 1974, after John Cleese temporarily left the troupe. He wrote a squib of a song called “George III” for the episode “The Golden Age of Ballooning”, which was sung by the Flirtations but billed onscreen as the Ronettes. He also wrote the song “When Does a Dream Begin?”, used in “Anything Goes: The Light Entertainment War”. He co-wrote the “Most Awful Family in Britain” sketch and played a humorous stilted guitar version of the theme song, “The Liberty Bell” march, during the credits of the last episode, “Party Political Broadcast”. He is one of only two non-Pythons ever to be credited writers for the TV series, the other being Douglas Adams (who co-wrote the “Patient Abuse” sketch, also featured in “Party Political Broadcast”).

He appeared on stage with the Pythons in the UK and Canada in 1973, in London in 1974 and in New York City in 1976, performing the Bob Dylanesque “Protest Song” (complete with harmonica) on the album Monty Python Live at City Center. He was introduced as Raymond Scum. After his introduction he told the audience, “I’ve suffered for my music. Now it’s your turn.” In 1980, he travelled to the States with the Pythons again, subsequently appearing in Monty Python Live at the Hollywood Bowl. He performed the songs “How Sweet to Be an Idiot” and “I’m the Urban Spaceman“. He also appeared as one of the singing “Bruces” in the Philosopher Sketch and as a Church Policeman in the “Salvation Fuzz” sketch.

Innes wrote original songs for the film Monty Python and the Holy Grail (1975), such as “Knights of the Round Table” and “Brave Sir Robin”. He appeared in the film as a head-bashing monk, the serf crushed by the giant wooden rabbit, and the leader of Sir Robin’s minstrels. He also had small roles in Terry Gilliam’s Jabberwocky (1977) and Monty Python’s Life of Brian (1979), and performed the whistling on the latter’s hit song, “Always Look on the Bright Side of Life”. His collaborations with Monty Python and other artists were documented in the musical film The Seventh Python (2008), which premiered at the Mods & Rockers Film Festival on 26 June 2008.

Rutland Weekend Television, The Rutles, and The Innes Book of Records

After Monty Python finished its original run on UK television, Innes joined Eric Idle on the series Rutland Weekend Television. This was a Pythonesque sketch show based in a fictional low-budget regional television station, which ran for two series in 1975–76. Songs and sketches from the series appeared on a 1976 BBC LP, The Rutland Weekend Songbook. One short sketch on the show spawned the Rutles (the “prefab four”), which was an affectionate pastiche of the Beatles. In the sketch Innes portrayed the character of Ron Nasty, a character based on John Lennon, while Idle portrayed Dirk McQuickly (a character based on Paul McCartney), and the fictional group briefly performed ‘I Must Be In Love’, a suitably Beatlesque pastiche written by Innes.

Eric Idle later played a videotape of the Rutles sketch on Saturday Night Live in 1976 during an appearance as guest host, and the favourable response led to a 1978 American-made spin-off TV movie, All You Need Is Cash, with Innes and Idle again playing Nasty and McQuickly. While Idle and Innes co-created the original Rutles sketch concept, Idle wrote the screenplay for the film on his own, and Innes composed all of the songs for the project without any input from Idle (Dirk McQuickly’s musical contributions on the soundtrack were performed by guitarist/singer Ollie Halsall while Idle lip-synched them in the film). Innes’ songs consequently appeared on the soundtrack album The Rutles, released by Warner Bros in 1978.

The songs written by Innes so closely pastiched the original source material that he was consequently taken to court by the owners of the Beatles’ catalogue. Innes had to testify under oath that he had not listened to the songs at all while composing the Rutles’ songs, but had created them completely originally based on what he remembered various songs by the Beatles sounding like at different times. Many years later, Innes’ own music publisher demanded a co-writing credit for Innes from Beatles-influenced band Oasis, for their 1994 song “Whatever”, as it directly lifted parts of its melody from Innes’ 1973 song “How Sweet to Be an Idiot”. This event was subsequently referenced in the Rutles’ song “Shangri-La” on their 1996 reunion album The Rutles Archaeology, which was itself a parody of The Beatles Anthology.

After Rutland Weekend Television, Innes made a solo series in 1979 on BBC television, The Innes Book of Records, which ran for three series until 1981. The series offered an early example of music-video presentation, albeit on a shoestring BBC budget, centred around new recordings of many of Innes’ older compositions along with new material written specially for the show. In keeping with Innes’ usual whimsically surreal style, each episode was linked by a loose and often absurdist theme and also featured an eccentric guest performer (such as Stanley Unwin or Percy Edwards) or musician (such as Ivor Cutler or Jake Thackray). Innes’ former bandmate Vivian Stanshall also appeared in one episode, reciting his own surrealist monologue about the English seaside.

Other television work

During the 1980s, Innes delved into children’s entertainment. This new career path began when he took over from Tom Baker as host of Yorkshire TV’s The Book Tower for the ITV network. He went on to play the role of the Magician in the live-action children’s television series Puddle Lane, also made by Yorkshire Television. He also wrote and voiced the 1980s children’s cartoon adventures of The Raggy Dolls, a motley collection of “rejects” from a toy factory. The 65 episodes for Yorkshire Television included the characters Sad Sack, Hi-Fi, Lucy, Dotty, Back-to-Front, Princess and Claude.

He also composed and performed original music and songs for children’s television, including Puddle Lane, The Raggy Dolls, The Riddlers and Tumbledown Farm. He brought Monty Python’s Terry Jones’s book Fairy Tales to television as East of the Moon. He contributed all the stories and music on this production. He was also involved with the popular children’s show Tiswas.

Reunion concerts

At the time of The Beatles Anthology CDs, there was a revival of interest in the Rutles and a new album was released in 1996 entitled Archaeology.

In 1998, Innes hosted a 13-episode television series for Anglia Television, called Away with Words, in which he travelled to different areas of Britain to explore the origins of well-known words and phrases.

Innes took part, along with the remaining Monty Python members, in the 2002 Concert for George, in memory of George Harrison.

Innes was occasionally heard (often as the butt of jokes) standing in as the pianist for the BBC Radio 4 panel game I’m Sorry I Haven’t a Clue.

Innes toured the UK in 2006 and produced a new Bonzo CD as part of the Bonzo Dog Band’s 40th Anniversary tour. In 2008 he undertook the Neil Innes and Fatso 30th Anniversary tour, playing predominantly Rutles numbers with a few Bonzos and Python items. […]

In September 1967, The Bonzo Dog Doo-Dah Band were invited by Paul McCartney to participate in the filming of the Beatles’ “Magical Mystery Tour.”

Circa June/July 1968, Paul McCartney produced The Bonzo Dog Doo-Dah Band’s most successful single, “I’m the Urban Spaceman“, written by Neil Innes, under the pseudonym Apollo C. Vermouth.

I’d like to go on record as saying that the record would have been nothing like [as successful] without Paul’s touch

Neil Innes – Member of The Bonzo Dog Doo Dah Band – From “Fab: intimate life of Paul McCartney” by Howard Sounes, 2010

Viv [Stanshall] was down the Speakeasy with Paul. I think they used to drop into the personas of country gents, sort of thing, “Another one, dear boy?” “I don’t mind if I do”. Viv was saying, “We’ve got to do this bloody single, but the producer won’t give us time to do anything.” So Paul said, “Well, I’ll come and produce it.”

Neil Innes – Member of The Bonzo Dog Doo Dah Band – From “Fab: intimate life of Paul McCartney” by Howard Sounes, 2010

So Viv was down the Speakeasy Club, I think, with Paul, talking generally, he used to hang out quite a bit.  And Viv was complaining about the fact that Gerry [Bron – the producer of The Bonzo Dog Doo Dah Band] was sort of, “Right, three hours of that, move on.”  And he said, now we gotta go in and record this bloody single.  So Paul said, “I’ll come and produce it if you like.”  And that was perfect, because that was the only way we were going to get him off the control desk, to have somebody like Paul, who wasn’t known as a record producer, but he was known.  So he came and produced that, and took eight hours.

Neil Innes – From Bonzo Dog Band- Neil Innes interview by Richie Unterberger, January 2001

Larry was sort of doing on the drums a-boom-chick, boom-chick, boomchick, and Paul said, ‘Yeah, that’s all right, we’ll do it like that, but give it a boom-dat-boom boom bap with the boom-chick, boom-chick,’ which gave it a feel. Then he snatches up Viv’s ukulele and starts leaning into the microphone, Nashville-style, to fade it, live fade and fade out, rinky-dinky-dinky-dinky-dinky-dink, and the whole thing is taking off. And it’s totally down to Paul.

Neil Innes – Member of The Bonzo Dog Doo Dah Band – From “Fab: intimate life of Paul McCartney” by Howard Sounes, 2010

Songs written or co-written by Neil Innes

Recording sessions Neil Innes participated in

Albums, EPs & singles which Neil Innes contributed to

This site uses Akismet to reduce spam. Learn how your comment data is processed.