Thursday, December 29, 1966
TV interview • Interview of The Beatles
Last updated on November 5, 2023
Interview location: EMI Studios, Abbey Road, London, UK
Interview Dec 24, 1966 • George Martin interview for New Musical Express (NME)
Session Dec 29, 1966 • Mixing "When I'm Sixty Four", "Strawberry Fields Forever" and recording "Penny Lane"
Interview Dec 29, 1966 • The Beatles interview for ITN
Session Dec 30, 1966 • Recording "Penny Lane" and mixing "When I'm Sixty Four", "Penny Lane"
Article December 1966 • The Beatles consider a TV special to promote their next album
Next interview Dec 31, 1966 • Paul McCartney interview for New Musical Express (NME)
October 2000 • From MOJO
October 1999 • From MOJO
“The Beatles Anthology 1” press conference
Nov 20, 1995
Calm down! It's The Beatles. Their only interview!
December 1995 • From Q Magazine
Andy Gray talks to the Beatles, 1968
Jul 13, 1968 • From New Musical Express (NME)
Interview for The Kenny Everett Show
Jun 09, 1968 • From BBC Radio 1
Interview for The Village Voice
May 16, 1968 • From The Village Voice
Interview for The Tonight Show
May 14, 1968 • From NBC
NYC Press Conference Announcing Apple
May 14, 1968
May 14, 1968 • From WNDT
Jul 08, 1966 • From ITN
Aug 10, 1966 • From ITN
Aug 25, 1966 • From ITN
Jun 19, 1967 • From ITN
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ITN created a documentary about the rumours of the Beatles breaking up. The documentary mainly consists of archival material and interviews with people associated with the band. Near the end of the documentary, each of the four Beatles gave brief and exclusive interviews. These interviews were recorded on December 20, 1966, as they arrived at Abbey Road Studios for a recording session.
From “That Magic Feeling: The Beatles’ Recorded Legacy, Volume Two, 1966-1970” by John C. Winn:
While it’s now common for top groups to go several years between new albums, in 1966 a lapse of even a few months without releasing new material was cause for concern. With no product out for Christmas, solo projects in the works, and no indication of future tours, speculation was prevalent that the Beatles might be finished.
ITV News [sic ITN] put together a remarkably incoherent package on the topic for Reporting ’66, stringing together archival footage of the group, sprinkled with comments from people such as Richard Lester, but with no narration or editorial point of view. The payoff comes at the end of the show with exclusive interviews of each Beatle, conducted by John Edwards on the front steps of EMI Abbey Road Studios as the group arrived for a 7 p.m. session.
First to arrive is John, carrying an armload of LPs. He says that while they may focus on individual efforts in 1967, they all get along fine and will continue working as a group. He reveals that he wouldn’t have accepted the role in How I Won the War had the other Beatles been unhappy about it, but that none of them are really interested in film careers. Although he thinks tours are no longer in the cards, John says he and Paul will continue writing songs “forever.”
As darkness falls, Paul shows up with Mal Evans and goes into greater detail about why concerts have become so frustrating. Not only has their live performance ability sunk to an all-time low, but they realize nobody is really listening anyway. George arrives in a fur coat and rushes up the steps, uninterested in answering any questions about a Beatles split, apart from a fleeting “no.”
Ringo is the last to arrive, accompanied by Neil Aspinall, and chats the longest. He explains that they don’t want to simply repeat past successes, and that if they can’t find a decent script for the next Beatles film, they may pursue separate projects until they have a reason to work together again. Since John and Paul write songs during their time off and George studies the sitar, Ringo contemplates making a film on his own. He denies several times that he is bored or fed up with being a Beatle, and after wishing the viewers a Merry Christmas, signs a few autographs for waiting fans before joining his mates in the studio.
From “That Magic Feeling: The Beatles’ Recorded Legacy, Volume Two, 1966-1970” by John C. Winn
Paul, good evening, can I just have a brief word with you?
Yeah.
If you never tour again, would it worry you?
I don’t know…. No, I don’t think so.
It wouldn’t worry you?
Because the only thing about that, you see, is that performance for us… See, it’s gone downhill, performance, because we can’t develop when no one can hear us, you know what I mean. So, for us, to perform, it gets difficult each time…
You mean they don’t listen to you and therefore you don’t want to do that?
Oh yeah we want to do it but, if we’re not listened to, and we can’t even hear ourselves, and we can’t improve in that, we can’t get any better. So we’re trying to get better with things like recording.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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