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Wednesday, September 4, 1968

Filming "Hey Jude", "Revolution" promo films

For The Beatles

Last updated on October 30, 2024


Location

  • Recording studio: Twickenham Film Studios, London, UK

Timeline

Master releases

Some of the songs from this session also appear on:

On this day, The Beatles recorded the promotional clips for “Hey Jude” and “Revolution” at Twickenham Film Studios, accompanied by a 36-piece orchestra and an audience of 300.

The “Hey Jude” film premiered on September 8, 1968, on the television show “Frost On Saturday“, hosted by David Frost.

David Frost was in the studio that day to film some segments, creating the illusion of a live recording for the audience during the broadcast. This also served as a clever ruse to circumvent The Musicians’ Union’s ban on lip-syncing. To this end, only The Beatles’ lead and backing vocals were recorded live and layered over the pre-recorded track vocals to prevent errors.

Three versions of “Hey Jude” were captured on film, with the end result film being an edit of the first and third takes.

At one point, The Beatles played the “Frost On Saturday” theme song, composed by George Martin and named “By George! It’s The David Frost Theme“. Afterwards, David Frost made an appearance to introduce the performance of “Hey Jude“:

Beautiful. Absolute poetry. Welcome back to part three, as you can see, with the greatest tea-room orchestra in the world. Right? Beautiful, beautiful. Absolutely, beautiful. As you can see, making their first audience appearance for over a year, ladies and gentlemen, The Beatles!

David Frost

The Beatles also played an impromptu version of Elvis Presley’s “It’s Now Or Never“, but this was edited out of the broadcast.

For the “Revolution” clip, The Beatles overdubbed a new vocal track onto the studio version. It was broadcast on BBC’s Top Of The Pops, on September 19, 1968.

The two films were directed by Michael Lindsay-Hogg. The next time The Beatles would be at Twickenham Film Studios with Michael Lindsay-Hogg would be in January 1969 for the “Get Back” sessions.



MAL’S DIARY

[…] On previous occasions in the past year or two, The Beatles had made little films showing themselves recording, walking around and so forth with their record playing in the background. Naturally, some of these ran into trouble with the telly people because the fellows came pretty close to miming sometimes, and THAT is a terrible Deadly Sin so far as the unions are concerned. You are not allowed to mine to records on telly.

This time The Beatles decided to avoid all the problems by producing a full-scale LIVE performance, done in colour, at Twickenham Film Studios and intended for showing all over the world.

The day before Neil and Suzie got married at the end of August, I was asked to start making all the shooting arrangements with Michael Lindsay-Hogg, a television and film director who has been involved in plenty of big pop shows in the past.

It was Thursday night. By the following Wednesday we had to get together the technical crew, no less than 300 extras and a 36-piece orchestra. In between there was the August bank holiday week-end, which meant it was hard to get hold of half the people we needed to reach to set things up.

How did we get that code of 300 extras together? We got 20 students to distribute invitation leaflets for us. The result was that all sorts of walks of life were represented – postmen, railwaymen, teenagers, senior citizens. I recruited a bunch of Beatle people from outside the recording studio and told them they would be welcome to join us all at Twickenham and bring along a few mates.

Paul decided he would like a ‘twenties atmosphere at Twickenham so the musicians of the orchestra were dressed up in smart white tuxedos and colourful carnations for the occasion.

And very evident amongst the gathered – together 300 was old Billy from Soho. Billy is a real character. If you’ve walked around Wardour Street or Old Compton Street in Soho you may have seen him, possibly with a bottle on his head, selling or giving away flowers. And like as not, he will have pulled out a photograph he’s very proud of. It was taking months ago and shows him with The Beatles in a film cutting room – when the fellows editing “Magical Mystery Tour”. The photo went into the Daily Mirror at the time. So old Billy just had to be in on the “Hey Jude” and “Revolution” filming.

The Beatles arrived at Twickenham around lunchtime – 1:30 PM. The line-up was Paul, playing an upright piano, George on bass, John on guitar and Ringo on drums. PLUS the 36-piece orchestra PLUS 300 singing extras to join in the big build-up on “Hey Jude” towards the end of the number.

While lights and cameras were being set up, Paul entertained on the piano. He hadn’t really planned to do so, but old Billy came up on to the stage and yelled, “Come on, Paul, give us some of the goold old songs”. And Paul did just that!

Mal Evans – From The Beatles Monthly Book, October 1968, N°63

Dear………………………..

This letter is an invitation to you to take part in a T.V. performance by the Beatles on Wednesday Sept. 4th. Regrettably space is very limited and it will not be possible for you to bring a friend or relative. This letter will admit only you so please do not pass it on to someone else and be sure to have it with you on Wednesday.

If you are asked to come in the uniform of your profession would you be kind enough to bring with you a change of clothing so that, if required, you can appear in your normal clothes. This change of clothing should ideally be light and not dark colours, but generally speaking we want to see people as they are when they are working.

Would you please sign this letter at the bottom of the rage, which will confirm that you recognise you will be part of a studio audience, do not object to being seen in the television programme, and that you agree that you do not wish to be paid for your appearance in the programme, wherever and whenever it is televised.

Refreshments will be served at the studio.

You are asked to report at 4.45p.m. on Wednesday Sept. 4th, 1968 outside the Grosvenor Hotel, Buckingham Palace Road S.W.1. The hotel is just outside the main courtyard of Victoria Station. Coaches will be waiting there to take you to the studio and you will be returned later in the evening.

For our record purposes your reference number is…….


Session activities

  1. Hey Jude

    Written by Lennon - McCartney

    Recording • Take 1

  2. Hey Jude

    Written by Lennon - McCartney

    Recording • Take 2

  3. Hey Jude

    Written by Lennon - McCartney

    Recording • Take 3

  4. By George! It's The David Frost Theme

    Recording

  5. It's Now Or Never

    Written by Aaron Schroeder, Wally Gold, Eduardo di Capua

    Recording

  6. Revolution

    Written by Lennon - McCartney

    Recording • Take 1

  7. Revolution

    Written by Lennon - McCartney

    Recording • Take 2


Going further

The Complete Beatles Recording Sessions • Mark Lewisohn

The definitive guide for every Beatles recording sessions from 1962 to 1970.

We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!

Buy on Amazon

The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)

The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.

Buy on Amazon

If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.

Read more on The Beatles Bible

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