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Saturday, October 12, 1968

Mixing "Everybody's Got Something...", "Helter Skelter", "Mother Nature's Son", "Ob-La-Di, Ob-La-Da", "Long, Long, Long"

For The Beatles

Last updated on November 20, 2024


Master session

Location

  • Recording studio: EMI Studios, Studio Two, Abbey Road

Timeline

Master release

AlbumSome of the songs worked on during this session were first released on the "The Beatles (Mono)" LP

Some of the songs from this session also appear on:

This day was devoted to the creation of mono and stereo mixes, for five songs to appear on the White Album.


The recording of “Everybody’s Got Something to Hide Except Me and My Monkey” was completed on July 23, and five attempts at a mono mix were then done. On this day, the mono and stereo mixes released on the White Album were made. The only notable difference between the stereo and mono mixes is the “come on” screaming in the last verse is somewhat different.


The recording of “Helter Skelter” was completed on September 10 and the mono mix was made on September 17. On this day, the stereo mix released on the White Album was made.

Five attempts were made at creating this difficult mix, the fifth try, no doubt, being the one used on the released album. The backing vocals were pushed more in the background, Paul’s lead guitar in the instrumental break was brought up higher in the mix, and the chatter and extraneous sounds during the break at the three minute mark was left in this time around. And, most notably, a decision was made to fade the song back up for the listener to hear its full conclusion as well as Ringo’s “blisters” cry.

From beatlesebooks.com

As in the past, the stereo mixes for The White Album tended to be put off until the last minute, even though they were now deemed to be important. The reason for the importance was not what one might expect though. Paul explained to me whilst mixing the stereo version of “Helter Skelter” that it had to sound different from the mono version. Apparently fans started to buy both the mono and stereo albums and wrote to them asking if they knew there were differences between the versions, so Paul and/or the band saw this as a great way to boost sales.

Ken Scott – From “Abbey Road to Ziggy Stardust“, 2012

The mono mix fades at 3:36, while the stereo mix reaches 4:29. The mono mix excludes Ringo Starr’s shout “I’ve got blisters on my fingers!“.


The recording of “Mother Nature’s Son” had been completed on August 20, and eight attempts at a mono mix were then done. On this day, the mono and stereo mixes released on the White Album were made.


The recording and mixing process for “Ob-La-Di, Ob-La-Da” was laborious. The recording started in early July, three remakes were done. At the end of the recording process, on July 15, ten mono mixes were made but judged unsatisfactory. On this day, one more attempt at creating the mono mix was done, and the result was released on the White Album. Four stereo mixes were also made on this day, including the one released on the stereo version of the album.


The first attempt at a mono mix of “Long, Long, Long” was done on this day, but this mix was deemed not good enough. A proper mono mix was done on October 14.


Session activities

  1. Everybody's Got Something to Hide Except Me and My Monkey

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 1 from take 12

    AlbumOfficially released on The Beatles (Stereo)

  2. Helter Skelter

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 1 from take 21

  3. Helter Skelter

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 2 from take 21

  4. Helter Skelter

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 3 from take 21

  5. Helter Skelter

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 4 from take 21

  6. Helter Skelter

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 5 from take 21

    AlbumOfficially released on The Beatles (Stereo)

  7. Mother Nature's Son

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 1 from take 26

  8. Mother Nature's Son

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 2 from take 26

    AlbumOfficially released on The Beatles (Stereo)

  9. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 1 from take 23

  10. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 2 from take 23

  11. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 3 from take 23

  12. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Mixing • Stereo mixing - Remix 4 from take 23

    AlbumOfficially released on The Beatles (Stereo)

  13. Everybody's Got Something to Hide Except Me and My Monkey

    Written by Lennon - McCartney

    Mixing • Mono mixing - Remix 1 from take 12

  14. Mother Nature's Son

    Written by Lennon - McCartney

    Mixing • Mono mixing - Remix 1 from take 26

  15. Mother Nature's Son

    Written by Lennon - McCartney

    Mixing • Mono mixing - Remix 2 from take 26

    AlbumOfficially released on The Beatles (Mono)

  16. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Mixing • Mono mixing - Remix 10 from take 23

    AlbumOfficially released on The Beatles (Mono)

  17. Long, Long, Long

    Written by George Harrison

    Mixing • Mono mixing - Remix 1 from take 67


Staff

Production staff


Going further

The Complete Beatles Recording Sessions • Mark Lewisohn

The definitive guide for every Beatles recording sessions from 1962 to 1970.

We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!

Buy on Amazon

The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)

The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.

Buy on Amazon

If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.

Read more on The Beatles Bible

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