Wednesday, April 19, 1967
For The Beatles
Last updated on August 20, 2024
Recording "Sgt. Pepper's Lonely Hearts Club Band"
Nov 24, 1966 - Apr 20, 1967 • Songs recorded during this session appear on Sgt. Pepper's Lonely Hearts Club Band (UK Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Session Apr 17, 1967 • Mixing "Getting Better", "She's Leaving Home", "When I'm Sixty-Four", "Lovely Rita"
Article Apr 19, 1967 • The Beatles & Co. is formed
Session Apr 19, 1967 • Mixing "Good Morning Good Morning", "Only A Northern Song"
AlbumSome of the songs worked on during this session were first released on the "Sgt. Pepper's Lonely Hearts Club Band (UK Mono)" LP
On April 6, 1967, John Lennon’s song “Good Morning Good Morning” was mixed in mono and stereo.
On this day, from 7 pm to 12:30 am, new mono mixes of the song were created, as it was felt that the song did not segue smoothly into the next track on the album, “Sgt Pepper’s Lonely Hearts Club Band (Reprise)“.
Fourteen attempts, labelled Take 10 to 23, were made to solve the issue. Ultimately, the solution was to echo the final cluck of the chicken with the open guitar notes of “Sgt Pepper (Reprise),” and Take 23 served as the mono release on the album.
“That was one of the cleverest bits of matching a sound effect with an instrument ever done,” says Geoff Emerick, proudly, although George Martin is rather more poetic about the edit, claiming that “Sgt Pepper himself was breathing life into the project by this time“, intimating that the edit was discovered by chance alone, and that it “just fitted together“. Geoff Emerick disagrees that it was an accident. “No no, that was no accident. We fully realised that the cluck matched the guitar. In fact it wasn’t a perfect match so we shifted the cluck up in time to match correctly. It was a fantastic little thing which will always stick in my mind.“
From “The Complete Beatles Recording Sessions” by Mark Lewisohn, 1988
Additionally, during this session, a mono mix of “Only A Northern Song” (a leftover from the “Sgt. Pepper” sessions, recorded on February 14, 1967) was made for reference purposes.
Mixing • Mono mixing - Remix 10 from take 11
Mixing • Mono mixing - Remix 11 from take 11
Mixing • Mono mixing - Remix 12 from take 11
Mixing • Mono mixing - Remix 13 from take 11
Mixing • Mono mixing - Remix 14 from take 11
Mixing • Mono mixing - Remix 15 from take 11
Mixing • Mono mixing - Remix 16 from take 11
Mixing • Mono mixing - Remix 17 from take 11
Mixing • Mono mixing - Remix 18 from take 11
Mixing • Mono mixing - Remix 19 from take 11
Mixing • Mono mixing - Remix 20 from take 11
Mixing • Mono mixing - Remix 21 from take 11
Mixing • Mono mixing - Remix 22 from take 11
Mixing • Mono mixing - Remix 23 from take 11
AlbumOfficially released on Sgt. Pepper's Lonely Hearts Club Band (UK Mono)
Written by George Harrison
Mixing • Mono mixing - Remix 4 from take 12
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)
The third book of this critically - acclaimed series, nominated for the 2019 Association for Recorded Sound Collections (ARSC) award for Excellence In Historical Recorded Sound, "The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)" captures the band's most innovative era in its entirety. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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