Wednesday, April 16, 1969
For The Beatles
Last updated on April 2, 2025
Feb 22 - Aug 25, 1969 • Songs recorded during this session appear on Abbey Road
Recording studio: EMI Studios, Studio Three, Abbey Road
Session Apr 14, 1969 • Recording and mixing "The Ballad Of John And Yoko"
Session Late April 1969 • Recording "On Our Way Home"
Session Apr 16, 1969 • Recording and mixing "Old Brown Shoe", recording "Something"
Article Apr 17, 1969 • "Get Back" promo film broadcast in the UK
Session Apr 18, 1969 • Recording and mixing "Old Brown Shoe", "I Want You (She's So Heavy)"
AlbumSome of the songs worked on during this session were first released on the "The Ballad Of John And Yoko / Old Brown Shoe (UK - 1969)" 7" Single
The first session of the day, from 2:30 to 5:00 pm, featured George Harrison recording a solo demo of “Old Brown Shoe” in a single take. The song had previously been rehearsed by The Beatles during the “Get Back” sessions on January 27, 28, and 29, 1969. George had also recorded an earlier demo on February 25, 1969.
For the second session of the day (from 7 pm to 2:45 am), George was joined by Paul McCartney and John Lennon to continue work on “Old Brown Shoe.” The presence of Ringo Starr — and who played which instrument — varies depending on the source:
The site beatlesebooks.com leans toward Mark Lewisohn’s version:
Noteworthy of mention here is the additional assertion by Kevin Howlett that the drums on the official recording of “Old Brown Shoe” were performed by Paul. While Ringo was indeed in the process of filming the movie “The Magic Christian” at the time, it was primarily filmed on location in London, which would make him available for this evening’s Beatles recording session. Upon listening to the late January “Get Back / Let It Be” rehearsals of “Old Brown Shoe,” Ringo’s drum performances developed quite closely to what we hear on the rhythm track as recorded on April 16th. Paul’s rudimentary drum-work, as witnessed on “The Ballad Of John And Yoko,” “Dear Prudence” and “Back In The U.S.S.R.,” the latter song being a composite of Paul, John and George playing drums by the use of overdubs, appears to not be of the caliber of what we hear on the released “Old Brown Shoe.” “Anything I really can’t do is ‘shuffles,’” Paul himself admitted during a filmed interview in the 1990’s concerning his drumming ability. “They’re difficult to do. That’s just the coordination I can’t do…But I can do more of just a straight sort of rock (beat),” which he then demonstrates for the cameras. Therefore, it appears most likely that Ringo broke away from his acting duties to join The Beatles for this April evening’s recording session, something George Harrison would undoubtedly have preferred for recording one of his songs.
From beatlesebooks.com
Four takes of the basic track were recorded during the session, all complete except for Take 1. Take 3 was later released on the “Abbey Road (50th anniversary boxset)” in 2019.
Take 4 was deemed the best and became the foundation for further overdubs. Paul added a bass part, while George recorded an additional guitar line to complement the bass. George also re-recorded his lead vocals, supported by harmonies from Paul and John. The two then double-tracked their backing vocals, with George also double-tracking his lead vocals in some parts.
Four stereo mixes were subsequently prepared. A few final overdubs would be added, and the song completed, on April 18, 1969.
After completing work on “Old Brown Shoe,” The Beatles turned their attention to George’s “Something”.
Like “Old Brown Shoe,” “Something” had been rehearsed during the “Get Back” sessions (on January 28 and 29) and demoed by George on February 25, 1969.
Late that night, the band recorded 13 instrumental takes of the basic track. As with “Old Brown Shoe,” the personnel credits vary depending on the source:
Ultimately, these takes were abandoned in favour of a remake recorded on May 2, 1969.
Written by George Harrison
Recording • Take 1
Written by George Harrison
Recording • Take 1
Written by George Harrison
Recording • Take 2
AlbumOfficially released on Abbey Road (50th anniversary boxset)
Written by George Harrison
Recording • Take 3
Written by George Harrison
Recording • Take 4
Written by George Harrison
Recording • Take 1
Written by George Harrison
Recording • Take 2
Written by George Harrison
Recording • Take 3
Written by George Harrison
Recording • Take 4
Written by George Harrison
Recording • Take 5
Written by George Harrison
Recording • Take 6
Written by George Harrison
Recording • Take 7
Written by George Harrison
Recording • Take 8
Written by George Harrison
Recording • Take 9
Written by George Harrison
Recording • Take 10
Written by George Harrison
Recording • Take 11
Written by George Harrison
Recording • Take 12
Written by George Harrison
Recording • Take 13
Written by George Harrison
Mixing • Stereo mixing - Remix 1 from take 4
Written by George Harrison
Mixing • Stereo mixing - Remix 2 from take 4
Written by George Harrison
Mixing • Stereo mixing - Remix 3 from take 4
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
Solid State: The Story of "Abbey Road" and the End of the Beatles
Acclaimed Beatles historian Kenneth Womack offers the most definitive account yet of the writing, recording, mixing, and reception of Abbey Road. In February 1969, the Beatles began working on what became their final album together. Abbey Road introduced a number of new techniques and technologies to the Beatles' sound, and included "Come Together," "Something," and "Here Comes the Sun," which all emerged as classics.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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