Friday, October 11, 1968
For The Beatles
Last updated on November 27, 2024
"The Beatles" (aka the White Album) sessions
May 30 - Oct 18, 1968 • Songs recorded during this session appear on The Beatles (Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Session Early October 1968 to early December 1968 • "Post Card" sessions
Session Oct 11, 1968 • Recording and mixing "Savoy Truffle", "Piggies", "Don't Pass Me By", "Good Night"
AlbumSome of the songs worked on during this session were first released on the "The Beatles (Mono)" LP
The Beatles recorded the basic track for George Harrison’s “Savoy Truffle” on October 3, with the initial overdubs added on October 5. Work on the song continued on this day from 3 pm to 6 pm, focusing on the addition of saxophone overdubs.
Chris Thomas had composed a brass arrangement, that was performed by six experienced saxophonists from the British jazz scene — three baritone and three tenor.
The final overdubs for “Savoy Truffle” were recorded on October 14.
George Martin suggested that I score “Savoy Truffle” for saxophones. I must say that I found it a real chore.
Chris Thomas – From “The Complete Beatles Recording Sessions” by Mark Lewisohn, 1988
The session men were playing really well – there’s nothing like a good brass section letting rip – and it sounded fantastic. But having got this really nice sound George turned to Ken Scott and said ‘Right, I want to distort it’. So I had to plug-up two high-gain amplifiers which overloaded and deliberately introduced a lot of distortion, completely tearing the sound to pieces and making it dirty. The musicians came up to the control room to listen to a playback and George said to them ‘Before you listen I’ve got to apologise for what I’ve done to your beautiful sound. Please forgive me – but it’s the way I want it!’ I don’t think they particularly enjoyed hearing their magnificent sound screwed up quite so much but they realised that this was what George wanted, and that it was their job to provide it.
Brian Gibson – Technical engineer – From “The Complete Beatles Recording Sessions” by Mark Lewisohn, 1988
A lot of the best horn players in London at the time played on [Savoy Truffle], including two of my favourites, Ronnie Ross on baritone and Art Ellefson on tenor. I like to give those guys some recognition because they do get forgotten all too easily. I used to go to Ronnie Scott’s Jazz Club as often as I could to hear their brilliant contrapuntal duet improvisations. The British jazz scene was a thriving one, and the Beatles used a lot of these great musicians on their records.
Peter Asher – From “The Beatles from A to Zed: An Alphabetical Mystery Tour“, 2019
The rest of the day, from 6 pm to midnight, was spent mixing “Piggies“, “Don’t Pass Me By” and “Good Night“. The three songs were mixed in mono and stereo, and all those mixes done on this day were released on the White Album.
In terms of variations between mono and stereo versions:
Written by George Harrison
Recording • SI onto take 1
Written by George Harrison
Mixing • Mono mixing - Remix 1 from take 12
Written by George Harrison
Mixing • Mono mixing - Remix 2 from take 12
Written by George Harrison
Mixing • Mono mixing - Remix 3 from take 12
Written by George Harrison
Mixing • Mono mixing - Remix 4 from take 12
AlbumOfficially released on The Beatles (Mono)
Written by Ringo Starr
Mixing • Mono mixing - Remix 1 from take 7 and edit of edit piece 4
AlbumOfficially released on The Beatles (Mono)
Mixing • Mono mixing - Remix 1 from take 34
Mixing • Mono mixing - Remix 2 from take 34
AlbumOfficially released on The Beatles (Mono)
Written by George Harrison
Mixing • Stereo mixing - Remix 1 from take 12
Written by George Harrison
Mixing • Stereo mixing - Remix 2 from take 12
Written by George Harrison
Mixing • Stereo mixing - Remix 3 from take 12
AlbumOfficially released on The Beatles (Stereo)
Written by Ringo Starr
Mixing • Stereo mixing - Remix 1 from take 7 and edit of edit piece 4
AlbumOfficially released on The Beatles (Stereo)
Mixing • Stereo mixing - Remix 1 from take 34
AlbumOfficially released on The Beatles (Stereo)
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)
The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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