Recording studio: Apple Studios, 3 Savile Row, London
Previous session Feb 05, 1969 • Mixing "I've Got A Feeling", "Don't Let Me Down", "Get Back", "The One After 909", "Dig A Pony"
Article January to February 17, 1969 • NEMS / Nemperor is sold to Triumph Investment Trust
Album Feb 17, 1969 • "James Taylor (Stereo)" by James Taylor released in the US
Session February 18 or 19 or 20 or 21, 1969 • Recording "Don't Let Me Down" ?
Article February 21 to August 1969 • The Beatles fight for NEMS / Nemperor
Single Feb 21, 1969 • "Rosetta / Just Like Before" by The Fourmost released in the UK
Next session Feb 22, 1969 • Recording "I Want You (She's So Heavy)"
From beatlesbible.com:
Photographs by Ethan Russell published in the Get Back book (which accompanied the Let It Be box set in 1970) and the hardback book from the 2012 vinyl box showed The Beatles recording in a session in the studio basement at Apple’s headquarters. However, comparisons with the film footage and other photographs by that time show that the images cannot have come from the Get Back/Let It Be sessions in January 1969 – the main giveaway being the length of head and facial hair of the musicians.
Following the Get Back/Let It Be sessions in January 1969, The Beatles reconvened at Trident Studios on 22 February to work on ‘I Want You (She’s So Heavy)’. This session is believed to have taken place before that date.
The Beatles are known to have re-recorded parts of ‘Don’t Let Me Down’ at an undocumented session; the vocals on the session tapes and the single are different, with an extra overdub having been added sometime after January 1969. John Lennon and Paul McCartney both corrected elements of their vocals parts, with Lennon double-tracking his during the middle eight and ending.
Although uncertain, it appears likely that this session was a rehearsal for ‘I Want You (She’s So Heavy)’, in which the new ‘Don’t Let Me Down’ vocals were also recorded. Additionally, a typewritten sheet next to Ringo Starr in one photograph looks like the lyrics for ‘Get Back’, although that shouldn’t imply that The Beatles performed it on this day.Dating it precisely has proved problematic, but it is known that George Harrison was in hospital from 7-15 February having his tonsils removed, and hair length indicates this session took place after that time. Starr was filming The Magic Christian during this period, although he was free on most evenings and weekends.
Glyn Johns and Billy Preston had been in America during mid-February, returning in time for the Trident session on Saturday 22 February. It is therefore possible that The Beatles reconvened for a rehearsal a day or two beforehand, to best prepare the song and minimise timewasting in the studio – a practical consideration following the drawn-out sessions for the Get Back project.
From The Beatles’ February 1969 “mystery recording session” with Peter Jackson – YouTube:
As heard in episode 224B of the Something About The Beatles podcast, Peter Jackson discussed with Dan Rivkin (They May Be Parted blog) and I the photos seen in the original Let It Be book of Ethan Russell’s photography, showing the February 1969 “mystery session,” after work on the film had wrapped up on January 31.
Unfortunately, no songs are listed for this session. Help us complete the track list by leaving a comment!
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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