Monday, July 1, 1968
Recording "Everybody's Got Something to Hide Except Me and My Monkey"
For The Beatles
Last updated on October 18, 2024
Monday, July 1, 1968
For The Beatles
Last updated on October 18, 2024
"The Beatles" (aka the White Album) sessions
May 30 - Oct 18, 1968 • Songs recorded during this session appear on The Beatles (Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Session Jun 28, 1968 • Recording "Good Night"
Session Jun 30, 1968 • Recording "Thingumybob"
Session Jul 01, 1968 • Recording "Everybody's Got Something to Hide Except Me and My Monkey"
Session July 1968 ? • Recording "Carolina In My Mind"
Interview Jul 01, 1968 • Paul McCartney interview for BBC North region
AlbumSome of the songs worked on during this session were first released on the "The Beatles (Mono)" LP
The Beatles began recording “Everybody’s Got Something to Hide Except Me and My Monkey” on June 26 and 27.
On this day, from 7 pm to 4:30 am, they continued working on the track. Paul McCartney recorded his bass part as an overdub on take 8. Subsequently, two reduction mixes were produced, resulting in takes 9 and 10. John Lennon added his lead vocals to take 10, complemented by Ringo Starr’s snare drums. John later re-recorded his lead vocals in the session on July 23.
The bass part Paul overdubbed on was good. Clearly he was still determined to do his best, no matter what was going on between him and John.
Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006
Everybody's Got Something to Hide Except Me and My Monkey
Recording • SI onto take 8
Everybody's Got Something to Hide Except Me and My Monkey
Tape copying • Tape reduction take 8 into take 9
Everybody's Got Something to Hide Except Me and My Monkey
Tape copying • Tape reduction take 8 into take 10
Everybody's Got Something to Hide Except Me and My Monkey
Recording • SI onto take 10
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)
The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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