Thursday, September 12, 1968
For The Beatles
Last updated on November 1, 2024
"The Beatles" (aka the White Album) sessions
May 30 - Oct 18, 1968 • Songs recorded during this session appear on The Beatles (Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Session Sep 10, 1968 • Recording "Helter Skelter"
Session Sep 11, 1968 • Recording "Glass Onion"
Session Sep 12, 1968 • Recording "Glass Onion"
Session Sep 13, 1968 • Recording "Glass Onion"
Article Sep 14, 1968 • Paul McCartney hints at a Beatles' live TV show project
AlbumSome of the songs worked on during this session were first released on the "The Beatles (Mono)" LP
The basic track of “Glass Onion” was recorded the previous day. Overdubs on Take 33 started on this day and would continue the next day.
The recording session began at 7 pm and concluded at 3:30 am. With the lyrics finalized, John Lennon recorded his lead vocals, double-tracking them at certain points while Ringo Starr contributed a tambourine part. This tambourine part was erased and reworked the following day.
As George Martin was on holiday for most of September 1968, Chris Thomas produced this session.
Recording • SI onto take 33
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)
The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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