Recording studio: Trident Studios, London, UK
Session Jun 30, 1968 • Recording "Thingumybob"
Session Jul 01, 1968 • Recording "Everybody's Got Something to Hide Except Me and My Monkey"
Session July 1968 ? • Recording "Carolina In My Mind"
Interview Jul 01, 1968 • Paul McCartney interview for BBC North region
Article Jul 02, 1968 • Paul McCartney discusses Apple at lunch with EMI chairman and banker
Next session Jul 02, 1968 • Recording "Good Night"
AlbumSome of the songs worked on during this session were first released on the "James Taylor (Stereo)" LP
“James Taylor,” the eponymous debut album by the American singer-songwriter, was recorded between July and October 1968 at Trident Studios, with Peter Asher, from Apple Corps, producing.
Paul McCartney played bass on the song “Carolina In My Mind.” Peter Asher noted that Paul, upon visiting Trident Studios, was impressed with its eight-track recording capabilities, in contrast to the four-track equipment at EMI Studios on Abbey Road. Consequently, The Beatles opted to record “Hey Jude” at Trident from July 31 to August 6. It is inferred that Paul’s contribution to James Taylor’s track occurred in July.
From Wikipedia:
The original recording of the song was done at London’s Trident Studios during the July to October 1968 period, and was produced by Asher. The song’s lyric “holy host of others standing around me” makes reference to the Beatles, who were recording The Beatles in the same studio where Taylor was recording his album. Indeed, the recording of “Carolina in My Mind” includes a credited appearance by Paul McCartney on bass guitar and an uncredited one by George Harrison on backing vocals. The other players were Freddie Redd on organ, Joel “Bishop” O’Brien on drums, and Mick Wayne providing a second guitar alongside Taylor’s. Taylor and Asher also did backing vocals and Asher added a tambourine. Richard Hewson arranged and conducted a string part; an even more ambitious 30-piece orchestra part was recorded but not used. The song itself earned critical praise, with Jon Landau’s April 1969 review for Rolling Stone calling it “beautiful” and one of the “two most deeply affecting cuts” on the album and praising McCartney’s bass playing as “extraordinary”. Taylor biographer Timothy White calls the song “the album’s quiet masterpiece.” In a 50-years-later retrospective of the album’s release, Billboard calls the song “a mellow Taylor classic” and a “stone-classic”.
The business aspects got sorted and we went into Trident Studios in St. Anne’s Court in Soho to make the record. The studio was owned by the Sheffield brothers – Norman ran the place and Barry was the engineer, James’ friend, the exceptional American drummer Joel “Bishop” O’Brien, was in London too and joined us in the studio. Musicians were coming and going. From our Melody Maker ad we had found Louis Cennamo to play bass and Don Schinn to play keyboards. While, in retrospect, I think the album could fairly be described as “over-produced”, I was so anxious to make everyone pay attention to there remarkable songs and the genius of James’ musicianship that I suggested a lot of overdubs. Paul McCartney joined us to play bass on “Carolina In My Mind” (James recalls George Harrison contributed backing vocals but I don’t remember that). I enlisted my friend Richard Hewson (a jazz trumpeter and brilliant composer) to write arrangements for the songs and for the “links” we constructed to fill the music interstices.
Peter Asher – producer – From the liner notes of “James Taylor (2010 remaster)“
Even though Peter [Asher] was working for Paul McCartney, he was still in total control of his own destiny. I knew from the first time that we met that he was the right person to steer my career. He has this determination in his eye that I had never seen in anyone before.
James Taylor – about Peter Asher – From the liner notes of “James Taylor (2010 remaster)“
James Taylor came my way through a series of coincidences. On an early Peter & Gordon tour I had become close friends with the brilliant guitarist in the band backing us up, Danny Kortchmar, who had been best friends with James Taylor from childhood. When James was planning a trip to London, Danny gave him my information, and James showed up at my flat one evening, played a tape he had made along with a couple of songs performed live on my guitar, and blew me away with his genius. I introduced him to the Beatles and signed him to Apple as quickly as I could—they shared my admiration for James’s music. Indeed, in the song “Carolina in My Mind” the “holy host of others standing around me” which James mentions in the lyrics is a reference to the Beatles themselves.
Peter Asher – From “The Beatles from A to Zed: An Alphabetical Mystery Tour“, 2019
It turns out that EMI Studios had been in possession of an eight-track machine for about a year that none of us knew about because they were keeping it in a back room and tweaking it to get it up to EMI standards. But another studio, Trident Studios, did have an eight-track, and they had no such qualms—when the studio owners (the brothers Barry and Norman Sheffield) took delivery, they just opened the box, plugged in the machine, and went for it. That is one of the reasons I chose Trident to record James Taylor’s first album. Paul McCartney very kindly came over and visited one of our sessions, and he played bass for us on a song for that album called “Carolina in My Mind.” Paul realized then how cool it would be to work on eight-track and decided to bring all the Beatles over to try recording a song there. And that’s why they all came over to Trident to record “Hey Jude” in an eight-track format.
Peter Asher – From “The Beatles from A to Zed: An Alphabetical Mystery Tour“, 2019
Written by James Taylor
Recording
Notice any inaccuracies on this page? Have additional insights or ideas for new content? Or just want to share your thoughts? We value your feedback! Please use the form below to get in touch with us.
