Tuesday, June 25, 1968
Mixing "Revolution 1", "Revolution 9"
For The Beatles
Last updated on October 16, 2024
Tuesday, June 25, 1968
For The Beatles
Last updated on October 16, 2024
"The Beatles" (aka the White Album) sessions
May 30 - Oct 18, 1968 • Songs recorded during this session appear on The Beatles (Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Previous session Jun 21, 1968 • Recording "Revolution 1", "Revolution 9"
Article Jun 23, 1968 • Paul and Linda on a sailing trip to Santa Catalina Island
Article June 24-25, 1968 • Paul McCartney begins his journey back to London
Session Jun 25, 1968 • Mixing "Revolution 1", "Revolution 9"
Session June 25-26, 1968 • Recording "Sour Milk Sea"
Session Jun 26, 1968 • Recording "Everybody's Got Something to Hide Except Me and My Monkey"
AlbumSome of the songs worked on during this session were first released on the "The Beatles (Mono)" LP
On this day, from 2 pm and 8 pm, “Revolution 1” was finalized, with the final mono and stereo mixes being prepared (replacing those made on June 21).
“Revolution 9” was edited from 9:05 to 8:12 and was also deemed complete (the mono mix was created by folding down the stereo mix on August 26).
John Lennon was the only Beatles at this session. Paul McCartney was returning from the USA, and George Harrison was producing Jackie Lomax.
[It] was quite unusual because, ever since the ‘Pepper’ days, all four Beatles normally attended even mixing sessions. […] There were two quirks that characterized that mix. One was an accidental bad edit in the last chorus, which Lennon insisted I leave in; it added an extra beat, and he always loved weird time signatures, so it was deemed a creative accident and it became part of the song. The other oddity about the final mix was that it featured my recording debut: that’s my voice hurriedly saying ‘Take two’ just before the song begins. Because I always hated hearing my voice on tape, I had gotten in the habit of mumbling the slate as quickly as possible. John used to take the piss out of the way I rushed my announcements, so he left it in at the beginning of the song. It was done just to needle me, but at least it gave me the distinction of being one of only a few privileged outsiders who appear on a Beatles record!
Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006
Mixing • Stereo mixing - Remix 8 from take 22
Mixing • Stereo mixing - Remix 9 from take 22
Mixing • Stereo mixing - Remix 10 from take 22
Mixing • Stereo mixing - Remix 11 from take 22
Mixing • Stereo mixing - Remix 12 from take 22
AlbumOfficially released on The Beatles (Stereo)
Mixing • Mono mixing - From Take 22
AlbumOfficially released on The Beatles (Mono)
Editing • Editing of remix stereo 2
AlbumOfficially released on The Beatles (Stereo)
Tape copying • Tape copying of remix stereo 12
Tape copying • Tape copying of edit of remix stereo 2
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)
The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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