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Thursday, February 2, 1967

Recording "Sgt. Pepper's Lonely Hearts Club Band"

For The Beatles

Last updated on August 19, 2024


Master session

Location

  • Recording studio: EMI Studios, Studio Two, Abbey Road

Timeline

Master release

AlbumSome of the songs worked on during this session were first released on the "Sgt. Pepper's Lonely Hearts Club Band (UK Mono)" LP

Some of the songs from this session also appear on:

The Beatles had recorded the basic track of “Sgt. Pepper’s Lonely Hearts Club Bandthe day before. On this day, from 7 pm to 1:45 am, they added overdubs to the track.

Paul McCartney added his lead vocals and backing vocals, sung with John Lennon and George Harrison, to track four of the four-track tape. The three Beatles then double-tracked their backing vocals onto track three. Take 9 was included in the 2017 “Sgt. Pepper’s Lonely Hearts Club Band” box set and contains some studio chatter at the end.

Paul: (singing) I feel it, I feel it…Baby, now I get it…Gotta get free now… (talking) Don’t like that. I think it’ll probably be another day singing it.

George: Yeah, and what you can do with the bits where you can’t get it ’cause you haven’t got enough breath, you can just stop…

Paul: Just take over, yeah.

In 2000, the part “I feel it, I feel it…Baby, now I get it…Gotta get free now” was sampled on the track “Free Now” released on the album “Liverpool Sound Collage” by Paul McCartney, Super Furry Animals, and Youth.

Obviously, Paul changed his mind about re-recording his lead vocals, because the vocals recorded on that day made it to the released version.

Mal Evans wrote in his diary for this day: “Recording voices on ‘Captain Pepper’. All six of us doing the chorus in the middle, worked until about midnight.” This suggests that he and likely Ringo Starr and Neil Aspinall also contributed backing vocals. If this was the case, these were likely placed low in the mix and hardly audible.

As the four tracks of the tape were now filled, a reduction mix, called Take 10, was made to open up two tracks. Track one had the instruments and track four had all the vocals.

Towards the end of the session, a mono mix was made only for demo purposes. George Martin likely used the acetate discs of this mix to score the brass parts. Those were recorded on March 3, 1967, which was a little over a month later.


Session activities

  1. Sgt. Pepper's Lonely Hearts Club Band

    Written by Lennon - McCartney

    Recording • SI onto take 9

    AlbumOfficially released on Sgt. Pepper's Lonely Hearts Club Band (50th anniversary boxset)

  2. Sgt. Pepper's Lonely Hearts Club Band

    Written by Lennon - McCartney

    Tape copying • Tape reduction take 9 into take 10

  3. Sgt. Pepper's Lonely Hearts Club Band

    Written by Lennon - McCartney

    Mixing • Mono mixing - Remix 1 from take 10


Staff

Musicians on "Sgt. Pepper's Lonely Hearts Club Band"

Production staff


Going further

The Complete Beatles Recording Sessions • Mark Lewisohn

The definitive guide for every Beatles recording sessions from 1962 to 1970.

We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!

Buy on Amazon

The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)

The third book of this critically - acclaimed series, nominated for the 2019 Association for Recorded Sound Collections (ARSC) award for Excellence In Historical Recorded Sound, "The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)" captures the band's most innovative era in its entirety. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.

Buy on Amazon

If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.

Read more on The Beatles Bible

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