Friday, March 3, 1967
For The Beatles
Last updated on February 10, 2024
Recording "Sgt. Pepper's Lonely Hearts Club Band"
Nov 24, 1966 - Apr 20, 1967 • Songs recorded during this session appear on Sgt. Pepper's Lonely Hearts Club Band (UK Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Article Mar 02, 1967 • The Beatles win Grammy Awards for "Michelle", "Eleanor Rigby" and the Revolver cover
Session Mar 02, 1967 • Recording and mixing "Lucy In The Sky With Diamonds"
Session Mar 03, 1967 • Recording "Sgt. Pepper's Lonely Hearts Club Band", mixing "Lucy In The Sky With Diamonds"
Session Mar 06, 1967 • Recording and mixing "Sgt. Pepper's Lonely Hearts Club Band"
Article Mar 07, 1967 • Peter Blake and Jann Haworth have supper at Paul's
AlbumSome of the songs worked on during this session were first released on the "Sgt. Pepper's Lonely Hearts Club Band (UK Mono)" LP
The Beatles had recorded the basic track of “Sgt. Pepper’s Lonely Hearts Club Band” and vocals over two days, on February 1 and 2, 1967. A little over a month later, they returned to it with the help of four session musicians. Those were James W. Buck, Neill Sanders, Tony Randall and John Burden. They all played French horns, but without a definite pre-arranged score.
They didn’t really know what they wanted. I wrote out phrases for them based on what Paul McCartney was humming to us and George Martin. All four Beatles were there but only Paul took an active interest in our overdub.
John Burden – From “The Complete Beatles Recording Sessions” by Mark Lewisohn, 1988
John Lennon had tape op Richard Lush record all of the conversation between the four players, Paul McCartney and George Martin. Then, for reasons best known only to himself, he took the tape home for his private collection!
From “The Complete Beatles Recording Sessions” by Mark Lewisohn, 1988
Once the brass overdub was complete, Paul McCartney recorded the lead guitar. The horn parts and lead guitar were recorded onto track three of Take 10.
George Harrison spent hours trying to nail down the guitar solo. In the end, Paul peremptorily replaced George’s work with a stunning solo of his own, which Harrison was clearly not very happy about. But the storm quickly blew over.
Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006
The latest overdubs, in the form of sound effects, were added on March 6, 1967.
For the rest of the session, The Beatles and the engineering team focused on “Lucy In The Sky With Diamonds.”
The track was recorded over two days, March 1 and March 2. March 2 also saw the creation of eleven mono mixes, but none of them were considered suitable.
On this day, they created four mono mixes, making extensive use of frequency control. Out of the four, Mono Remix 4 was considered the best and was released on the album.
The stereo mix of “Lucy In The Sky With Diamonds” was made on April 7, 1967.
At some point during the session, a representative of Berman’s, the theatrical costumiers, visited The Beatles and brought samples of fabric for the uniforms that were going to appear on the cover of “Sgt. Pepper’s.”
For our outfits, we went to Berman’s, the theatrical costumiers, and ordered up the wildest things, based on old military tunics. That’s where they sent you if you were making a film: ‘Go down to Berman’s and get your soldier suits.’ They had books there that showed you what was available. Did we want Edwardian or Crimean? We just chose oddball things from everywhere and put them together. We all chose our own colours and our own materials: ‘You can’t have that, he’s having it…’
We went for bright psychedelic colours, a bit like the fluorescent socks you used to get in the Fifties (they came in very pink, very turquoise or very yellow). At the back of our minds, I think the plan was to have garish uniforms which would actually go against the idea of uniform. At the time everyone was into that ‘I Was Lord Kitchener’s Valet’ thing; kids in bands wearing soldiers’ outfits and putting flowers in the barrels of rifles.
Paul McCartney – From “The Beatles Anthology” book, 2000
The session, which had begun at 7 pm, ended at 2:15 am on the following day.
BEATLES back at the top
THE Beatles released Engelbert Humperdinck from tenancy of the top of the MM’s Pop 50 with their double hit “Strawberry Fields Forever” and “Penny Lane”.
The group are working on their new album — a follow-up to their “Revolver” hit LP. Their A & R man George Martin told the MM: “We are working every night on the album from seven o’clock until two in the morning. It’s even more way out than ‘Revolver’.“
The LP, which is half completed, will not be released before April.
From Melody Maker – March 4, 1967
Sgt. Pepper's Lonely Hearts Club Band
Recording • SI onto take 10
Mixing • Mono mixing - Remix 1 from take 8
Mixing • Mono mixing - Remix 2 from take 8
Mixing • Mono mixing - Remix 3 from take 8
Mixing • Mono mixing - Remix 4 from take 8
AlbumOfficially released on Sgt. Pepper's Lonely Hearts Club Band (UK Mono)
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)
The third book of this critically - acclaimed series, nominated for the 2019 Association for Recorded Sound Collections (ARSC) award for Excellence In Historical Recorded Sound, "The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)" captures the band's most innovative era in its entirety. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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Jer Randall • 1 year ago
Anthony Randall is my Dad . He sadly passed last year but has left an outstanding legacy . I am now in possession of the very French Horn Dad played on the title track of Sgt Pepper. Unfortunately I don’t play the French Horn as I am a guitarist !!! I am a huge Beatles fan so as you can imagine having my Dad play such an iconic line on the greatest album ever by the greatest band in history is unbelievable!!🙌🙌🙌✊