Wednesday, April 27, 1966
Recording "I'm Only Sleeping" and mixing "And Your Bird Can Sing", "Taxman"...
For The Beatles
Last updated on October 22, 2023
Wednesday, April 27, 1966
For The Beatles
Last updated on October 22, 2023
April 6 - June 22, 1966 • Songs recorded during this session appear on Revolver (UK Mono)
Recording studio: EMI Studios, Studio Three, Abbey Road
Session Apr 25, 1966 • Mixing "Got to Get You Into My Life"
Session Apr 26, 1966 • Recording "And Your Bird Can Sing"
Session Apr 27, 1966 • Recording "I'm Only Sleeping" and mixing "And Your Bird Can Sing", "Taxman"...
Session Apr 28, 1966 • Recording "Eleanor Rigby"
Article April 29, 1966 ? • Robert Whitaker shoots the "trunk cover" of "Yesterday And Today"
AlbumSome of the songs worked on during this session were first released on the "Revolver (UK Mono)" LP
This was the fourteenth day of the recording sessions for the “Revolver” album. There were two sessions on this day – a mixing session and a recording session focused on a new track, “I’m Only Sleeping“.
From 6 pm to 11:30 pm, efforts were made to mix in mono three recently recorded tracks, “Taxman“, “And Your Bird Can Sing” and “Tomorrow Never Knows“. None of the mixes for “Taxman” and “And Your Bird Can Sing” would ever be released.
Nine attempts at mixing “Tomorrow Never Knows” (labelled remix 1 to remix 9) were done. On June 6, 1966, three further attempts (remix 10 to 12) were done. Remix Mono 11 was released on the first UK pressing of “Revolver“, but George Martin changed his mind about the best version of the song and decided to use Remix Mono 8 (from this day) for all further mono releases.
[The Beatles] found that they could get more control of the sound that they wanted by actually being there for a mix.
Phil McDonald – From The Complete Beatles Recording Sessions by Mark Lewisohn, 2004
From 11:30 pm to 3 am, The Beatles started working on “I’m Only Sleeping” by recording eleven takes of the rhythm track. The early takes had John Lennon on acoustic guitar and lead vocals, George Harrison on tambourine, Paul McCartney on backing vocals and Ringo Starr on bongos. Later takes, including take 11, had John Lennon on acoustic guitar, Paul McCartney on bass and Ringo Starr on drums.
With an air of experimentation running high in the studio, engineer Geoff Emerick recorded this rhythm track at 56 cycles per second with the intention of it sounding more labored and sleepy-sounding when played back at the normal 50 cycles. The eleventh take was found to be best and, by 3 am, it was time for the group to go home and do some actual “sleeping.”
From beatlesebooks.com
Take 11 would be considered the best version, not before a remake was attempted on April 29. Overdubs would be added onto it on April 29, May 5 and May 6, 1966.
Written by George Harrison
Recording • Mono mixing - Remix 1 from take 12
Recording • Mono mixing - Remix 6 from take 10
Recording • Mono mixing - Remix 1 from take 3
Recording • Mono mixing - Remix 2 from take 3
Recording • Mono mixing - Remix 3 from take 3
Recording • Mono mixing - Remix 4 from take 3
Recording • Mono mixing - Remix 5 from take 3
Recording • Mono mixing - Remix 6 from take 3
Recording • Mono mixing - Remix 7 from take 3
Recording • Mono mixing - Remix 8 from take 3
AlbumOfficially released on Revolver (UK Mono)
Recording • Mono mixing - Remix 9 from take 3
Recording • Take 1
Recording • Take 2
AlbumOfficially released on Revolver (Super Deluxe - 2022)
Recording • Take 3
Recording • Take 4
Recording • Take 5
AlbumOfficially released on Revolver (Super Deluxe - 2022)
Recording • Take 6
Recording • Take 7
Recording • Take 8
Recording • Take 9
Recording • Take 10
Recording • Take 11
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual - Volume 2 - Help! through Revolver (1965-1966)
The second book of the Association for Recorded Sound Collections (ARSC)-nominated series, "The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966)" follows the evolution of the band from the end of Beatlemania with "Help!" through the introspection of "Rubber Soul" up to the sonic revolution of "Revolver". From the first take to the final remix, discover the making of the greatest recordings of all time.
Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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