Album This song officially appears on the Chaos and Creation in the Backyard Official album.
Timeline This song was officially released in 2005
Timeline This song was written, or began to be written, in 2004, when Paul McCartney was 62 years old)
This song was recorded during the following studio sessions:
"Chaos And Creation In The Backyard" sessions #3
September 2004
Officially appears on Chaos and Creation in the Backyard
Officially appears on Fine Line
July 2005 • From EMI
October 2005 • From Bass Player
“At The Mercy” is a track from Paul McCartney’s 2005 album “Chaos And Creation In The Backyard“. From an interview of Paul McCartney by Gary Crowley:
At the Mercy was one that I wrote on a day off in LA. Sometimes when you get into recording an album, you start to sort of get a feel of what you and the producer are going for and what kind of a new song might fit with what you’ve already recorded. So this one was just made up like on the Sunday when I was having the weekend off. We’d worked all week. So on the Sunday I just sort of thought ‘Oh I’d like to take this in tomorrow’ and have a new completely new thing that he hadn’t heard that I hadn’t heard. Just very, very fresh. So I was just sort of messing around on the piano and I just got a couple of chords that I liked, slightly darker chords than I might normally have. And this phrase just kept sort of coming.
A lot of people do this, when they’re writing, they just let anything happen, so that it can be “Scrambled Eggs, Baby o var, Baby’s legs Oh no ver, Man of here, Man of Fire” and you just suddenly go ‘Ooh Man of Fire that could be a direction you know’ and with me it just came ‘At the Mercy, At the Mercy‘ At the Mercy of what? At the mercy of a busy road. At the mercy of a busy road and I didn’t really attach any significance to it but one of the things that I like about my songs when I’ve written them is you can attach very specific significances to them. I was talking to Heather about that particular one and she said ‘Whoa! For me at the mercy of a busy road.’ Remember she lost her leg in an accident. You know that’s very appropriate. So that’s the kind of thing I was thinking of that how life can throw you a curveball, suddenly you’re going along and then suddenly ‘Oh no!’ and it’s a similar scene to Maxwell’s Silver Hammer. Only that was like a comedy dark black comedy based on that idea: you never know what’s round the corner kind of thing.
So At The Mercy was that and I took it in to Nigel next day and said ‘What do you think of this?’ And he said ‘Oh great, great.’ It became his favourite, you know. So we just worked on it and that was it and I erm, It was basically that it was finding a couple of chords that were kind of dark enough to get this sort of message that life can throw you curve balls and what do we do about it? Oh well I don’t know just keep on resolute, whatever you do.
Paul McCartney – from 2005 UK promotional-only interview CD, recorded July 2005 at Air Studios in London
Paul McCartney in "Conversations With McCartney", by Paul Du Noyer:
It was a case of just letting it come into me. I still don’t know what I was trying to get at. But I don’t mind that in a song. I like that because the audience can decide. ‘We can watch the universe explode.’ It means everything without meaning anything. You know what it means. ‘At the mercy of a busy day…’ I like to be on the cusp of meaning. I’m not quite sure what it means, but I really know what it means. That’s an interesting area.
From the beginning of the recording sessions of “Chaos And Creation In The Backyard“, Nigel Godrich, the producer of the album, made it clear to Paul McCartney that he wanted him out of his comfort zone :
The third session, he came back and played me a song, and I was like, ‘Fucking hell, that’s so much better.’ That was At The Mercy. He said, ‘I think I’m remembering how to do this!’ Maybe he was expressing the concept of having to better what he’s doing because someone was going to look at him and say, ‘Not sure,’ rather than just blindly taking everything that he proffers.
Nigel Godrich
At the mercy
At the mercy
At the mercy of a busy road
Who can handle such a heavy load
At the mercy
At the mercy
At the mercy of a busy day
We can think of nothing more to say
If you show me love
I won't refuse
I know you'd never make me choose
Between the love I've got
And the love I'd lose
Sometimes I'd rather run and hide
Than stay and face the fear inside
At the mercy
At the mercy
At the mercy of a busy day
Who can bear to turn their head away
At the mercy
At the mercy
At the mercy of a busy road
We can watch the universe explode
If you take me up
I won't say no
I guess you'd rather see me grow
Into a better man than the one you know
Sometimes my head is hanging low
But it's time to get on with the show
At the mercy
At the mercy
At the mercy of a busy day
I can think of nothing more to say
Chaos And Creation In The Backyard (Special Edition)
Official album
2:38 • Studio version • A
Paul McCartney : B3 organ, Cello, Fender telecaster electric guitar, Hofner bass, Mass vibrachimes, Steinway grand piano, Tambourine, Vocals Millennia Ensemble : Strings and brass Nigel Godrich : Producer Jason Falkner : Electric guitar James Gadson : Drums Darrell Thorp : Engineer Joby Talbot : Orchestra conductor, String arrangement Dan Grech-Marguerat : Production assistant
Session Recording: April 2004 • Studio Ocean Way Recording Studios, Los Angeles, USA
Session Overdubs: September 2004 • Studio AIR Studios Lyndhurst, London, UK
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Chaos and Creation in the Backyard (Japanese edition)
Official album • Released in 2005
2:38 • Studio version • A
Paul McCartney : B3 organ, Cello, Fender telecaster electric guitar, Hofner bass, Mass vibrachimes, Steinway grand piano, Tambourine, Vocals Millennia Ensemble : Strings and brass Nigel Godrich : Producer Jason Falkner : Electric guitar James Gadson : Drums Darrell Thorp : Engineer Joby Talbot : Orchestra conductor, String arrangement Dan Grech-Marguerat : Production assistant
Session Recording: April 2004 • Studio Ocean Way Recording Studios, Los Angeles, USA
Session Overdubs: September 2004 • Studio AIR Studios Lyndhurst, London, UK
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Chaos and Creation in the Backyard
Official album • Released in 2005
2:38 • Studio version • A
Paul McCartney : B3 organ, Cello, Fender telecaster electric guitar, Hofner bass, Mass vibrachimes, Steinway grand piano, Tambourine, Vocals Millennia Ensemble : Strings and brass Nigel Godrich : Producer Jason Falkner : Electric guitar James Gadson : Drums Darrell Thorp : Engineer Joby Talbot : Orchestra conductor, String arrangement Dan Grech-Marguerat : Production assistant
Session Recording: April 2004 • Studio Ocean Way Recording Studios, Los Angeles, USA
Session Overdubs: September 2004 • Studio AIR Studios Lyndhurst, London, UK
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Chaos and Creation in the Backyard (Limited Edition - Gold LP)
Official album • Released in 2018
2:38 • Studio version • A
Paul McCartney : B3 organ, Cello, Fender telecaster electric guitar, Hofner bass, Mass vibrachimes, Steinway grand piano, Tambourine, Vocals Millennia Ensemble : Strings and brass Nigel Godrich : Producer Jason Falkner : Electric guitar James Gadson : Drums Darrell Thorp : Engineer Joby Talbot : Orchestra conductor, String arrangement Dan Grech-Marguerat : Production assistant
Session Recording: April 2004 • Studio Ocean Way Recording Studios, Los Angeles, USA
Session Overdubs: September 2004 • Studio AIR Studios Lyndhurst, London, UK
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Chronicles in the Backyard Disc 4
Unofficial album • Released in 2006
2:35 • Studio version • Instrumental version
Chaos And Creation In The Backyard - Ultimate Archive Collection
Unofficial album • Released in 2015
2:38 • Studio version • A
Paul McCartney : B3 organ, Cello, Fender telecaster electric guitar, Hofner bass, Mass vibrachimes, Steinway grand piano, Tambourine, Vocals Millennia Ensemble : Strings and brass Nigel Godrich : Producer Jason Falkner : Electric guitar James Gadson : Drums Darrell Thorp : Engineer Joby Talbot : Orchestra conductor, String arrangement Dan Grech-Marguerat : Production assistant
Session Recording: April 2004 • Studio Ocean Way Recording Studios, Los Angeles, USA
Session Overdubs: September 2004 • Studio AIR Studios Lyndhurst, London, UK
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Chaos And Creation In The Backyard - Ultimate Archive Collection
Unofficial album • Released in 2015
2:38 • Studio version • At The Mercy [instrumental]
“At The Mercy” has been played in 1 concerts.
Jul 27, 2005 • United Kingdom • London • Abbey Road Studios • Radio show
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012
This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.
The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.
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