Album This song officially appears on the Anthology 1 Official album.
Timeline This song was officially released in 1995
This song was recorded during the following studio sessions:
Jan 01, 1962
The Beatles’ first Abbey Road recording session
Jun 06, 1962
Jan 29, 1969
Unreleased song
It's exciting, it's shocking, it's frightening, it's sad, it's happy, and it's THE BEATLES ANTHOLOGY
November 1995 • From Club Sandwich
From Wikipedia:
“Bésame Mucho” (Spanish: [ˈbesame ˈmutʃo]; “Kiss Me A Lot”) is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of all time. Famous versions were sung by Trio Los Panchos and female vocalist Gigliola Cinquetti in 1968, and by Dalida in 1976. English lyrics to it were written by Sunny Skylar. It inspired the cult Indian song, Yeh Samaa Samaa Hai Pyar Ka, sung by Lata Mangeshkar in the film Jab Jab Phool Khile.
The song appeared in the film Follow the Boys (May 5, 1944) when it was played by Charlie Spivak and his Orchestra and in Cowboy and the Senorita (May 13, 1944) with vocal by Dale Evans. It was also sung by Chris Isaak in the 2003 movie Mona Lisa Smile.
Inspiration
According to Velázquez, she wrote this song even though she had never been kissed yet at the time, and kissing, as she heard, was considered a sin.
She was inspired by the piano piece “Quejas, o la Maja y el Ruiseñor”, from the 1911 suite Goyescas by Spanish composer Enrique Granados, which he later also included as “Aria of the Nightingale” in his 1916 opera of the same name. […]
In their early years, The Beatles frequently performed “Bésame Mucho” both on stage and in the studio. They included it in their setlist for their Decca Records audition on January 1, 1962, and performed it again during their first EMI recording session on June 6, 1962. The EMI recording was eventually released on “Anthology 1” in 1996. Their rendition featured English lyrics that did not correspond to the original Spanish version.
On January 29, 1969, during their “Get Back” sessions, they revisited the song once more. This performance was later included in the documentary film “Let It Be.”
I had this very diverse little record collection from which I was culling material. I remember I had the Coasters’ Zing Went The Strings Of My Heart, which was on the b-side of Yakety Yak. I can look back on these records and see what it was I liked. With Besame Mucho by the Coasters, it’s a minor song and it changes to a major, and where it changes to a major is such a big moment musically. That major change attracted me so much.
Paul McCartney – From “Paul McCartney: Many Years from Now” by Barry Miles, 1997
From The Usenet Guide to Beatles Recording Variations:
- [a] mono 6 Jun 1962. edited Jul 1984 at AIR Studios, Montserrat.
CD: Apple CDP 8 34445 2 Anthology 1 1995.A copy of this otherwise lost recording was found on a private reel in late 1983 or early 1984, probably in a mono mix made in 1962. It was not used for the Abbey Road Studios show in July 1983, but was in the lineup for the Sessions LP in August 1984. The last line going into the fade seems to be a repeat of the previous line, edited in, probably done for Sessions.
Besame, besame mucho
Each time I bring you a kiss
I hear music divine
So besame, besame mucho
I'll love you for ever
Say that you'll always be mine
Cha-cha boom!
Dearest one, if you should leave me
Then each little dream will take wings
And my life would be through
Oh besame, besame mucho
Ooh love me for ever
Make all my dreams come true.
Oh this joy is something new
My arms are holding you
I never knew this thrill before
Who ever thought I'd be
Holding you close to me
Whispering it's you I adore
Yes, so dearest one, if you should leave me
Then each little dream will take wings
And my life would be through
Oh, so besame, besame mucho
Yeah I'll love you for ever
Make all my dreams come true
Ooh, this joy is something new
My arms are holding you
Never knew this thrill before
Who ever thought I'd be
Holding you close to me
Whispering it's you I adore
Oh, so dearest one, if you should leave me
Then each little dream will take wings
And my life would be through
Oh, so besame, besame mucho
And I'll love you for ever
Make all my dreams come true
Ooh, love me for ever
Make all my dreams come true
Ooh, love me for ever
Make all my dreams come true
Official album • Released in 1995
2:37 • Studio rehearsal • A
Paul McCartney : Bass, Vocals John Lennon : Rhythm guitar George Harrison : Lead guitar George Martin : Producer Norman Smith : Recording engineer Pete Best : Drums Ron Richards : Producer
Session Recording: Jun 06, 1962 • Studio EMI Studios, Studio Two, Abbey Road
Streaming • Released in 2016
2:37 • Studio rehearsal • A2016
Paul McCartney : Bass, Vocals John Lennon : Rhythm guitar George Harrison : Lead guitar George Martin : Producer Norman Smith : Recording engineer Pete Best : Drums Ron Richards : Producer
Session Recording: Jun 06, 1962 • Studio EMI Studios, Studio Two, Abbey Road
Star Club - Hamburg, Germany - December 1962
Unofficial live
2:36 • Live • The recording date is a guess - all we now for certain is that the Star-Club tapes were recorded between December 18 and 31, 1962.
Unsurpassed Masters Vol. 1 (1962-1963)
Unofficial album • Released in 1989
2:34 • Outtake • Artist test
Session Recording: Jun 06, 1962 • Studio EMI Studios, Studio Two, Abbey Road
The Beatles At The Beeb - Volume 1
Unofficial live • Released in 2003
2:36 • Live
Concert From "Teenager's Turn - Here We Go" in Manchester, United Kingdom on Jun 15, 1962
“Besame Mucho” has been played in 3 concerts and 1 soundchecks.
Barcelona • Palau Sant Jordi • Spain
Mar 29, 2003 • Part of Back in the World tour
Barcelona • Palau Sant Jordi • Spain
Mar 28, 2003 • Part of Back in the World tour
Jun 15, 1962 • Part of BBC Sessions
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012
This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.
The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.
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