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Released in 1994

Crying, Waiting, Hoping

Written by Buddy Holly

Last updated on November 30, 2016


Album This song officially appears on the Live At The BBC Official live.

Timeline This song was officially released in 1994

Related sessions

This song was recorded during the following studio sessions:

Other Buddy Holly songs interpreted by The Beatles

From Wikipedia:

Crying, Waiting, Hoping” is a song written by Buddy Holly. It was released in 1959 as the B-side to “Peggy Sue Got Married“. Three versions of Holly’s recording were released: the 1959 commercial release, the 1964 reissue with different orchestration, and Holly’s original, private home recording.

Recordings

The song was first recorded on December 14, 1958 by Holly (only himself with guitar) in apartment 4H of “The Brevoort”, Fifth Avenue, Manhattan (many other sources say apartment 3B). After Holly’s death on February 3, 1959, his home recordings of his last six compositions were turned over to record producer Jack Hansen. Hansen hired studio musicians and a backup vocal group, the Ray Charles Singers, to augment Holly’s vocal and guitar. The idea was to match the established sound of Buddy Holly and the Crickets as closely as possible.

Crying, Waiting, Hoping” is technically the most successful of the six overdubs; it turned out so well that it was originally intended as the “A” side of a 45-rpm single. Holly wrote and recorded the song with pauses (“Cryin’… waitin’… hopin’… you’ll come back“). Hansen ingeniously turned the solo into call-and-response verses, so the backup singers fill in the pauses with an “echo” of each word. (For a German reissue of this song, the producer took the “echo” idea literally, and played the Hansen recording in an echo chamber.)

Hansen’s studio version of “Crying, Waiting, Hoping” was recorded on June 30, 1959 at Coral Records’ Studio A, along with “Peggy Sue Got Married“. Both sides were released as Buddy Holly’s first posthumous single. (The remaining four tunes on Holly’s tape were re-recorded by Hansen and company in 1960. All six were issued on an album, The Buddy Holly Story, Vol. 2.) […]

The Beatles version

The Beatles recorded the song live on 16 July 1963 for the Pop Go The Beatles radio show. The BBC recording features George Harrison on lead vocal and also features Harrison replicating studio guitarist Donald Arnone’s instrumental bridge, note for note.

While the version on Live at the BBC is the only officially released version by the group, they also performed the song during their failed Decca audition on 1 January 1962. […]


Lyrics

Crying (crying), waiting (waiting)

Hoping (hoping) you'll come back

I just can't seem

To get you off my mind


Crying (crying), waiting (waiting)

Hoping (hoping) you'll come back

You're the one I love

I think about you all the time


Crying (crying)

Tears keep a-falling all night long

Waiting (waiting)

It seems so useless

I know it's wrong


Crying (crying), waiting (waiting)

Hoping (hoping) you'll come back

Baby, someday soon

Things will change and you'll be mine


Crying (crying)

Tears keep a-falling all night long

Waiting (waiting)

It seems so useless

I know it's wrong


Crying (crying)

Tears keep a-falling all night long

Waiting (waiting)

It seems so useless

I know it's wrong


Crying (crying), waiting (waiting)

Hoping (hoping) you'll come back

Baby, someday soon

Things will change and you'll be mine


Crying (crying), waiting (waiting)

Hoping (hoping)

Officially appears on

Bootlegs

Live performances

Crying, Waiting, Hoping” has been played in 1 concerts.

Latest concerts where “Crying, Waiting, Hoping” has been played


Going further

Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012

This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.

The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.

Read our exclusive interview with Luca Perasi

Buy on Amazon

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