Album This song officially appears on the Memory Almost Full Official album.
Timeline This song was officially released in 2007
This song was recorded during the following studio sessions:
Memory Almost Full sessions #2
March 2006
Officially appears on Memory Almost Full
Officially appears on Memory Almost Full
David Kahne talks about Memory Almost Full
Jun 01, 2007
Nov 22, 2007 • From Billboard
“Ever Present Past” is a song from Paul McCartney’s 2007 album, “Memory Almost Full“. It was initially recorded during the “Chaos And Creation In The Backyard” sessions, under the title “Perfect Lover“.
Sometimes I just sit down and try to write a pop song. I’ve done it throughout my life and it’s an interesting thing to do, to try to make something catchy. This mone starts off, ‘I’ve got too much on my plate.’ The way I write, I just follow that thought and think, ‘What did I mean by that? Explain yourself.’ After I’d got the verse this idea of my past, my Ever Present Past, came about. There’s no deep meaning in it. I think what happens with me is that I just write something and people read into it. I like that, because often you do things in a subliminal way and don’t realise what you’re doing. So I might think a statement is quite simple, but somebody else might say, ‘Yeah, but it means this…’I like multiple meanings. However, I often just start off with a phrase that’s really just to help me write the song and get me to the next bit.
Paul McCartney – interview with Mail On Sunday, May 12, 2008
Interview with producer David Khane, from Mix Online, October 1, 2007:
Although it sounds like electronica, this track is all McCartney on real instruments, though heavily processed. “He showed it to me on piano, and then we started recording with electric guitar, recorded to a drum loop, and then he put down a work vocal and then he recorded his drums,” Kahne recalls.
McCartney played his Epiphone Casino, first heard in 1965 on The Beatles’ “The Night Before.” Kahne says he plays it through a Vox AC30, the same type the Fab Four used in the ’60s, although McCartney’s current amp is a reissue. The bass is his famous Hofner, and the drums are McCartney’s black Ludwig kit, similar to Ringo Starr’s in that the two, both left-handers, play right-handed kits. The song also features harpsichord and flugelhorn by McCartney — the latter heard as a solid note through the pre-chorus.
“Ever Present Past” was released as the first single from that album in the United States on 15 May 2007. In the UK, it was released as the second British single from Memory Almost Full on 5 November 2007 and debuted a week later at #85 in the UK Singles Chart. The single package included a unique “cut out and make your own mobius strip” insert.
I've got too much on my plate
Don't have no time to be a decent lover
I hope it isn't too late
Searching for the time that has gone so fast
The time that I thought would last
My ever present past
I've got too much on my mind
I think of everything to be discovered
I hope there's something to find
Searching for the time that has gone so fast
The time that I thought would last
My ever present past
The things I think I did
I d.i. d.i did
The things I think I did
When I was a kid
I couldn't understand a word that they were saying
But still I hung around and took it all in
I wouldn't join in with the games that they were
playing
It went by, it went by, in a flash
It flew by, it flew by
In a flash
There's far too much on my plate
Don't have no time to be a decent lover
I hope it's never too late
Searching for the time that has gone so fast
The time that I thought would last
My ever present past
The things I think I did
I d.i. d.i. did
The things I think I did
When I was a kid
The things I think I did
I d.i. d.i. did
The things I think I did
When I was a kid
When I was a kid
Memory Almost Full - 2CD limited edition bonus disc
Official album • Released in 2007
2:57 • Studio version • A
Session Recording: March 2006 • Studio Hog Hill Studio, Rye, UK
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Official album • Released in 2007
2:57 • Studio version • A
Paul McCartney : Bass, Clavioline (?), Drums, Electric guitar, Flugelhorn, Harpsichord, Keyboards, Tambourine, Vocals David Kahne : Mixing engineer, Producer Eddie Klein : Assistant recording engineer Steve Orchard : Recording engineer Andy Wallace : Mixing engineer
Session Recording: March 2006 • Studio Hog Hill Studio, Rye, UK
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
7" Single • Released in 2022
2:57 • Studio version • A
Paul McCartney : Bass, Clavioline (?), Drums, Electric guitar, Flugelhorn, Harpsichord, Keyboards, Tambourine, Vocals David Kahne : Mixing engineer, Producer Eddie Klein : Assistant recording engineer Steve Orchard : Recording engineer Andy Wallace : Mixing engineer
Session Recording: March 2006 • Studio Hog Hill Studio, Rye, UK
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Memory Almost Full - Ultimate Archive Collection
Unofficial album • Released in 2016
2:57 • Studio version • A
Where Footprints Never Go - Unofficial Rarities - Ultimate Archive Collection
Unofficial album • Released in 2016
2:33 • Studio version • [acoustic]
Memory Almost Full Acoustic Teaser 2007
Unofficial album • Released in 2017
2:34 • Studio version • #1
Memory Almost Full Acoustic Teaser 2007
Unofficial album • Released in 2017
3:53 • Studio version • #2
2007 • For Paul McCartney • Directed by Phil Griffin
Album Ever Present Past
Paul McCartney has never played this song in concert.
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012
This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.
The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.
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