Released in 1970
Written by Paul McCartney • Instrumental
Last updated on April 13, 2022
Album This song officially appears on the McCartney LP.
Timeline This song was officially released in 1970
Timeline This song was written, or began to be written, in 1970, when Paul McCartney was 28 years old)
This song was recorded during the following studio sessions:
Feb 18, 1970
‘Kreen-Akrore’ was about an Amazon tribe I’d seen, who were fighting for survival. I recorded the sound of a bow and arrow going past the mike…
Paul McCartney – From “Conversations with McCartney” by Paul du Noyer
“Kreen – Akrore” is the final track of Paul McCartney’s debut solo album, “McCartney“, released in April 1970.
There was a film on TV about the Kreen Akrore Indians living in the Brazilian jungle, their lives and how the white man is trying to change their way of life to his, so the next day after lunch I did some drumming.
The idea behind it was to get the feeling of their hunt. So later piano, guitar and organ were added to the first section. The second had a few tracks of voices (Linda and I) and the end had overdubbed breathing, going into organ and two lead guitars in harmony.
Done at Morgan. Engineer, Robin Black.
The end of the first section has Linda and I doing animal noises (speeded up) and an arrow sound (done live with bow and arrow – the bow broke), then animals stampeding across a guitar case. There are two drum tracks.
We built a fire in the studio but didn’t use it (but used the sound of the twigs breaking).
Paul McCartney, from the press release of “McCartney”, April 1970
The TV documentary which inspired Paul McCartney was “The Tribe That Hides From Man“, directed by Adrian Cowell, and broadcast by ITV on February 17, 1970. The Kreen-Akrore tribe lived in the Brazilian jungle and was known to kill intruders who encroached upon their way of life.
For me now, it’s great memories of a happy period: getting with Linda, earliest days. She helped me, because I’d have a guitar and amp in the house and she’d say, ‘I never knew you played guitar!’ Yeah, I’d play a few blues licks, you know? I’d say I did this and that, did the “Taxman” solos… She was very encouraging, and that led me to ‘Momma Miss America’, ‘Kreen-Akrore’, which were right off the wall. Then a few more normal things crept in, and it became an album.
Paul McCartney – From “Conversations with McCartney” by Paul du Noyer
From PopMatters:
“Kreen Akrore” is the final track on the McCartney album. After watching a TV documentary about Brazil’s indigenous Kreen-Akrore tribe, McCartney was inspired to compose an instrumental track that would capture “the feeling of their hunt”.
The next day, after he recorded the drum sounds, McCartney and wife Linda did “animal noises”, including creating stampeding sounds with the aid of a guitar case. The two built a fire in London’s Morgan Studios, but only the sound of twigs breaking made it onto the final cut. Probably the most unusual addition was the sound of a bow and arrow, which later led McCartney to say that he played “bass, drums, acoustic guitar, lead guitar, piano, mellotron, organ, toy xylophone, and bow and arrow” on the album.
Unfortunately, even the most ardent McCartney fans usually overlook “Kreen Akrore”. A common complaint is that the song is pointless, or that McCartney doesn’t use much skill in his drumming. Even more unfortunate was the real-life plight of the Kreen-Akrore tribe, which was nearly killed off by common diseases three years later, when a government project brought them into contact with modern people. However, in recent years, their population has risen due to relocation.
10.30 The Tribe That Hides From Man
An explorer is clubbed to death… A plane crashes in the jungle… An American Indian war party massacres a hidden village… Foud children are kidnapped from an unknown tribe… These are the incidents that launch a long and tense search in the Amazon jungle.
The Kreen-Akrore tribe is one of the world’s last groups of unknown men. They hide in the deepest part of the forest, killing all intruders on sight.
Brazil’s two most famous explorers cut a trail into their territory. Month after month they wage a way of nerves with the Indians, who are tracking them and always watching from behind the impenetrable screen of jungle.
From TV Times, 14-20 February 1970 – From Club Sandwich N°74, Summer 1995
LP • Released in 1970
4:15 • Studio version • A • Stereo
Paul McCartney : Backing vocals, Bass, Drums, Electric guitar, Organ, Percussion, Piano, Producer Linda Eastman / McCartney : Backing vocals Robin Black : Recording engineer
Session Recording: Feb 18, 1970 • Studio Morgan Studios, London
Session Overdubs: Feb 12-20, 1970 • Studio Morgan Studios, London
Session Mixing: Feb 12-20, 1970 • Studio Morgan Studios, London ?
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
McCartney (by DCC Compact Classics)
CD • Released in 1992
4:15 • Studio version • A1992 • Stereo • 1992 remaster
Paul McCartney : Backing vocals, Bass, Drums, Electric guitar, Organ, Percussion, Piano, Producer Linda Eastman / McCartney : Backing vocals Robin Black : Recording engineer Steve Hoffman : Remastering
Session Recording: Feb 12, 1970 • Studio Morgan Studios, London
Session Overdubs: Feb 12-20, 1970 • Studio Morgan Studios, London
Session Mixing: Feb 12-20, 1970 • Studio Morgan Studios, London ?
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Official album • Released in 1993
4:15 • Studio version • A1993 • Stereo • 1993 remaster
Paul McCartney : Backing vocals, Bass, Drums, Electric guitar, Organ, Percussion, Piano, Producer Linda Eastman / McCartney : Backing vocals Robin Black : Recording engineer Peter Mew : Remastering
Session Recording: Feb 12, 1970 • Studio Morgan Studios, London
Session Overdubs: Feb 12-20, 1970 • Studio Morgan Studios, London
Session Mixing: Feb 12-20, 1970 • Studio Morgan Studios, London ?
McCartney - Archive Collection
Official album • Released in 2011
4:16 • Studio version • A2011 • Stereo • 2011 remaster
Paul McCartney : Backing vocals, Bass, Drums, Electric guitar, Organ, Percussion, Piano, Producer Linda Eastman / McCartney : Backing vocals Robin Black : Recording engineer Guy Massey : Remastering Steve Rooke : Remastering Simon Gibson : Remastering
Session Recording: Feb 12, 1970 • Studio Morgan Studios, London
Session Overdubs: Feb 12-20, 1970 • Studio Morgan Studios, London
Session Mixing: Feb 12-20, 1970 • Studio Morgan Studios, London ?
LP • Released in 2017
4:16 • Studio version • A2011 • Stereo • 2011 remaster
Paul McCartney : Backing vocals, Bass, Drums, Electric guitar, Organ, Percussion, Piano, Producer Linda Eastman / McCartney : Backing vocals Robin Black : Recording engineer Guy Massey : Remastering Steve Rooke : Remastering Simon Gibson : Remastering
Session Recording: Feb 12, 1970 • Studio Morgan Studios, London
Session Overdubs: Feb 12-20, 1970 • Studio Morgan Studios, London
Session Mixing: Feb 12-20, 1970 • Studio Morgan Studios, London ?
Official album • Released in 2020
4:15 • Studio version • A2020 • 2020 half-speed mastering
Paul McCartney : Backing vocals, Bass, Drums, Electric guitar, Organ, Percussion, Piano, Producer Linda Eastman / McCartney : Backing vocals Robin Black : Recording engineer Miles Showell : Mastering
Session Recording: Feb 12, 1970 • Studio Morgan Studios, London
Session Overdubs: Feb 12-20, 1970 • Studio Morgan Studios, London
Session Mixing: Feb 12-20, 1970 • Studio Morgan Studios, London ?
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
McCartney I II III Limited Edition Colour 3LP Box Set
LP • Released in 2022
4:16 • Studio version • A2011 • Stereo • 2011 remaster
Paul McCartney : Backing vocals, Bass, Drums, Electric guitar, Organ, Percussion, Piano, Producer Linda Eastman / McCartney : Backing vocals Robin Black : Recording engineer Guy Massey : Remastering Steve Rooke : Remastering Simon Gibson : Remastering
Session Recording: Feb 12, 1970 • Studio Morgan Studios, London
Session Overdubs: Feb 12-20, 1970 • Studio Morgan Studios, London
Session Mixing: Feb 12-20, 1970 • Studio Morgan Studios, London ?
Official album • Released in 2022
4:16 • Studio version • A2011 • Stereo • 2011 remaster
Paul McCartney : Backing vocals, Bass, Drums, Electric guitar, Organ, Percussion, Piano, Producer Linda Eastman / McCartney : Backing vocals Robin Black : Recording engineer Guy Massey : Remastering Steve Rooke : Remastering Simon Gibson : Remastering
Session Recording: Feb 12, 1970 • Studio Morgan Studios, London
Session Overdubs: Feb 12-20, 1970 • Studio Morgan Studios, London
Session Mixing: Feb 12-20, 1970 • Studio Morgan Studios, London ?
McCartney - Ultimate Archive Collection
Unofficial album • Released in 2015
4:15 • Studio version • A1992 • Stereo
Paul McCartney : Backing vocals, Bass, Drums, Electric guitar, Organ, Percussion, Piano, Producer Linda Eastman / McCartney : Backing vocals Robin Black : Recording engineer Steve Hoffman : Remastering
Session Recording: Feb 12, 1970 • Studio Morgan Studios, London
Session Overdubs: Feb 12-20, 1970 • Studio Morgan Studios, London
Session Mixing: Feb 12-20, 1970 • Studio Morgan Studios, London ?
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Paul McCartney has never played this song in concert.
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
Notice any inaccuracies on this page? Have additional insights or ideas for new content? Or just want to share your thoughts? We value your feedback! Please use the form below to get in touch with us.
Dale True • 4 years ago
My friend and I teamed up to make a short film for a High School special project to highlight the world's first Earth Day. Near the end of the 7-minute film, I edited a series of fast-cut shots of smoke stacks spewing pollutants into the atmosphere, after which I filmed my friend rolling head-first down an embankment to the edge of the Miami River, where he assumed the death position. For back ground music on this segment we used the latter part of Kreen Akrore, beginning with the heavy breathing and continuing to the end. It fit perfectly for the subject matter. Yeah, we bagged an A+ for that course.
The PaulMcCartney Project • 4 years ago
Awesome @Dale ! Is there a way to look at your project ?
PC-Edy • 2 years ago
It's a great thing musicians allow themselves some space to improvise or make experimental stuff. This enriches their styles and free them of slaving routines. Don't be so rude with the results. Besides: I love this one and the whole album too.-