Released in 1975
Written by Paul McCartney • Linda Eastman / McCartney
Last updated on October 17, 2022
Album This song officially appears on the Venus and Mars Official album.
Timeline This song was officially released in 1975
This song was recorded during the following studio sessions:
Overdubs for "Listen To What The Man Said"
Mar 03 to Mar 06, 1975
String overdubs for Venus And Mars album
Mar 10, 1975
2014 • From Calico Skies Radio
2016 • From paulmccartney.com
From Wikipedia:
“Listen to What the Man Said” is a hit single from Wings’ 1975 album Venus and Mars. The song featured new member Joe English on drums, with guest musicians Dave Mason on guitar and Tom Scott on soprano saxophone. It was a number 1 single on the Billboard Hot 100 chart in the US; as well, it reached number 1 in Canada on the RPM National Top Singles Chart. It also reached number 6 in the UK, and reached the top ten in Norway and New Zealand and the top twenty in the Netherlands. The single was certified Gold by the Recording Industry Association of America for sales of over one million copies.
Recording
“Listen to What the Man Said” was recorded in early 1975 by Wings during their New Orleans sessions for Venus and Mars. It was a song which McCartney had high hopes for, but early recordings did not live up to the song’s potential. McCartney said in 1975 of his initial opinion of the song, “It was one of the songs we’d gone in with high hopes for. Whenever I would play it on the piano, people would say ‘Oh, I like that one.’ But when we did the backing track, we thought we didn’t really get it together at all.” After Mason added guitar overdubs, the band was still dissatisfied. However, once Scott recorded the sax solo, the band was satisfied. Although several takes of the solo were recorded, the very first take was the one that was used. McCartney said of Tom Scott’s impact on the track, “Someone said [famous jazz musician] ‘Tom Scott lives near here.’ We said, yeah, give him a ring, see if he turns up, and he turned up within half an hour! There he was, with his sax, and he sat down in the studio playing through. The engineer was recording it. We kept all the notes he was playing casually. He came in and I said ‘I think that’s it.’ He said ‘Did you record that?’ I said yes, and we listened to it back. No one could believe it, so he went out and tried a few more, but they weren’t as good. He’d had all the feel on this early take, the first take.” The effect of a kiss smack heard on the track was recorded by engineer Alan O’Duffy, who taped Linda doing it.
The end of the song also features a small link used to transition into the next song on Venus and Mars, “Treat Her Gently/Lonely Old People“.
You either have to leave it and stop ‘Listen to What the Man Said’ dead or you spill over into the next little link piece. I just like that link myself, and thought no one’s going to mind that little extra on the record. – Paul McCartney, Paul McCartney: In His Own Words
Lyrics
The song is an optimistic love song. Even though love may be blind or may cause separated lovers to suffer, the singer believes that love will prevail. This is in accordance with what “the man” said. “The man” is not explicitly identified, but might be God. Author Vincent Benitez believes that, “McCartney is advising everyone to stick with the basics of life, which for him means focusing on love.” The song is in the key of G major.
Reception
Allmusic critic Stephen Thomas Erlewine called “Listen to What the Man Said” “a typically sweet and lovely melody“. Paul Nelson of Rolling Stone called it “deliciously catchy” and “as fine an example of slick, professional entertainment and carefully crafted ‘product’ as has ever hit the airwaves“. Author John Blaney described the song as “a slice of radio-friendly pop” and “a joyous celebration of love and life, buoyed by Linda’s equally exuberant backing vocals…“. Benitez described the song as “another great example of McCartney-style pop, a buoyant and optimistic song about love where words and music are wedded together. Authors Roy Carr and Tony Tyler note about the song that “artful and sensitive production elevate what was originally a piece of inconsequential whimsy into what can only be described as High Pop“, also describing the song as “likeable” and “hummable“. Author Chris Ingham described the song as “superior pop“.
The song was also included on the numerous greatest hits compilations, including 1987’s All the Best! and 2001’s Wingspan: Hits and History. However, it was not included on the first Wings compilation, Wings Greatest. […]
My stuff is never ‘a comment from within’. Basically I’m saying: ‘Listen to the basic rules, don’t goof off too much’. But if you say ‘The Man’, it can mean God, it can mean ‘Women, listen to your man’, it can mean so many things. Later I did a song with Michael Jackson called ‘The Man’ and again, it’s quite nice leaving things ambiguous: I’m sure for Michael, probably ‘The Man’ meant God.
Paul McCartney, from Club Sandwich N°47/48, Spring 1988
From paulmccartney.com, August 30, 2016:
[…] This month’s question comes from Luiz Antonio in Brazil who asks: “‘Listen To What The Man Said’ is a wonderful song. Who is the man someone should listen to?”
To find out Paul’s answer we spoke with him before he went back out on the road for his recent ‘One On One’ North American leg. He answered: “Thank you for your question, Luiz. There are many answers to ‘Who is the man?’ In one way, you could say the man would be as the expression – ‘You’re the man!’ Another way to look at it is that every religion has a leader who they consider to be ‘the man’. And his teachings are generally very positive. I like the idea that I leave it to the people to decide who, in their minds, is the man…” […]
Any time, any day,
You can hear the people say,
That love is blind
Well I don’t know but I say love is kind
Soldier boy kisses girl
Leaves behind a tragic world
But he won’t mind
He’s in love and he says love is fine
Oh–yes, indeed we know
That people will find a way to go
No matter what the man said
And love is fine for all we know
For all we know, our love will grow
–that’s what the man said
So won’t you listen to what the man said
He said…
Oh–yes, indeed we know
That people will find a way to go
No matter what the man said
And love is fine for all we know
For all we know, our love will grow
–that’s what the man said
So won’t you listen to what the man said
He said…
Oh–yes, indeed we know
That people will find a way to go
No matter what the man said
And love is fine for all we know
For all we know, our love will grow
–that’s what the man said
So won’t you listen to what the man said
The wonder of it all baby……
The wonder of it all baby……
The wonder of it all baby……
Listen To What The Man Said / Love In Song
7" Single • Released in 1975
3:55 • Studio version • A1
Paul McCartney : Acoustic guitar, Bass, Clarinet, Electric guitar, Electric piano, Moog, Producer, Strings arrangement, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bongos, Electric guitar Jimmy McCulloch : Electric guitar Joe English : Drums, Percussion Sid Sharp Strings : Cello, Violas, Violins Gayle Levant : Harp Tony Dorsey : Strings arrangement Dave Mason : Electric guitar Tom Scott : Saxophone Alan O'Duffy : Mixing engineer, Recording engineer Biff Dawes : Assistant mixing engineer
Session Recording: Jan 31, 1975 and Feb 20, 1975 • Studio Sea-Saint Recording Studio, New Orleans, USA
Session Overdubs: Mar 03 to Mar 06, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Session Overdubs: Mar 10, 1975 • Studio Sunset Sound Recorders Studio, Los Angeles, USA
Session Mixing: Mar 26, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Official album • Released in 1975
3:55 • Studio version • A
Paul McCartney : Acoustic guitar, Bass, Clarinet, Electric guitar, Electric piano, Moog, Producer, Strings arrangement, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bongos, Electric guitar Jimmy McCulloch : Electric guitar Joe English : Drums, Percussion Sid Sharp Strings : Cello, Violas, Violins Gayle Levant : Harp Tony Dorsey : Strings arrangement Dave Mason : Electric guitar Tom Scott : Saxophone Alan O'Duffy : Mixing engineer, Recording engineer Biff Dawes : Assistant mixing engineer
Session Recording: Jan 31, 1975 and Feb 20, 1975 • Studio Sea-Saint Recording Studio, New Orleans, USA
Session Overdubs: Mar 03 to Mar 06, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Session Overdubs: Mar 10, 1975 • Studio Sunset Sound Recorders Studio, Los Angeles, USA
Session Mixing: Mar 26, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Official live • Released in 1976
3:41 • Live • L1
Paul McCartney : Piano, Producer, Vocals Linda Eastman / McCartney : Keyboard, Vocals Denny Laine : Bass, Vocals Jimmy McCulloch : Electric guitar, Vocals Joe English : Drums, Vocals Thaddeus Richard : Clarinet Mark Vigars : Assistant mixing engineer Phil McDonald : Mixing engineer, Overdubs recording Jack Maxson : Recording engineer Tom Walsh : Assistant recording engineer
Concert From the concert in Kansas City, USA on May 29, 1976
Official album • Released in 1987
3:54 • Studio version • A
Paul McCartney : Acoustic guitar, Bass, Clarinet, Electric guitar, Electric piano, Moog, Producer, Strings arrangement, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bongos, Electric guitar Jimmy McCulloch : Electric guitar Joe English : Drums, Percussion Sid Sharp Strings : Cello, Violas, Violins Gayle Levant : Harp Tony Dorsey : Strings arrangement Dave Mason : Electric guitar Tom Scott : Saxophone Alan O'Duffy : Mixing engineer, Recording engineer Biff Dawes : Assistant mixing engineer
Session Recording: Jan 31, 1975 and Feb 20, 1975 • Studio Sea-Saint Recording Studio, New Orleans, USA
Session Overdubs: Mar 03 to Mar 06, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Session Overdubs: Mar 10, 1975 • Studio Sunset Sound Recorders Studio, Los Angeles, USA
Session Mixing: Mar 26, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Official album • Released in 1987
3:57 • Studio version • A
Paul McCartney : Acoustic guitar, Bass, Clarinet, Electric guitar, Electric piano, Moog, Producer, Strings arrangement, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bongos, Electric guitar Jimmy McCulloch : Electric guitar Joe English : Drums, Percussion Sid Sharp Strings : Cello, Violas, Violins Gayle Levant : Harp Tony Dorsey : Strings arrangement Dave Mason : Electric guitar Tom Scott : Saxophone Alan O'Duffy : Mixing engineer, Recording engineer Biff Dawes : Assistant mixing engineer
Session Recording: Jan 31, 1975 and Feb 20, 1975 • Studio Sea-Saint Recording Studio, New Orleans, USA
Session Overdubs: Mar 03 to Mar 06, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Session Overdubs: Mar 10, 1975 • Studio Sunset Sound Recorders Studio, Los Angeles, USA
Session Mixing: Mar 26, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Official album • Released in 1987
3:57 • Studio version • A
Paul McCartney : Acoustic guitar, Bass, Clarinet, Electric guitar, Electric piano, Moog, Producer, Strings arrangement, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bongos, Electric guitar Jimmy McCulloch : Electric guitar Joe English : Drums, Percussion Sid Sharp Strings : Cello, Violas, Violins Gayle Levant : Harp Tony Dorsey : Strings arrangement Dave Mason : Electric guitar Tom Scott : Saxophone Alan O'Duffy : Mixing engineer, Recording engineer Biff Dawes : Assistant mixing engineer
Session Recording: Jan 31, 1975 and Feb 20, 1975 • Studio Sea-Saint Recording Studio, New Orleans, USA
Session Overdubs: Mar 03 to Mar 06, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Session Overdubs: Mar 10, 1975 • Studio Sunset Sound Recorders Studio, Los Angeles, USA
Session Mixing: Mar 26, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Official album • Released in 1993
3:55 • Studio version • A1993 • 1993 remaster
Paul McCartney : Acoustic guitar, Bass, Clarinet, Electric guitar, Electric piano, Moog, Producer, Strings arrangement, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bongos, Electric guitar Jimmy McCulloch : Electric guitar Joe English : Drums, Percussion Sid Sharp Strings : Cello, Violas, Violins Gayle Levant : Harp Tony Dorsey : Strings arrangement Dave Mason : Electric guitar Tom Scott : Saxophone Alan O'Duffy : Mixing engineer, Recording engineer Biff Dawes : Assistant mixing engineer Peter Mew : Remastering
Session Recording: Jan 31, 1975 and Feb 20, 1975 • Studio Sea-Saint Recording Studio, New Orleans, USA
Session Overdubs: Mar 03 to Mar 06, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Session Overdubs: Mar 10, 1975 • Studio Sunset Sound Recorders Studio, Los Angeles, USA
Session Mixing: Mar 26, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Wingspan Hits And History (US version)
Official album • Released in 2001
3:57 • Studio version • A2001 • 2001 remaster
Paul McCartney : Acoustic guitar, Bass, Clarinet, Electric guitar, Electric piano, Moog, Producer, Strings arrangement, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bongos, Electric guitar Jimmy McCulloch : Electric guitar Geoff Emerick : Remastering Joe English : Drums, Percussion Sid Sharp Strings : Cello, Violas, Violins Gayle Levant : Harp Tony Dorsey : Strings arrangement Dave Mason : Electric guitar Tom Scott : Saxophone Alan O'Duffy : Mixing engineer, Recording engineer Biff Dawes : Assistant mixing engineer Peter Mew : Remastering
Session Recording: Jan 31, 1975 and Feb 20, 1975 • Studio Sea-Saint Recording Studio, New Orleans, USA
Session Overdubs: Mar 03 to Mar 06, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Session Overdubs: Mar 10, 1975 • Studio Sunset Sound Recorders Studio, Los Angeles, USA
Session Mixing: Mar 26, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Wingspan Hits And History (Japanese version)
Official album • Released in 2001
3:57 • Studio version • A2001 • 2001 remaster
Paul McCartney : Acoustic guitar, Bass, Clarinet, Electric guitar, Electric piano, Moog, Producer, Strings arrangement, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bongos, Electric guitar Jimmy McCulloch : Electric guitar Geoff Emerick : Remastering Joe English : Drums, Percussion Sid Sharp Strings : Cello, Violas, Violins Gayle Levant : Harp Tony Dorsey : Strings arrangement Dave Mason : Electric guitar Tom Scott : Saxophone Alan O'Duffy : Mixing engineer, Recording engineer Biff Dawes : Assistant mixing engineer Peter Mew : Remastering
Session Recording: Jan 31, 1975 and Feb 20, 1975 • Studio Sea-Saint Recording Studio, New Orleans, USA
Session Overdubs: Mar 03 to Mar 06, 1975 • Studio Wally Heider Studios, Los Angeles, USA
Session Overdubs: Mar 10, 1975 • Studio Sunset Sound Recorders Studio, Los Angeles, USA
Session Mixing: Mar 26, 1975 • Studio Wally Heider Studios, Los Angeles, USA
See all official recordings containing “Listen To What The Man Said”
Unofficial live
4:05 • Live
Concert From the concert in Seattle, USA on Jun 10, 1976
1979 • Directed by Jack Prestty
Concert Jun 10, 1976 in Seattle
“Listen To What The Man Said” has been played in 138 concerts and 10 soundchecks.
Newark • Prudential Center • USA
Sep 12, 2017 • Part of One On One Tour
Philadelphia • Wells Fargo Center • USA
Jun 21, 2015 • Part of Out There Tour
Paris • Stade de France • France
Jun 11, 2015 • Part of Out There Tour
Amsterdam • ZiggoDome • Netherlands
Jun 08, 2015 • Part of Out There Tour
Amsterdam • ZiggoDome • Netherlands
Jun 07, 2015 • Part of Out There Tour
See all concerts where “Listen To What The Man Said” has been played
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
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Princess • 4 years ago
Hi, I think that on this song the instruments that is listed as "Clarinet" must be changed into "Clavinet", maybe it's a writing mistake. On the record you can clearly hear the Clavinet on the right/centered channel, especially just a second before Paul starts singing the first line. I'm talking about the 2014 remastered version of the song.
The PaulMcCartney Project • 4 years ago
Thanks for your comment, @Princess. I guess you are right, even if on the credit notes of "Venus And Mars" 2014 archive collection, it is written "Clarinet".
Joey Reyes • 2 years ago
Why is this song not in The Lyrics book?
🧊 wild (ultimate mix) 🍏☮️ (@tharealwildcat) • 2 years ago
hey - i spotted a small typo in "You either have to leave it and slop ‘Listen to What the Man Said’ dead" where it says "slop" instead of "stop".
The PaulMcCartney Project • 2 years ago
Thanks - typo fixed !