Album This song officially appears on the Standard Time Official album.
Timeline This song was officially released in 1982
This song was recorded during the following studio sessions:
June 29 - July 27, 1978
Officially appears on Put It There
Cage (aka "Emotional Moments")
Unreleased song
Unreleased song
Officially appears on Japanese Tears
“Maisie” is a song written by Laurence Juber during his time with Wings in 1978. It has been initially recorded during the Back To The Egg sessions, with the then-current Wings line-up, including Paul McCartney on bass. “Maisie” has been issue on Standard Time, Laurence Juber’s first solo album released in 1982.
From billboard.com:
Standard Time‘s marquee track is “Maisie,” a twangy instrumental that Juber composed during the initial Back To The Egg sessions during July of 1978 on McCartney’s farm in Scotland. The album version features McCartney on bass, as well as Wings cohorts Denny Laine and Steve Holley. “I had been sitting outside and started writing this Chet Atkins-style piece, kind of finger-picking, maybe a little bit of Ry Cooder ’cause I’d been listening to a lot of him at the time,” Juber recalls. “A couple days later Paul said, ‘Hey, do you have any tunes,’ so we recorded (‘Maisie’). Of course it wasn’t really the kind of thing Back To The Egg was oriented towards so it didn’t make the cut, but I’ve always been proud of that particular piece of music and it’s very cool to have Paul McCartney playing bass and Denny Laine playing some harmonica and Steve Holley on drums.”
From “Have guitar, will travel: Maverick Wings axeman Laurence Juber steps out“, interview of Laurence Juber by Jeremy Roberts:
“Maisie” was my songwriting contribution to the album. It was really my first finger-style guitar piece. It was recorded with Paul, Steve Holley [drums], and Denny Laine [rhythm guitarist] — he’s playing harmonica on the track — so it’s essentially a Wings song.
There was a really cool version that we had done up in Scotland as part of the Back to the Egg sessions. At that point it wasn’t in the running for the album. It could have been but it just didn’t fit where Paul was going conceptually. Then it sat on the shelf until I included it on a collection of material which I put out under the name of Standard Time. It comes up on the bootlegs of outtakes from Back to the Egg. That was really my first fingerstyle piece. I had added a little bit to it by the time I rerecorded it. It’s interesting to go back and revisit that stuff. I’m probably going to put that back into my performances soon — because it’s a fun one. That was the beginning of my composition process.
Laurence Juber – 2012 interview for Something Else!
Official album • Released in 1982
2:12 • Studio version • A
Paul McCartney : Bass Denny Laine : Harmonica Laurence Juber : Guitar Steve Holley : Drums, Producer Richard Niles : Producer
Standard Time (digital release)
Download • Released in 2018
2:13 • Studio version • A1 • 2018 remaster
Paul McCartney : Bass Denny Laine : Harmonica Laurence Juber : Guitar Steve Holley : Drums, Producer Richard Niles : Producer
Back To The Egg - Ultimate Archive Collection
Unofficial album • Released in 2015
2:12 • Studio version • A
Paul McCartney : Bass Denny Laine : Harmonica Laurence Juber : Guitar Steve Holley : Drums, Producer Richard Niles : Producer
Paul McCartney has never played this song in concert.
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
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