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Released in 1969

Polythene Pam

Written by Lennon - McCartney

Last updated on December 28, 2021


Album This song officially appears on the Abbey Road LP.

Timeline This song was officially released in 1969

Master album

Related sessions

This song was recorded during the following studio sessions:

Related interviews

Related articles

John had a bit called ‘Polythene Pam’ which was based on a girl he’d met a long time ago through the poet Royston Ellis, a friend of ours from Liverpool. We’d re-met him down South when we got out on tour, somewhere like Shrewsbury – he just showed up at the gig. John had gone out to dinner with him and back to his flat afterwards, and there was a girl there who apparently had polythene around her. He came back with all these tales about a girl who dressed in polythene: ‘Shit! There was this chick and it was great…’ and we thought, ‘Oh, wow!’ Eventually he wrote the song.

Paul McCartney – From “The Beatles Anthology” book, 2000

From Wikipedia:

“Polythene Pam” is a song by the British rock band the Beatles from their 1969 album Abbey Road. Written by John Lennon and credited to Lennon–McCartney, it is the fourth song of the album’s climactic side-two medley. The Beatles recorded the track in July 1969 as a continuous piece with “She Came In Through the Bathroom Window“, which follows it in the medley.

Background and composition

Lennon wrote “Polythene Pam” during the Beatles’ 1968 stay in India. While not formally recorded during the sessions for The Beatles (also known as “the White Album”), the song was recorded as a demo at George Harrison’s Kinfauns home before the sessions. The demo was later released on Anthology 3 and the 2018 super-deluxe edition of The Beatles. Lennon dismissed the song, along with “Mean Mr. Mustard“, in The Beatles Anthology as “a bit of crap I wrote in India”.

In 1980, Lennon said about “Polythene Pam”: “That was me, remembering a little event with a woman in Jersey, and a man who was England’s answer to Allen Ginsberg … I met him when we were on tour and he took me back to his apartment and I had a girl and he had one he wanted me to meet. He said she dressed up in polythene, which she did. She didn’t wear jack boots and kilts, I just sort of elaborated. Perverted sex in a polythene bag. Just looking for something to write about.” The song is sung in a very strong Liverpudlian “Scouse” accent. He also described the inspiration for the song as a “mythical Liverpool scrubber dressed in her jackboots and kilt”.

Polythene is the British variant of the word polyethylene, a plastic material. The name ‘Polythene Pam’ came from the nickname of an early Beatles fan from the Cavern Club days, named Pat Hodgett (now Dawson), who would often eat polythene. She became known as “Polythene Pat”. She said in an interview, “I used to eat polythene all the time. I’d tie it in knots and then eat it. Sometimes I even used to burn it and then eat it when it got cold.”

Placement on Abbey Road

On the album Abbey Road, the song is linked with the previous song “Mean Mr. Mustard” musically, as the two run together without pause. The two songs are also linked narratively, since “Mean Mr. Mustard” mentions that the title character Mustard has a sister named Pam. Originally, the line “his sister Pam …” in the song was “his sister Shirley …”, but Lennon would change the line to contribute to the continuity of the Abbey Road side two medley. The song “Her Majesty” was originally set between “Mean Mr. Mustard” and “Polythene Pam”. “Polythene Pam” then segues into the following song, “She Came In Through the Bathroom Window“.

The basic track for “Polythene Pam” and “She Came in Through the Bathroom Window” was recorded at EMI Studios in London on 25 July. The line-up was Lennon on acoustic 12-string guitar, Harrison on lead guitar, Paul McCartney on bass, and Ringo Starr on drums. Lennon sang an off-mike guide vocal on his song, while McCartney did the same on “She Came in Through the Bathroom Window”. During the guitar solo on “Polythene Pam”, Lennon shouted out words of encouragement (“Fab! That’s great! Real good, that. Real good …”), some of which appears on the finished recording. In his description of the song, author Ian MacDonald likens Lennon’s “massive” opening acoustic guitar chords to the Who’s “Pinball Wizard”, which was a single at the time.

The Beatles carried out overdubs on the track on 28 July, although many of these contributions, such as piano and electric piano, were subsequently cut. Recording was completed on 30 July, when the final vocal, guitar and percussion overdubs were taped. These included a second lead guitar part by Harrison, playing the descending notes (accompanying Lennon’s spoken “Listen to that now. Oh, look out! Here she…”) into the start of “She Came in Through the Bathroom Window”. […]

From The Usenet Guide to Beatles Recording Variations:

[a] stereo 14 Aug 1969. crossfaded 14 Aug 1969.
UK: Apple PCS 7088 Abbey Road 1969.
US: Apple SO-383 Abbey Road 1969.
CD: EMI CDP 7 46446 2 Abbey Road 1987.

[Polythene Pam / She Came In Through The Bathroom Window] were recorded straight through. The crossfade joins this to the preceding song, Sun King / Mean Mr Mustard.

John, being Royston’s friend, went out to dinner with him and got pissed (drunk) and stuff and they ended up back at his apartment with a girl who dressed herself in polythene for John’s amusement, so it was a little kinky scene… She was a real character.

Paul McCartney – From “Many Years From Now” by Barry Miles, 1997

Lyrics

Well you should see Polythene Pam

She's so good-looking but she looks like a man

Well you should see her in drag dressed in her polythene bag

Yes you should see Polythene Pam

Yeah, yeah, yeah


Get a dose of her in jackboots and kilt

She's killer-diller when she's dressed to the hilt

She's the kind of a girl that makes the "News of the World"

Yes you could say she was attractively built

Yeah, yeah, yeah

Officially appears on

Bootlegs

Live performances

Paul McCartney has never played this song in concert.


Going further

Solid State: The Story of "Abbey Road" and the End of the Beatles

Acclaimed Beatles historian Kenneth Womack offers the most definitive account yet of the writing, recording, mixing, and reception of Abbey Road. In February 1969, the Beatles began working on what became their final album together. Abbey Road introduced a number of new techniques and technologies to the Beatles' sound, and included "Come Together," "Something," and "Here Comes the Sun," which all emerged as classics.

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