Released in 1976
Written by Paul McCartney • Linda Eastman / McCartney
Last updated on February 21, 2014
Album This song officially appears on the Wings At The Speed Of Sound Official album.
Timeline This song was officially released in 1976
This song was recorded during the following studio sessions:
"At The Speed Of Sound" sessions #2
January - February 1976
Jan 07, 1976
"Working Classical" session for string quartet pieces
February 21-25th, 1999
From Wikipedia:
“She’s My Baby” is a song credited to Paul and Linda McCartney that was first released by Wings on their 1976 album Wings at the Speed of Sound. It is a love song sung by Paul directed at Linda. Critical opinion of the song has ranged from a description as Paul McCartney’s “sweetest, daftest love song” to a suggestion that it deserves an “honor for sheer awfulness.” In 1998, after Linda’s death, Paul McCartney rearranged the song for string quartet to be played at memorial concerts for his late wife. This version was included on the 1999 album Working Classical.
“She’s My Baby” is a love song inspired by Linda. Paul McCartney sings the lead vocal. In each of the verses, the song describes characteristics of the singer’s “baby.” Some of these have been criticized as being trite; for example, the woman is described as gravy to be mopped up by the singer:
The verses are in the key of C major. The bridge begins in the key of F major, which is the subdominant key to the verses, and ends on a dominant seventh chord on G major, which is the dominant of C, facilitating the transition back to the verse. Like the hit singles from Wings at the Speed of Sound, “Let ‘Em In” and “Silly Love Songs,” the bass guitar is prominent in the mix. This was done intentionally to make the song more danceable. Paul McCartney has stated that “That is the bass in your face. And that was really because we were making a dance record.”
Critical reaction to “She’s My Baby” has been very mixed. The Rough Guide to the Beatles author Chris Ingham calls “She’s My Baby” McCartney’s “sweetest, daftest love song.” Chip Madiger and Mark Easter lament that on Wings at the Speed of Sound “She’s My Baby” is crossfaded with the following song on the album, “Beware My Love.” This limited radio play of a song they consider one of the best on the album, albeit “lightweight and jaunty.” Robert Christgau claimed that “‘She’s My Baby’ sounds like an outtake from the ‘white’ double-LP by McCartney’s former group, the Beatles.
Other critics are less kind. Reviewing Wings at the Speed of Sound, Allmusic critic Stephen Thomas Erlewine states that “‘She’s My Baby’ play like the hits, only without memorable hooks.” Fab Four FAQ 2.0 author Robert Rodriguez calls the song “hackneyed” and suggests that it “must earn some kind of honor for sheer awfulness.” Music professor Vincent Benitez acknowledges that the song is “danceable,” but also calls it “superficial” and “an inane pop song with trite lyrics and images.”
In 1998, after Linda McCartney’s death, Paul McCartney rearranged the song for string quartet to be played at memorial concerts for his late wife. The Brodsky Quartet performed the song at memorial services in London, and the Loma Mar Quartet performed the song at memorial services in New York. The Loma Mar Quartet also recorded the string quartet version of the song for the 1999 album Working Classical.
My baby, she comes out at night
She’s taking me by surprise
She’s my baby
Like gravy, down to the last drop
I keep mopping her up
Oh yeah, she’s my baby
She’s a baby in the morning time
When the sleep is in her eyes
Then the world is waking up
She has arisen
Oh believe me, I ain’t lyin’
She’s a woman
She’s the lady of the evening tide
When the stars are in the skies
That’s the time she changes
Back into a kitten,
Oh believe me, I ain’t lyin’
She’s my baby
She comes out at night
She’s taking me by surprise
She’s my baby
Like gravy, down to the last drop
I keep mopping her up
Yeah, yeah, yeah, she’s my baby
Well, she’s a baby in the morning time
When the sleep is in her eyes
And the world is waking her up
She has arisen
Oh believe me, I ain’t lyin’
She’s a woman
She’s the lady of the evening tide
When the stars are in the skies
That’s the time she changes
Back into a kitten
Oh believe me, I ain’t lyin’
She’s my baby, she comes out at night
She’s taking me by surprise
Yeah, she’s my baby
Oh, like gravy, down to the last drop,
I keep mopping it up, mopping it up
Yeah, she’s my baby
Official album • Released in 1976
3:07 • Studio version • A
Paul McCartney : Backing vocals, Bass (?), Electric guitar (?), Electric piano, Keyboards, Producer, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bass (?) Jimmy McCulloch : Electric guitar (?) Joe English : Drums Mark Vigars : Assistant mixing engineer, Assistant recording engineer Pete Henderson : Mixing engineer, Recording engineer
Session Recording: Jan 07, 1976 • Studio EMI Studios, Abbey Road
Session Overdubs: January - March 1976 • Studio EMI Studios, Abbey Road
Session Mixing: January - March 1976 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Wings At The Speed Of Sound (1993)
Official album • Released in 1993
3:07 • Studio version • A1993 • 1993 remaster
Paul McCartney : Backing vocals, Bass (?), Electric guitar (?), Electric piano, Keyboards, Producer, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bass (?) Jimmy McCulloch : Electric guitar (?) Joe English : Drums Mark Vigars : Assistant mixing engineer, Assistant recording engineer Pete Henderson : Mixing engineer, Recording engineer Peter Mew : Remastering
Session Recording: Jan 07, 1976 • Studio EMI Studios, Abbey Road
Session Overdubs: January - March 1976 • Studio EMI Studios, Abbey Road
Session Mixing: January - March 1976 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Official album • Released in 1999
1:47 • Classical version • B
Paul McCartney : Executive producer Eddie Klein : Recording engineer Keith Smith : Recording engineer Steve Rooke : Mastering Krista Bennion Feeney : First violin Anca Nicolau : Second violin Joanna Hood : Viola Myron Lutzke : Cello Loma Mar Quartet : ArrangerPerformed by : Loma Mar Quartet John Fraser : Producer Arne Akselberg : Balance engineer Paul Baily : Editor Caroline Haigh : Editor
Session Recording: February 21-25th, 1999 • Studio EMI Studios, Studio One, Abbey Road
Wings At The Speed Of Sound - Archive Collection
Official album • Released in 2014
3:07 • Studio version • A2014 • 2014 remaster
Paul McCartney : Backing vocals, Bass (?), Electric guitar (?), Electric piano, Keyboards, Producer, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bass (?) Jimmy McCulloch : Electric guitar (?) Joe English : Drums Mark Vigars : Assistant mixing engineer, Assistant recording engineer Pete Henderson : Mixing engineer, Recording engineer
Session Recording: Jan 07, 1976 • Studio EMI Studios, Abbey Road
Session Overdubs: January - March 1976 • Studio EMI Studios, Abbey Road
Session Mixing: January - March 1976 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Wings At The Speed Of Sound - Archive Collection
Official album • Released in 2014
3:47 • Demo • C
Paul McCartney : Piano, Producer, Vocals
Wings At The Speed Of Sound (Limited Orange LP)
Official album • Released in 2017
3:07 • Studio version • A2014
Paul McCartney : Backing vocals, Bass (?), Electric guitar (?), Electric piano, Keyboards, Producer, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bass (?) Jimmy McCulloch : Electric guitar (?) Joe English : Drums Mark Vigars : Assistant mixing engineer, Assistant recording engineer Pete Henderson : Mixing engineer, Recording engineer
Session Recording: Jan 07, 1976 • Studio EMI Studios, Abbey Road
Session Overdubs: January - March 1976 • Studio EMI Studios, Abbey Road
Session Mixing: January - March 1976 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Unofficial album
0:42 • Soundcheck
Concert From the concert in Melbourne, Australia on Nov 13, 1975
Let 'Em Out Vol. 1 - Wings At The Speed Of Sound Sessions And More
Unofficial album • Released in 2010
3:21 • Alternate take • Take 1
Let 'Em Out Vol. 1 - Wings At The Speed Of Sound Sessions And More
Unofficial album • Released in 2010
3:19 • Alternate take • Version 2
Wings At The Speed Of Sound - Ultimate Archive Collection
Unofficial album • Released in 2016
3:08 • Studio version • A
Paul McCartney : Backing vocals, Bass (?), Electric guitar (?), Electric piano, Keyboards, Producer, Vocals Linda Eastman / McCartney : Backing vocals Denny Laine : Backing vocals, Bass (?) Jimmy McCulloch : Electric guitar (?) Joe English : Drums Mark Vigars : Assistant mixing engineer, Assistant recording engineer Pete Henderson : Mixing engineer, Recording engineer
Session Recording: Jan 07, 1976 • Studio EMI Studios, Abbey Road
Session Overdubs: January - March 1976 • Studio EMI Studios, Abbey Road
Session Mixing: January - March 1976 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Wings At The Speed Of Sound - Ultimate Archive Collection
Unofficial album • Released in 2016
3:45 • Studio version • [demo]
Paul McCartney has never played this song in concert.
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
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