Album This song officially appears on the CHOBA B CCCP Official album.
Timeline This song was officially released in 1988
This song was recorded during the following studio sessions:
Winter 1994 • From Club Sandwich
From Wikipedia:
“That’s All Right” is a song written and originally performed by blues singer Arthur Crudup. It is best known as the first single recorded and released by Elvis Presley. Presley’s version was recorded on July 5, 1954, and released on July 19, 1954 with “Blue Moon of Kentucky” as the B-side. It is #113 on the 2010 Rolling Stone magazine list of the “500 Greatest Songs of All Time“.
In July 2004, exactly 50 years after its first issuing, the song was released as a single in the United Kingdom, where it debuted and peaked at Number 3.
History
The song was written by Arthur “Big Boy” Crudup, and originally recorded by him in Chicago on September 6, 1946, as “That’s All Right“. Some of the lyrics are traditional blues verses first recorded by Blind Lemon Jefferson in 1926. Crudup’s recording was released as a single on RCA Victor 20-2205, but was less successful than some of his previous recordings. At the same session, he recorded a virtually identical tune with different lyrics, “I Don’t Know It“, which was also released as a single (RCA Victor 20-2307). In early March 1949, the song was rereleased under the title, “That’s All Right, Mama” (RCA Victor 50-0000), which was issued as RCA’s first rhythm and blues record on their new 45 rpm single format, on bright orange vinyl.
Elvis Presley’s version was recorded in July 1954. Its catalogue number was Sun 209. The label reads “That’s All Right” (omitting “Mama” from the original title), and names the performers as Elvis Presley, Scotty and Bill. Arthur Crudup was credited as the composer on the label of Presley’s single, but Crudup had to wait until the 1960s when he received an estimated $60,000 in back royalties. Crudup used lines in his song that had been present in earlier blues recordings, including Blind Lemon Jefferson’s 1926 song “That Black Snake Moan“.
A country music version by Marty Robbins peaked at number seven on the Billboard Hot Country Singles chart in 1955.
Presley’s recording
During an uneventful recording session at Sun Studios on the evening of July 5, 1954, Presley, Scotty Moore (guitar) and Bill Black (string bass) were taking a break between recordings when Presley started fooling around with an up-tempo version of Arthur Crudup’s song “That’s All Right, Mama“. Black began joining in on his upright bass, and soon they were joined by Moore on guitar. Producer Sam Phillips, taken aback by this sudden upbeat atmosphere, asked the three of them to start again so he could record it.
Black’s bass and guitars from Presley and Moore provided the instrumentation. The recording contains no drums or additional instruments. The song was produced in the style of a “live” recording (all parts performed at once and recorded on a single track). The following evening the trio recorded “Blue Moon of Kentucky” in a similar style, and it was selected as the B-side to “That’s All Right“.
The recording session was Presley’s fifth visit to the Sun Studio. His first two visits, the summer of 1953 and January 1954, had been private recordings, followed by two more visits in the summer of 1954.
Upon finishing the recording session, according to Scotty Moore, Bill Black remarked, “Damn. Get that on the radio and they’ll run us out of town.”
Release
Sam Phillips gave copies of the record to local disc jockeys Dewey Phillips (no relation) of WHBQ, Uncle Richard of WMPS, and Sleepy Eyed John Lepley of WHHM. On July 7, 1954, Dewey Phillips played “That’s All Right” on his popular radio show “Red, Hot & Blue“. On hearing the news that Dewey was going to play his record, Presley went to the local movie theater to calm his nerves.
Interest in the record was so intense that Dewey reportedly played the record 14 times and received over 40 telephone calls. Presley was persuaded to go to the station for an on-air interview that night. Unaware that the microphone was live at the time, Presley answered Dewey’s questions, including one about which high school he attended: a roundabout way of informing the audience of Presley’s race without actually asking the question.
“That’s All Right” was officially released on July 19, 1954, and sold around 20,000 copies. This number was not enough to chart nationally, but the single reached number four on the local Memphis charts.
In July 2004, exactly 50 years after its first release, the song was finally released as a single in the United Kingdom, and entered the UK Singles Chart at Number 3. It also became a minor hit outside the UK, debuting and peaking at Number 31 in Australia and Number 33 in Ireland.
The Beatles version
The Beatles recorded the song for the Pop Go The Beatles radio show on 2 July 1963 at Maida Vale Studios in London. Their recording went unreleased until 1994 when it was released on Live at the BBC as “That’s All Right (Mama)“.
Although the Beatles had performed about thirty of Presley’s songs in their early years, only three were officially recorded, “I’m Gonna Sit Right Down and Cry (Over You)“, “I Forgot to Remember to Forget“, and “That’s All Right“; they all appear on Live at the BBC. […]
Paul McCartney recorded “That’s All Right (Mama)” in 1987 for his Choba B CCCP album. From the liner notes of this album:
That’s All Right Mama/Just Because
Paul sings Presley – and two songs from the birth of the legend when Elvis was signed to Memphis-based Sun Records. Owner/producer Sam C Phillips had insisted that if he could discover “a white man with the negro feel”, he’d become a millionaire. He felt that in 19-year-old Elvis Presley he had found such a person.
Paul’s ‘one-take sessions’ have much in common with how Phillips initially recorded Elvis live in the studio. As such, these two tracks come much closer to faithfully recreating the atmosphere synonymous with the legendary Sun Sound rather than concentrating on merely duplicating the sound and nothing else.
He recorded another version of it in 2000, along with Elvis Presley sideman / guitarist Scotty Moore, and drummer D.J. Fontana ; this version appeared on Good Rockin’ Tonight: The Legacy Of Sun Records.
Well, that's all right Mama
That's all right for you
That's all right Mama, just anyway you do
That's all right, that's all right
That's all right my Mama, anyway you do.
Mama she don't told me
Papa don't told me too
Son, that gal you're foolin' with
She ain't no girl for you
That's all right, that's all right.
That's all right my Mama, anyway you do
I'm leaving town, baby
I'm leaving town for sure
Then you won't be bothered with
Me hanging 'round your door
Well, that's all right, that's all right.
That's all right my Mama, anyway you do
Mama she don't told me,
Papa don't told me too
Son, that gal you're foolin' with,
She ain't no girl for you
That's all right, that's all right.
That's all right my Mama, anyway you do
I'm leaving town, baby
I'm leaving town for sure
Then you won't be bothered with
Me hanging 'round your door
Well, that's all right, that's all right.
That's all right my Mama, anyway you do
I'm leaving town, baby
I'm leaving town for sure
Then you won't be bothered with
Me hanging 'round your door
Well, that's all right, that's all right
That's all right my Mama, anyway you do.
That's all right my Mama, anyway you do.
Official album • Released in 1988
3:48 • Studio version • A
Paul McCartney : Bass, Producer, Vocal Mick Green : Guitar Chris Whitten : Drums Mick Gallagher : Piano Peter Henderson : Recording engineer
Session Recording: Jul 20, 1987 • Studio Hog Hill Studio, Rye, UK
Session Mixing: Jul 22, 1987 • Studio Hog Hill Studio, Rye, UK
Official album • Released in 1991
3:48 • Studio version • A
Paul McCartney : Bass, Producer, Vocal Mick Green : Guitar Chris Whitten : Drums Mick Gallagher : Piano Peter Henderson : Recording engineer
Session Recording: Jul 20, 1987 • Studio Hog Hill Studio, Rye, UK
Session Mixing: Jul 22, 1987 • Studio Hog Hill Studio, Rye, UK
Official live • Released in 1994
2:54 • Radio show • L1 • Written by Arthur ‘Big Boy’ Crudup, it was Elvis Presley’s first American single and sung by Paul as early as the skiffle days of the Quarrymen.
Paul McCartney : Bass, Vocals Ringo Starr : Drums John Lennon : Rhythm guitar George Harrison : Lead guitar
Concert From "Pop Go The Beatles" in London, United Kingdom on Jul 16, 1963
Good Rockin' Tonight: The Legacy Of Sun Records
Official album • Released in 2001
3:13 • Studio version • B
Paul McCartney : Bass, Vocals Scotty Moore : Guitar D.J. Fontana : Drums Frank Filipetti : Recording engineer Ahmet Ertegun : Producer
Session Recording: Mar 09, 2000 • Studio Sear Sound Studio, New York City
Live At The BBC (2013 remaster)
Official live • Released in 2013
2:54 • Radio show • L1.2013 • Written by Arthur ‘Big Boy’ Crudup, it was Elvis Presley’s first American single and sung by Paul as early as the skiffle days of the Quarrymen.
Paul McCartney : Bass, Vocals Ringo Starr : Drums John Lennon : Rhythm guitar George Harrison : Lead guitar Guy Massey : Remastering Alex Wharton : Remastering
Concert From "Pop Go The Beatles" in London, United Kingdom on Jul 16, 1963
Official album • Released in 2019
3:48 • Studio version • A • 2019 remaster
Paul McCartney : Bass, Producer, Vocal Mick Green : Guitar Chris Whitten : Drums Mick Gallagher : Piano Peter Henderson : Recording engineer Alex Wharton : Remastering
Session Recording: Jul 20, 1987 • Studio Hog Hill Studio, Rye, UK
Session Mixing: Jul 22, 1987 • Studio Hog Hill Studio, Rye, UK
It's Now Or Never (The Complete Russian Sessions)
Unofficial album • Released in 1990
3:42 • Studio version • A
Paul McCartney : Bass, Producer, Vocal Mick Green : Guitar Chris Whitten : Drums Mick Gallagher : Piano Peter Henderson : Recording engineer
Session Recording: Jul 20, 1987 • Studio Hog Hill Studio, Rye, UK
Session Mixing: Jul 22, 1987 • Studio Hog Hill Studio, Rye, UK
Driving Rain... In The New Century
Unofficial album • Released in 2002
3:48 • Studio version • B • New York, Paul on vocals and bass with Elvis Presley's sidemen Scotty Moore on guitar ad D.J. Fontana on drums. Produced by Ahmet Ertegun. The song was released 01-12-10 on "Good Rockin' Tonight: The Legacy Of Sun Records" (Warner/Sire 4344-31165-2).
Paul McCartney : Bass, Vocals Scotty Moore : Guitar D.J. Fontana : Drums Frank Filipetti : Recording engineer Ahmet Ertegun : Producer
Session Recording: Mar 09, 2000 • Studio Sear Sound Studio, New York City
The Beatles At The Beeb - Volume 4
Unofficial live • Released in 2003
2:56 • Live
Concert From "Pop Go The Beatles" in London, United Kingdom on Jul 16, 1963
A/B Road Complete Get Back Sessions - Jan 6th, 1969 - 1 & 2
Unofficial album • Released in 2004
0:53 • Rehearsal • Jan.06 - D2-15 - That's All Right 6.36
Session Recording: Jan 06, 1969 • Studio Twickenham Film Studios, London, UK
A/B Road Complete Get Back Sessions - Jan 21st, 1969 - 1 & 2
Unofficial album • Released in 2004
4:47 • Rehearsal • Medley with "My Baby Left Me" - Jan.21 - D2-05 - My Baby Left Me (That's Alright Mama) 21.3
Performed by : Paul McCartney • Ringo Starr • John Lennon • George Harrison
Session Recording: Jan 21, 1969 • Studio Apple Studios, 3 Savile Row, London
“That's All Right Mama” has been played in 1 concerts.
Jul 16, 1963 • Part of BBC Sessions
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
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