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Released in 1988

That's All Right Mama

Written by Arthur Crudup

Last updated on March 22, 2025


Album This song officially appears on the CHOBA B CCCP Official album.

Timeline This song was officially released in 1988

Master album

Related sessions

This song was recorded during the following studio sessions:

Other songs by Arthur Crudup

Related interview

From Wikipedia:

“That’s All Right” is a song written and originally performed by the American blues singer Arthur Crudup, and recorded in 1946. It was rereleased in early March 1949 by RCA Victor under the title “That’s All Right, Mama”, which was issued as RCA’s first rhythm and blues record on its new 45 rpm single format.

“That’s All Right” is best known as the debut single recorded and released by Elvis Presley. Presley’s version was recorded on July 5, 1954, and released on July 19, 1954, with “Blue Moon of Kentucky” as the B-side. It was ranked number 112 on the 2010 Rolling Stone magazine list of the “500 Greatest Songs of All Time”. Several critics have cited Presley’s version as a candidate for the first rock and roll record. In July 2004, exactly 50 years after it was first released, the song was re-released as a CD single in several countries, including the United Kingdom, where it reached number three.

In 1998, the 1954 recording by Elvis Presley was inducted into the Grammy Hall of Fame.

History

The song was written by Arthur “Big Boy” Crudup, and originally recorded by him in Chicago on September 6, 1946, as “That’s All Right”. Some of the lyrics are traditional blues verses first recorded by Blind Lemon Jefferson in 1926. Crudup’s recording was released as a single in April of 1947 on RCA Victor 20–2205, but was less successful than some of his previous recordings. One of the experts who consider the Crudup recording to be the “first rock and roll song” is Southeastern Louisiana University rock historian Joseph Burns, who adds that “this song could contain the first ever guitar solo break”.

At the same session, Crudup recorded a virtually identical tune with different lyrics, “I Don’t Know It”, which was also released as a single (RCA Victor 20–2307). In early March 1949, the song was rereleased under the title “That’s All Right, Mama” (RCA Victor 50–0000), which was issued as RCA’s first rhythm and blues record on its new 45 rpm single format, on bright orange vinyl.

Elvis Presley’s version was recorded in July 1954. While recording an album as part of a trio called The Blue Moon Boys, the band played “That’s All Right” in between takes, and the uptempo style characteristic of rockabilly caught the attention of studio executive Sam Phillips, who asked for a refinement of the interpretation that was later recorded. Its catalogue number was Sun 209. The song was released under its original title, “That’s All Right”, and names the performers as Elvis Presley, Scotty, and Bill. The Presley version was not identical to Crudup’s since it was “at least twice as fast as the original”. His version is considered by some music critics as one of the records that was the first in the rock n’roll genre.

Arthur Crudup was credited as the composer on the label of Presley’s single, but despite legal battles into the 1970s, reportedly never received royalties. An out-of-court settlement was supposed to pay Crudup an estimated $60,000 in back royalties, but never materialized. Crudup had used lines in his song that had been present in earlier blues recordings, including Blind Lemon Jefferson’s 1926 song “That Black Snake Moan”. A 2004 article in The Guardian argues that rather than Presley’s version being one of the first records of rock and roll, it was simply one of “the first white artists’ interpretations of a sound already well-established by black musicians almost a decade before […] a raucous, driving, unnamed variant of rhythm and blues”. A country music version by Marty Robbins peaked at number seven on the Billboard Hot Country Singles chart in 1955.

Elvis Presley’s recordingProduction

On the evening of July 5, 1954, during The Blue Moon Boys’ recording session at Sun Studio, Elvis Presley was on acoustic rhythm guitar, Scotty Moore was on electric lead guitar, and Bill Black was on string bass. During a break between recordings, Presley began improvising an up-tempo version of Arthur Crudup’s song “That’s All Right, Mama”. Black, on bass, joined, and the pair was soon joined by Moore’s guitar. Producer Sam Phillips, at the suddenly upbeat atmosphere, asked the three to start again so he could record it.

Presley’s first two visits to Sun Studio had been in the summer of 1953 and in January 1954, followed by two more visits in the summer of 1954. This recording session was Presley’s fifth visit. Produced in the style of a “live” performance—all parts performed at once and recorded onto one track—the recording contains no drums or additional instruments. Presley’s version has lyrics different from Arthur Crudup’s version. (In 1986, Sam Phillips recalled that when recording, Elvis changed some lyrics of songs.) The next evening, the trio recorded, in a similar style, “Blue Moon of Kentucky”, which became the “That’s All Right” single’s B side.

Elvis Presley’s recordingRelease

Sam Phillips gave copies of the acetate to local disc jockeys Dewey Phillips (no relation) of WHBQ, Uncle Richard of WMPS, and Sleepy Eyed John Lepley of WHHM. On July 7, 1954, Dewey Phillips played “That’s All Right” on his popular radio show “Red, Hot & Blue”. On hearing the news that Dewey was going to play his song, Presley went to the local movie theater to calm his nerves.

Interest in the song was so intense that Dewey reportedly played the acetate 14 times and received over 40 telephone calls. Presley was persuaded to go to the station for an on-air interview that night. Unaware that the microphone was live at the time, Presley answered Dewey’s questions, including one about which high school he attended: a roundabout way of informing the audience of Presley’s race without actually asking the question. “That’s All Right” was officially released on July 19, 1954, and sold around 20,000 copies. This number was not enough to chart nationally, but the single reached number four on the local Memphis charts. […]


According to Mark Lewisohn in “The Complete Beatles Chronicle“, The Beatles  – first as The Quarrymen –performed “That’s All Right (Mama)” regularly between 1957 and 1962, with Paul McCartney on lead vocals. However, no known recordings from that period exist.

The Beatles recorded “That’s All Right” for the radio show “Pop Go The Beatleson July 2, 1963, at Maida Vale Studios in London. Their recording went unreleased until 1994 when it was released on “Live at the BBC” as “That’s All Right (Mama)“.

On January 21, 1969, during the “Get Back” sessions, The Beatles played a version of Elvis Presley’s version of “That’s All Right,” in a medley with “My Baby Left Me,“ another song by Arthur Crudup.

In 1987, Paul McCartney recorded “That’s All Right (Mama)” for his “Choba B CCCP” album.

That’s All Right Mama/Just Because

Paul sings Presley – and two songs from the birth of the legend when Elvis was signed to Memphis-based Sun Records. Owner/producer Sam C Phillips had insisted that if he could discover “a white man with the negro feel”, he’d become a millionaire. He felt that in 19-year-old Elvis Presley he had found such a person.

Paul’s ‘one-take sessions’ have much in common with how Phillips initially recorded Elvis live in the studio. As such, these two tracks come much closer to faithfully recreating the atmosphere synonymous with the legendary Sun Sound rather than concentrating on merely duplicating the sound and nothing else.

From the liner notes of “Choba B CCCP

Paul recorded another version of it in 2000, along with Elvis Presley sideman / guitarist Scotty Moore, and drummer D.J. Fontana ; this version was released on Good Rockin’ Tonight: The Legacy Of Sun Records.


Lyrics

Well, that's all right Mama

That's all right for you

That's all right Mama, just anyway you do

That's all right, that's all right

That's all right my Mama, anyway you do.


Mama she don't told me

Papa don't told me too

Son, that gal you're foolin' with

She ain't no girl for you

That's all right, that's all right.

That's all right my Mama, anyway you do


I'm leaving town, baby

I'm leaving town for sure

Then you won't be bothered with

Me hanging 'round your door

Well, that's all right, that's all right.

That's all right my Mama, anyway you do


Mama she don't told me,

Papa don't told me too

Son, that gal you're foolin' with,

She ain't no girl for you

That's all right, that's all right.

That's all right my Mama, anyway you do


I'm leaving town, baby

I'm leaving town for sure

Then you won't be bothered with

Me hanging 'round your door

Well, that's all right, that's all right.

That's all right my Mama, anyway you do


I'm leaving town, baby

I'm leaving town for sure

Then you won't be bothered with

Me hanging 'round your door

Well, that's all right, that's all right

That's all right my Mama, anyway you do.


That's all right my Mama, anyway you do.

Variations

  • A • From "CHOBA B CCCP"
  • A1 Part of 1st "Choba B CCCP" medley used for promotional purposes.
  • B New York, Paul on vocals and bass with Elvis Presley's sidemen Scotty Moore on guitar ad D.J. Fontana on drums. Produced by Ahmet Ertegun. The song was released 01-12-10 on "Good Rockin' Tonight: The Legacy Of Sun Records" (Warner/Sire 4344-31165-2).
  • L1 Live version • "Pop Go The Beatles" • Jul 16, 1963 • From "Live At The BBC"
  • L1.2013 Live version • "Pop Go The Beatles" • Jul 16, 1963 • From "Live At The BBC (2013 remaster)"

Officially appears on

Bootlegs

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Videos

Live performances

That's All Right Mama” has been played in 1 concerts.

Latest concerts where “That's All Right Mama” has been played


Cover versions played during the "Get Back" sessions

"That's All Right Mama" was covered during The Beatles' "Get Back" sessions in January 1969. Here is the complete list of covers recorded by Paul McCartney, either alone or with other Beatles, during these sessions:


Going further

Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989

With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.

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