Album This song officially appears on the McCartney LP.
Timeline This song was officially released in 1970
Timeline This song was written, or began to be written, in 1969, when Paul McCartney was 27 years old)
This song was recorded during the following studio sessions:
Late December 1969 to Jan 03, 1970
"McCartney" sessions at Morgan Studios
Feb 12-20, 1970
"Working Classical" session for string quartet pieces
February 21-25th, 1999
Officially appears on McCartney
Officially appears on Red Rose Speedway
Apr 09, 1970 • From Apple Records
Paul McCartney On His Not-So-Silly Love Songs
Mar 16, 2001 • From Billboard
Paul and Linda McCartney retreat in Scotland
October 22 to December 1969
“The Lovely Linda” is the opening track of Paul McCartney’s debut solo album, “McCartney“, released in April 1970. From Wikipedia:
Paul McCartney wrote “The Lovely Linda” in Scotland during 1969, when he and wife Linda Eastman were living at their farm, High Park, in Campbeltown. The song is dedicated to McCartney’s first wife and was a reply-of-sorts to Beatles bandmate John Lennon’s public declarations of love for his wife, Yoko Ono. “The Lovely Linda” was released as the opening track on McCartney’s eponymous debut solo album, and was the first song taped for the album. McCartney recorded the composition shortly before Christmas in December 1969, in order to test his then-new 4-track recorder, which he had installed in his home studio in London. At 42 seconds, it is the shortest song in McCartney’s catalogue. […]
When the Studer 4 track was installed at home, this was the first song I recorded, to test the machine. On the first track was vocal and guitar, second – another acoustic guitar – then overdubbed hand slaps on a book, and finally bass. Written in Scotland, the song is a trailer to the full song which will be recorded in the future.
Paul McCartney, from the press release of “McCartney”, April 1970
The full song was never released. As McCartney explained in 2001:
That was when Linda and I first got together. The record is me playing around the house. You hear her walking through the living room doorway out to the garden, and the door squeaks at the end of the tape. That’s one of the songs from my personal experience, with “the flowers in her hair.” She often used to wear flowers in her hair, so it’s a direct diary. I was always going to finish it, and I had another bit that went into a Spanish song, almost mariachi, but it just appeared as a fragment and was quite nice for that reason. It opened the “McCartney” album, so it’s evocative of it now.
Paul McCartney, interview with Billboard, 2001
In the opening track, The Lovely Linda, you can hear the door squeak as Linda came in while I was recording. It was a good take, so we left it in.
Paul McCartney in the “Wingspan” documentary, 2001
Did you feel scared when “McCartney” was released, since that was your debut and the first song was pegged at you?
Linda McCartney: No. I didn’t take it as seriously as I probably should have. I think it was good copy at the lime to slag everything. Everybody was getting slugged, the Beatles were getting slagget. I personally didn’t realize you had to explain yourself a lot once you get in the public eye. I just carried on with my normal life, like I had in New York, and I just got all this slagging. It never really brought me down much, though.
Linda McCartney – From Paul McCartney in His Own Words, by Paul Gambaccini
“The Lovely Linda” was reworked as a classical piece in 1999, and released on “Working Classical“.
In 2001, Paul McCartney improvised a version of “The Lovely Linda” on acoustic guitar which appeared on a radio show to promote the “Wingspan” compilation and on the Wingspan TV special.
On a side note: When The Beatles filmed “Magical Mystery Tour” in September 1967, John Lennon, assisted by George Harrison, directed a sequence at the hotel where Happy Nat the Rubber Man (played by Nat Jackley) chased bikini-clad women around the swimming pool. This sequence didn’t make it into the final film, except for a two-second appearance of a girl in a bikini, nicknamed “The Lovely Linda“.
The Beatles later decided to scrap John’s entire poolside footage which finished on a cutting room floor in Soho rather than on the world’s TV screens. Only one of the bikini girls, one we had nicknamed The Lovely Linda, survived the editor’s scissors to make a blink-and-you-miss-her split-second appearance elsewhere in the finished product waving from a tower window.
Tony Barrow – From “The Making of The Beatles’ Magical Mystery Tour” by Tony Barrow, 1999
La, la, la, la, la the lovely Linda,
with the lovely flowers in her hair.
La, la, la, la, la the lovely Linda,
with the lovely flowers in her hair.
LP • Released in 1970
0:46 • Studio version • A • Stereo
Paul McCartney : Acoustic guitar, Bass, Percussion, Producer, Recording engineer, Vocals Phil McDonald : Mixing engineer
Session Recorded: Late December 1969 • Studio At home, Cavendish Avenue, London
Session Mixing: Feb 21, 1970 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
McCartney (by DCC Compact Classics)
CD • Released in 1992
0:46 • Studio version • A1992 • Stereo • 1992 remaster
Paul McCartney : Acoustic guitar, Bass, Percussion, Producer, Recording engineer, Vocals Phil McDonald : Mixing engineer Steve Hoffman : Remastering
Session Recorded: Late December 1969 • Studio At home, Cavendish Avenue, London
Session Mixing: Feb 21, 1970 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Official album • Released in 1993
0:46 • Studio version • A1993 • Stereo • 1993 remaster
Paul McCartney : Acoustic guitar, Bass, Percussion, Producer, Recording engineer, Vocals Phil McDonald : Mixing engineer Peter Mew : Remastering
Session Recorded: Late December 1969 • Studio At home, Cavendish Avenue, London
Session Mixing: Feb 21, 1970 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Official album • Released in 1999
0:55 • Classical version • B
Paul McCartney : Executive producer Eddie Klein : Recording engineer Keith Smith : Recording engineer Steve Rooke : Mastering Krista Bennion Feeney : First violin Anca Nicolau : Second violin Joanna Hood : Viola Myron Lutzke : CelloPerformed by : Loma Mar Quartet John Fraser : Producer Roberto Pansera : Arranger Arne Akselberg : Balance engineer Paul Baily : Editor Caroline Haigh : Editor
Session Recording: February 21-25th, 1999 • Studio EMI Studios, Studio One, Abbey Road
Wingspan Hits And History (US version)
Official album • Released in 2001
0:46 • Studio version • A2001 • 2001 remaster
Paul McCartney : Acoustic guitar, Bass, Percussion, Producer, Recording engineer, Vocals Geoff Emerick : Remastering Phil McDonald : Mixing engineer Peter Mew : Remastering
Session Recorded: Late December 1969 • Studio At home, Cavendish Avenue, London
Session Mixing: Feb 21, 1970 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Wingspan Hits And History (Japanese version)
Official album • Released in 2001
0:46 • Studio version • A2001 • 2001 remaster
Paul McCartney : Acoustic guitar, Bass, Percussion, Producer, Recording engineer, Vocals Geoff Emerick : Remastering Phil McDonald : Mixing engineer Peter Mew : Remastering
Session Recorded: Late December 1969 • Studio At home, Cavendish Avenue, London
Session Mixing: Feb 21, 1970 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Official album • Released in 2001
0:46 • Studio version • A2001 • 2001 remaster
Paul McCartney : Acoustic guitar, Bass, Percussion, Producer, Recording engineer, Vocals Geoff Emerick : Remastering Phil McDonald : Mixing engineer Peter Mew : Remastering
Session Recorded: Late December 1969 • Studio At home, Cavendish Avenue, London
Session Mixing: Feb 21, 1970 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
McCartney - Archive Collection
Official album • Released in 2011
0:46 • Studio version • A2011 • Stereo • 2011 remaster
Paul McCartney : Acoustic guitar, Bass, Percussion, Producer, Recording engineer, Vocals Phil McDonald : Mixing engineer Guy Massey : Remastering Steve Rooke : Remastering Simon Gibson : Remastering
Session Recorded: Late December 1969 • Studio At home, Cavendish Avenue, London
Session Mixing: Feb 21, 1970 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
LP • Released in 2017
0:46 • Studio version • A2011 • Stereo • 2011 remaster
Paul McCartney : Acoustic guitar, Bass, Percussion, Producer, Recording engineer, Vocals Phil McDonald : Mixing engineer Guy Massey : Remastering Steve Rooke : Remastering Simon Gibson : Remastering
Session Recorded: Late December 1969 • Studio At home, Cavendish Avenue, London
Session Mixing: Feb 21, 1970 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Official album • Released in 2020
0:46 • Studio version • A2020 • 2020 half-speed mastering
Paul McCartney : Acoustic guitar, Bass, Percussion, Producer, Recording engineer, Vocals Phil McDonald : Mixing engineer Miles Showell : Mastering
Session Recorded: Late December 1969 • Studio At home, Cavendish Avenue, London
Session Mixing: Feb 21, 1970 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Where Footprints Never Go - Unofficial Rarities - Ultimate Archive Collection
Unofficial album • Released in 2016
0:35 • Live • L1 • From "Wingspan Memorial Day Special" radio show
Concert From "Wingspan: Memorial Day Weekend Special" in , USA on May 25, 2001
Unofficial album • Released in 2004
0:34 • Live • L1 • From "Wingspan Memorial Day Special" radio show
Concert From "Wingspan: Memorial Day Weekend Special" in , USA on May 25, 2001
Together On Stage: "Adopt-A-Minefield"
Unofficial live • Released in 2001
0:55 • Live • L1 • From "Wingspan Memorial Day Special" radio show
Concert From "Wingspan: Memorial Day Weekend Special" in , USA on May 25, 2001
McCartney - Ultimate Archive Collection
Unofficial album • Released in 2015
0:46 • Studio version • A2011
Paul McCartney : Acoustic guitar, Bass, Percussion, Producer, Recording engineer, Vocals Phil McDonald : Mixing engineer
Session Recorded: Late December 1969 • Studio At home, Cavendish Avenue, London
Session Mixing: Feb 21, 1970 • Studio EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
“The Lovely Linda” has been played in 1 concerts.
Wingspan: Memorial Day Weekend Special
May 25, 2001 • USA • Radio show
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
Notice any inaccuracies on this page? Have additional insights or ideas for new content? Or just want to share your thoughts? We value your feedback! Please use the form below to get in touch with us.