Released in 2017
Written by Paul McCartney • Declan MacManus / Elvis Costello
Last updated on January 31, 2020
Album This song officially appears on the Flowers In The Dirt - Archive Collection Official album.
Timeline This song was officially released in 2017
This song was recorded during the following studio sessions:
Recording batch 1 of demos with Elvis Costello
Sep 03, 1987
Officially appears on Flowers In The Dirt - Archive Collection
Officially appears on Flowers In The Dirt - Archive Collection
“Twenty Fine Fingers” is one of the three songs (the other ones being “Tommy’s Coming Home” and “I Don’t Want To Confess“) written by McCartney and Costello that haven’t been officially released until 2017, and their appearance on the Flower In The Dirt reissue. The original demo first appeared in 1998 on the bootleg The McCartney – MacManus Collaboration, but was then mistitled as “Twenty-Five Fingers” (the real title was finally revealed in April 2013 when the song was registered in the U.S. Copyright Office).
According to Elvis Costello, in his autobiography “Unfaithful Music & Disappearing Ink“, “Twenty Fine Fingers” was written on the same day as “Pad, Paws And Claws“:Paul now called for some more writing sessions, spread over a few days. This would mean having to stay overnight near the studio. I didn’t much venture out into the countryside in those days. When we’d mixed Punch the Clock outside of London, I’d asked a local cabdriver what people did for fun in the nearby village and he’d replied, “Oh, it’s all wife-swapping and witchcraft around here.”
I’ d always suspected as much.
But this wasn’t going to be like 1977, when I had to kip on a broken sofa in Clover’s rat-infested rehearsal room. I was sleeping in a nice feather bed in the Richard Burton and Elizabeth Taylor Suite of a quaint local inn. I don’t know what legend was attached to the name on the door of the room, but it was just big enough for a four-poster bed and an ice bucket.
On my first night there, I walked into the bar for a glass of tonic and bitters. A sightless, slumbering dog, wheezing by the fire, caught the scent of my wretched soul and began barking and snarling at me. It then hauled itself up on all fours with considerable effort.
“Don’t worry about him, he wouldn’t hurt a fly,” said the landlord. “He’s as blind as a bat.”
At which the Pew-like Alsatian reared up on its hind legs, pinning me against the flocked wallpaper with its fore paws. The grey film of cataracts obscured its eyes, but its slobbering muzzle seemed to be working fine, and the dog seemed determined to locate my neck in order to sink in a fang.
“Ah, he’s just playing with you, the silly old sod,” the landlord declared as he balled up a beer-soaked tap cloth and aimed it at the beast.
The next day we wrote “Pads, Paws and Claws” – which took its title from a children’s book about big cats that I’d found in a junk shop, rather than immortalizing my encounter with the hellhound of Rye – then we dashed off a little rock and roll tune called “Twenty Fine Fingers.”
We were now working on two or three songs a day. Whenever Paul and I completed a number, we’d go downstairs to the recording studio on the ground floor and cut a demo with just two guitars or the piano.
They remain the most vivid and uncluttered versions of our songs.
Twenty fine fingers baby
I love your nails I love your touch
I love to touch you baby
It never fails to kill me
Some say gimme five
But I’ll give you ten
You could make it twenty
But you’re holding out again
Think it over think it over baby
Well think it over think it over baby
I will always love you
That can’t be denied
Love you up until the day
That heaven knows I’ve tried
For the time being I will tell you this
I’d love to love you love to love you
But there’s something missing
Baby listen unconditionally
Put your hand in my hand and surrender to me
Think it over think it over baby
Well think it over think it over baby
Twenty fine fingers feel so divine
Twenty fine fingers wish you were mine
Wish you were mine
Well so our hands met and twenty fingers entwined
I couldn’t help I couldn’t help but see
She didn’t quite believe me
She said listen cause there’s one little thing
Where did you get that lovely wedding ring
Think it over think it over baby
Well think it over think it over baby
Some things are forbidden
Never meant to be
Well that might be all right for you
But not for you and me
Twenty fine fingers feel so divine
Twenty fine fingers wish you were mine
Wish you were mine
Wish you were mine (twenty fine fingers)
Wish you were mine (twenty fine fingers)
Wish you were mine (twenty fine fingers)
Wish you were mine (twenty fine fingers)
Wish you were mine (twenty fine fingers)
Wish you were mine (twenty fine fingers)
Wish you were mine (twenty fine fingers)
Wish you were mine (twenty fine fingers)
Flowers In The Dirt - Archive Collection
Official album • Released in 2017
2:28 • Demo • A • Original Demo
Performed by : Paul McCartney • Elvis Costello Paul McCartney : Producer Eddie Klein : Recording engineer
Session Recording: Sep 03, 1987 • Studio Hog Hill Studio, Rye, UK
Flowers In The Dirt - Archive Collection
Official album • Released in 2017
2:46 • Demo • B • 1988 Demo
Paul McCartney : Acoustic guitar, Backing vocals, Producer, Vocals Hamish Stuart : Backing vocals, Electric guitar, Vocals Chris Whitten : Drums Elvis Costello : Producer, Vocals Peter Henderson : Recording engineer Kevin Armstrong : Electric guitar, Vocals Richard Moakes : Assistant recording engineer
Session Recording: Jan 26, 1988 • Studio Hog Hill Studio, Rye, UK
Unofficial album • Released in 2004
2:28 • Demo • McCartney & Costello demo
Recording : Spring-Summer '87
Paul McCartney has never played this song in concert.
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