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What's The New Mary Jane

Written by Lennon - McCartney

Last updated on September 19, 2021


Album This song officially appears on the Anthology 3 Official album.

Master album

Related sessions

This song was recorded during the following studio sessions:

Other Beatles songs with no contribution from McCartney

What’s the New Mary Jane” is one of the rare Beatles song without any involvement from Paul McCartney. Written by John Lennon, it is still credited to “Lennon – McCartney”.

That was me, Yoko, and George sitting on the floor at EMI fooling around. Pretty good, huh?

John Lennon

From Wikipedia:

What’s the New Mary Jane” is a song written by John Lennon (credited to Lennon–McCartney) and performed by the English rock band the Beatles. It was recorded in 1968 during sessions for the double album The Beatles (also known as “the White Album”), but did not appear on that album.

Recording

An early acoustic demo of “What’s the New Mary Jane” was recorded in late May 1968, at George Harrison’s Esher home. It featured Lennon singing an octave higher than the final cut, placing the chorus at the very beginning as well as throughout, and switching the words “cooking” and “groovy” in the second verse:

She liked to be married to yeti, he cooking such groovy spaghetti.

As opposed to:

She liked to be married with yeti, he grooving such kooky spaghetti.

Another member of the Beatles can also be heard shouting “What’s the new Mary Jane? Oh, my goodness!” near the end of the demo. This variation is notably shorter than the released version, clocking in at around 2:40.

The final version of this song was recorded on 14 August 1968 during the recording sessions for the Beatles tenth album The Beatles (aka “The White Album”), with Lennon and Harrison being the only band members playing on the track. Four takes were recorded with the final being marked as the best. It was later mixed in mono on 26 September with “Glass Onion“, “Happiness Is a Warm Gun“, and “I Will” and in stereo on 14 October before being added to the shortlist for the new album. However, during the album’s final mixing stage, it was dropped due to time constraints, bringing the album down to 30 songs.

During an interview, Lennon commented on “What’s the New Mary Jane”, saying, “That was me, Yoko, and George sitting on the floor at EMI fooling around. Pretty good, huh?”

Release

After the release of The Beatles, Lennon was still adamant about releasing the song. On 26 November 1969, he and his wife Yoko Ono recorded further overdubs with plans for it to be issued as a single by the Plastic Ono Band alongside another unreleased song at the time, “You Know My Name (Look Up the Number)“, which was eventually issued as the B-side of the Beatles’ “Let It Be” single in 1970. When the other Beatles heard of his plans to release a Beatle track under his own band’s name, however, the single was pulled. The song was remixed for inclusion on the album Sessions in 1985, but the album was never released due to objections by the surviving Beatles. The song, more than six minutes long, was not made available until 1996, on Anthology 3. The much shorter first take of the song, without the sound effects added by Lennon and Ono, was later included on the 50th anniversary reissue of The Beatles in 2018, along with the May 1968 demo.

Song structure

The song has three verses and a chorus (“What a shame, Mary Jane had a pain at the party”) and then about 3 minutes consisting of avant garde sound effects. The track ends with a comment from Lennon: “That’s it, before we get taken away”. (Part of the word “away” is cut off.)

Magic Alex

In a 1969 interview with NME, Lennon credited head of Apple Electronics and friend Magic Alex with writing half of the song, though this credit was later revoked without explanation. […]

WHAT’S THE NEW MARY JANE – Again a recording you WON’T hear on the new LP, but I thought you’d like to have my notes on it in any case. Very strange this one. John thought it up and John sings it. Outbreaks of raucous laughter here and there and many instrumental sounds. Gets quite chaotic at times but it’s a controlled sort of Lennon chaos! The theme of the words? Well, you listen and you decide but it’s a shame Mary Jane had a pain at the party!

Mal Evans – From the Beatles Monthly Book, N°64, November 1968

Lyrics

She looks as an African Queen

She eating twelve chapattis and cream

She tastes as Mongolian lamb

She coming from out of Bahran


What a shame Mary Jane had a pain at the party

What a shame Mary Jane what a shame Mary Jane had a pain at the party


She like to be married with Yetti

He grooving such cookie spaghetti

She jumping as Mexican bean

To make that her body morphine


What a shame Mary Jane had a pain at the party

What a shame Mary Jane what a shame Mary Jane had a pain at the party


She catch Patagonian pancake

With that one and gin party makes

She having always good contact

She making with Apple and contract


What a shame Mary Jane had a pain at the party

What a shame Mary Jane what a shame Mary Jane had a pain at the party

All together now


What a shame Mary Jane had a pain at the party

What a shame what what a shame Mary Jane had a pain at the party

What a shame what a shame what a shame what a shame

Mary Jane had a pain at the party

What a shame what a shame what a shame what a shame

Mary Jane had a pain at the party

What a shame what a shame Mary Jane had a pain at the party

What a shame what a shame what a shame

Mary Jane had a pain at the party

What a shame Mary Jane Mary Jane had a pain at the party

What a shame Mary Jane what a shame Mary Jane had a pain at the party

What a shame Mary Jane what a shame


She looks as an African Queen

She tastes as Mongolian lamb


What a shame Mary Jane what a shame Mary Jane had a pain at the party

All together now

What a shame Mary Jane had a pain at the party

What a shame what what a shame Mary Jane had a pain at the party

What a shame what a shame what a shame what a shame

Variations

Officially appears on

  • Anthology 3

    Official album • Released in 1996

    6:12 • OuttakeA • Stereo • Take 4. What's The New Mary Jane was in the running for a place on the White Album but fell at the final hurdle - remaining unissued until now. The piece was John's, and, of the four Beatles, only he and George are present. Contrary to its seemingly free-form nature, What's The New Mary Jane had a pre-planned structure, the other takes recorded at this EMI session - and also a demo recorded at Esher three months previously - proving so. The Anthology version is Take 4, the one marked "best" on the tape box at the end of the evening's work in number two studio at Abbey Road, featuring double-tracked piano and vocals (John), double-tracked guitar (George), and multitudinous sound effects contributed by Yoko Ono and the Beatles' assistant Mal Evans.

    John Lennon : Piano, Vocals George Harrison : Acoustic guitar George Martin : Producer Mal Evans : Accordion, Football rattle, Hand bell, Ripping paper percussion, Swanee whistle, Tambourine, Vibraphone Yoko Ono : Accordion, Football rattle, Hand bell, Ripping paper percussion, Swanee whistle, Tambourine, Vibraphone, Vocals Ken Scott : Recording engineer

    Session Recording: Aug 14, 1968 • Studio EMI Studios, Studio Two, Abbey Road

  • Anthology 3 (2016 remaster)

    Official album • Released in 2016

    6:12 • OuttakeA2016 • Stereo • Take 4. What's The New Mary Jane was in the running for a place on the White Album but fell at the final hurdle - remaining unissued until now. The piece was John's, and, of the four Beatles, only he and George are present. Contrary to its seemingly free-form nature, What's The New Mary Jane had a pre-planned structure, the other takes recorded at this EMI session - and also a demo recorded at Esher three months previously - proving so. The Anthology version is Take 4, the one marked "best" on the tape box at the end of the evening's work in number two studio at Abbey Road, featuring double-tracked piano and vocals (John), double-tracked guitar (George), and multitudinous sound effects contributed by Yoko Ono and the Beatles' assistant Mal Evans.

    John Lennon : Piano, Vocals George Harrison : Acoustic guitar George Martin : Producer Mal Evans : Accordion, Football rattle, Hand bell, Ripping paper percussion, Swanee whistle, Tambourine, Vibraphone Yoko Ono : Accordion, Football rattle, Hand bell, Ripping paper percussion, Swanee whistle, Tambourine, Vibraphone, Vocals Ken Scott : Recording engineer

    Session Recording: Aug 14, 1968 • Studio EMI Studios, Studio Two, Abbey Road

  • The Beatles (50th anniversary boxset)

    Official album • Released in 2018

    2:42 • DemoB • Esher Demo

    Giles Martin : Mixing engineer, Producer

    Session Recording: Late May 1968 • Studio George Harrison's Home, Kinfauns, Esher, Surrey, UK

  • The Beatles (50th anniversary boxset)

    Official album • Released in 2018

    2:06 • OuttakeC • Take 1

    John Lennon : Piano, Vocals George Harrison : Acoustic guitar George Martin : Producer Giles Martin : Mixing engineer, Producer Mal Evans : Accordion, Football rattle, Hand bell, Ripping paper percussion, Swanee whistle, Tambourine, Vibraphone Yoko Ono : Accordion, Football rattle, Hand bell, Ripping paper percussion, Swanee whistle, Tambourine, Vibraphone, Vocals Ken Scott : Recording engineer

    Session Recording: Aug 14, 1968 • Studio EMI Studios, Studio Two, Abbey Road

Bootlegs

  • Sessions

    Unofficial album • Released in 2011

    6:06 • Alternate take • What\'s The Mary Jane

Live performances

Paul McCartney has never played this song in concert.

Paul McCartney writing

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