Being For The Benefit of Mr. Kite!

1:05 • Outtake • C • Takes 1 and 2. The recordings presented here come from that initial Abbey Road session, 17 February 1967, when the Beatles cut seven takes, beginning with the above dialogue that introduced Take 1, and the performance that followed and immediately broke down. Then there is Take 2, which also broke down, and the ensuing conversation wherein Paul offered John some direction.

Paul McCartney : Bass Ringo Starr : Drums John Lennon : Lead vocals George Harrison : Tambourine George Martin : Harmonium, Producer Geoff Emerick : Recording engineer

Session Recording: Feb 17, 1967 • Studio EMI Studios, Studio Two, Abbey Road

2:34 • Outtake • D • The next cut, Take 7, formed the basic for the eventual master (which was Take 9), opening with George Martin encouraging the Beatles to perform, and then pumping away at the harmonium which he played on the track. Near to the end, this recording is crossfaded with an organ and calliope effects tape, prepared on 20 February, that formed part of the final master but is clearer in this new mix.

Paul McCartney : Backing vocals, Bass Ringo Starr : Drums John Lennon : Lead vocals George Harrison : Backing vocals, Tambourine George Martin : Harmonium, Producer Geoff Emerick : Recording engineer

Session Recording: Feb 17, 1967 • Studio EMI Studios, Studio Two, Abbey Road

Session Recording: Feb 20, 1967 • Studio EMI Studios, Studio Three, Abbey Road

1:05 • Outtake • C2016 • Takes 1 and 2. The recordings presented here come from that initial Abbey Road session, 17 February 1967, when the Beatles cut seven takes, beginning with the above dialogue that introduced Take 1, and the performance that followed and immediately broke down. Then there is Take 2, which also broke down, and the ensuing conversation wherein Paul offered John some direction.

Paul McCartney : Bass Ringo Starr : Drums John Lennon : Lead vocals George Harrison : Tambourine George Martin : Harmonium, Producer Geoff Emerick : Recording engineer

Session Recording: Feb 17, 1967 • Studio EMI Studios, Studio Two, Abbey Road

2:34 • Outtake • D2016 • The next cut, Take 7, formed the basic for the eventual master (which was Take 9), opening with George Martin encouraging the Beatles to perform, and then pumping away at the harmonium which he played on the track. Near to the end, this recording is crossfaded with an organ and calliope effects tape, prepared on 20 February, that formed part of the final master but is clearer in this new mix.

Paul McCartney : Backing vocals, Bass Ringo Starr : Drums John Lennon : Lead vocals George Harrison : Backing vocals, Tambourine George Martin : Harmonium, Producer Geoff Emerick : Recording engineer

Session Recording: Feb 17, 1967 • Studio EMI Studios, Studio Two, Abbey Road

Session Recording: Feb 20, 1967 • Studio EMI Studios, Studio Three, Abbey Road

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Soundcheck

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3:22 • Studio version • E • As the title suggests, the track contains the whole of "Being For the Benefit of Mr. Kite", the guitars from "I Want You (She's So Heavy)" and heavily delayed vocals from "Helter Skelter". This track also contains horse sounds from "Good Morning, Good Morning", harmonium and other elements from "Cry Baby Cry" and laughter from "Piggies".

George Martin : Producer Giles Martin : Producer Paul Hicks : Remix engineer Sam Okell : Remix engineer assistant Chris Bolster : Remix engineer assistant Mirek Stiles : Remix engineer assistant

Session Mixing: Circa 2004-2006 • Studio EMI Studios, Abbey Road

Details & description coming from Wikipedia

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